On Being a Regular

Tremont Street, Boston, in June, collage on board, detail. I used to work down there.

An acquaintance of mine, poet and columnist Doug Holder, recently posed a question on social media: Have you ever been a regular, and what does that mean to you?

He was responding to an article in Esquire, โ€œThe Lost Art of Being a Regular,โ€ by Mark Allen Burger. Itโ€™s paywalled (fair enough). Check your public library if youโ€™d like to read it. In any eventโ€ฆ

I realized that being a regular may indeed be a lost art, at least in the US. People my age are forgetting what it was like, and younger people never knew.

I further realized that we should probably revive this lost art, because we are entering a time when weโ€™re going to need it.

Being a regular is a status relative to another person. Itโ€™s an earned title. You become a regular when someone else says you are, based on your interactions with them.

Itโ€™s a word belonging mostly to commerce, but it has the effect of de-business-ing business, of personalizing the impersonal. Itโ€™s a humanizing word that shifts the focus from transaction to relationship.

But what is it? How does it happen, and how does it work? Iโ€™ll tell you about my own experience.

Coffee and a Newspaper

In my home town, New York City, I commuted to work by the same route every weekday, along with thousands of other people, from Queens into Manhattan. Every morning, I stopped at the newsstand at the top of the stairs into the subway and bought the NY Times. I then went downstairs and stopped at the coffee stand in the station to get a regular coffee with milk and one sugar. I then continued down to the train with my paper and my coffee.

Beyond requesting my paper and ordering my coffee, and saying thank-you, I never spoke to anyone and barely made eye contact because thatโ€™s how we rolled in NYC.

And yet one day, I got to the newsstand, and my Times was folded and waiting for me, along with the papers of other regulars. I just had to put down my money and take it.

In about the same time period, I got down to the coffee stand one day and found my coffee waiting for me on the counter – regular, milk, one sugar, hot and fresh because the guy knew what time Iโ€™d be there.

We still didnโ€™t talk to each other beyond me saying thank-you, which was now all I had to say.

I realized suddenly that I was part of the scene, the community. Despite the traditional New York conversation-avoidance, I was remembered, recognized. I was known to these people. If I ever went missing, those guys along my daily commute would be able to help the cops pinpoint just where and when Iโ€™d vanished.

A little while after that social breakthrough, I had another. I worked in those days in the financial district, near Wall Street. Back then, the work day was 9 to 5 with a lunch break from 12 to 1. This was universal. So every day, the narrow streets of lower Manhattan would be crammed with people arriving to work, then become empty and silent, then get crammed with people going out for lunch, then become empty and silent again, then get crammed with people going home, and then stay empty and silent overnight. (I know about overnight because sometimes my friends and I would wander around down there to decompress after getting out of the Village dance clubs, and it was just us and the rats and the ghost of Peter Stuyvesant.)

Peter Stuyvesant, still a regular on the lower Manhattan scene. Quick pastel sketch from a portrait, c. 1660, attr. Couturier.

Those crammed hours were absolute madness, and the lunch rush was the craziest because the traffic was less orderly than the morning and evening rushes.

Near the office where I worked stood a hamburger and hot dog joint. It was a tiny little storefront on the corner that only cooked 2 or 3 things with 2 or 3 variations each, and it was only open for lunch. What little they did, they did extremely well, though, and the place was incredibly popular, so much so that they had to create a hyper-efficient way to process customers in the limited lunch-rush time window.

They had one line going in the double-door entrance and another line going out. Youโ€™d ride the in-line to the counter (where there were always a few crusty old dudes eating in), and place your order with the guy who would shout it out to the short-order cooks at the grill behind him. Then youโ€™d step to your left and pay and receive your food, which would be ready and bagged in seconds because they were already cooking everything on the menu. Then youโ€™d turn around and ride the out-line back to the street.

They gave this service to literally hundreds of people within the space of a single hour.

Now, granted, Iโ€™m a creature of habit, and I had my favorite thing that I would get from that place every time I went, up to three days a week because it was cheap as well as good.

But still – hundreds of customers on a virtual conveyor belt every single lunch rush.

