Happy October! Tonight, the full Hunter’s Moon is shining side by side with Jupiter at its closest and brightest, and Halloween is coming up fast.
I’ve always been inspired by things associated with this time of year. Magic and the occult. Myths and monsters. Dreams and the night. The masks we wear and what lies beneath them. And above it all, the beautiful, changing, eternal Moon.
To start the celebration of my favorite month and my favorite season, here is a selection of artworks I’ve made through the years, exploring these themes.
I’ve had an unusually productive two weeks since launching my newsletter. The thing must be magic! Here are some of the highlights, including a new work for another upcoming exhibition.
I’m going to be binding some new journals and re-binding some older books, so I made a selection of paste papers for them, which led to me playing around with the paste paint. That resulted in some not too bad monochromatic landscapes, which then led to shades of the color blue scrolling through my mind. A certain dusky shade of blue-gray struck me as perfect for a collage that had been simmering in my mind for some time, so I set about inventing the color with layers of paint and dyed tissue paper. The resulting collage of geese flying across the moon will be shown with the Brickbottom Artists Association summer exhibition, which just happens to be on the theme of “BLUE.” That will be shown online from mid-July. See the Home page for details.
I finished an additional collage today – The Death of Orpheus – but I did it on paper so I could experiment with a new pasting technique to prevent warping. Fingers crossed on that one. Two more collages on canvas are in the works, inspired by views from my studio window – one a particularly spectacular spring morning, the other a rather spectacular super moon.
Nature has been pushing me along. These past weeks have been full of moon views and thunder storms. The garden is filling up with flowers, bees, butterflies, and rabbits. My landlords’ mulberry tree, outside our kitchen window, is bent under the weight of fruit and crowded with birds and animals. And all day today, my landlords’ dogwood, outside my studio window, hosted two fledgling mockingbirds fresh out of the nest, crying for food as their parents came and went, stuffing them with mulberries.
I can’t help feeling a little allegorical. I took the lesson of these weeks from the text on the collage of the geese, adapted from a Siberian shaman’s song:
“The birds’ way of returning, The birds’ way of leaving behind the sea, If I lean on these ways, I find support for my legs.”
Where are you finding support in these difficult times? Drop a comment and let me know what flashes or colors or things outside your window keep you going. If you have any questions about the works below, I’ll be happy to answer.
Also, issue #2 of the newsletter is scheduled for around July 16th. Sign up now for more updates and exclusive content.
Estuary Moon, part of the Mystic River Project and Cities
Death of Orpheus, part of Literary Works, another experiment