And yet a day came, surprisingly quickly, when I got up to the counter, and the guy said, โ€œThe usual?โ€

Stunned, I said, โ€œYes, thanks.โ€ And he turned and shouted out exactly what I wanted. I will never comprehend how, out of that sea of humanity all getting burgers and hot dogs, he could remember anyoneโ€™s order or face, but the man obviously had the power of professionalism.

Thatโ€™s what being a regular means to me. It means being a noticed presence in the spaces you occupy and move through. It means being recognized by identity markers unique to you. Small woman with long, dark hair. New York Times. Regular coffee, milk, one sugar, 7:30 AM. Hot dog, heavy mustard, sauerkraut, ginger ale. It means being part of someoneโ€™s world enough that they add you to their schedule. They prepare for you, reserve space for you. You become part of the easy, efficient flow of their work. You are expected, and missed when you donโ€™t show up.

Sometimes, it can be moments like the time the delivery guy from our favorite Chinese restaurant came to our apartment by mistake. He was going to another apartment in our large building, but his feet carried him to our door by sheer force of habit, and he didnโ€™t realize it until we were all looking at each other in confusion. And then we laughed.

All Our Third Places

Whether youโ€™re in and out in 30 seconds or you stick around for hours, anywhere that youโ€™re a regular becomes a โ€œthird placeโ€ in your territory.

Third places, a concept developed by sociologist Ray Oldenburg, are spaces for free, informal, social interaction, additional to home and work. Itโ€™s your coffee shop, pub, park, bookstore, basketball court, hair salon, etc. I argue they can also be transitional spaces on routes we travel frequently, turning the route itself into a third place. Hereโ€™s a free article about the importance of third places by Ray Oldenburg and Karen Christensen in the UNESCO Courier.

Being a regular at a place grants you a certain emotional ownership of it. Something about it is now yours. Your paper, your coffee, your lunch, your time slot. Eventually, you might even have your table by the window, your pizza combo added to the menu with your name on it.

The day I became a regular at the news and coffee stands granted me ownership over my commute. That route became part of my home turf. I could relax and enjoy my morning that little bit more. I felt comfortable enough to look around and begin to recognize other regulars I shared it with, who also ceased to be strangers just by dint of being seen every day.

Has that ever happened to you?

Has a barista anticipated your order? Maybe your favorite Thai restaurant knows how spicy you like your drunken noodles. Is there a shop you spend so much time in that when a newbie asks for help, you take care of them before revealing that you donโ€™t work there? Do you see the same joggers and families at the park every Saturday, and do they see you?

How many such third places do you have? Probably fewer now than before the pandemic. Covid cut us off from so much that was regular about our lives, but it was just the knock-out punch. It was already getting harder to become a regular before that disaster.

Our digitized, virtual, automated world yaps endlessly about connection and community, but it doesnโ€™t want us to go anywhere or meet anyone. We save our coffee order to the app, but the app wonโ€™t anticipate our arrival or remark on our absence. The worker wonโ€™t connect our face to our cup. Weโ€™re responding only to the apps, not each other.

One-click ordering. Frictionless payment. Contactless delivery. These โ€œconveniencesโ€ scrub the humanity out of our habits. Theyโ€™re bad when we need them, as during a plague, but worse when we donโ€™t.

Supposedly, eliminating all that interactive friction will free up more time for โ€œqualityโ€ socializing. Really, though?

I mean, your commute is your commute. Is it better to make that daily trip with people to help you fuel up on the way out and wind down on the way back, or to do it in a bubble of invisibility and isolation?

And how will we do all this quality socializing when the work day is longer and more exhausting than ever? How much of that freed-up time gets spent doomscrolling before collapsing into bed?

Here-Place, Now-Moment

JFries Devonshire Street
Devonshire Street, Boston, collage with wood, on board.
One of my regular haunts.

When you leave your home, how many faces do you recognize, and how many might recognize you? Do you know which dogs belong to which houses on your street? Do you have a personal map of businesses and amenities along your various routes, favorites that you use again and again?

If you needed to beg a favor, or drop out for a couple of hours, or you were being followed by a suspicious van, where would you go? What haven or check-in spaces do you have, where you are โ€œone of usโ€?

Thatโ€™s what community is, our โ€œus.โ€ The We of We the People. Itโ€™s our extended home where we do all our regular stuff among our regular faces. We belong because we are participating members.

To be clear, Iโ€™m a hardcore introvert. I hate chatting, smiling, sparkling. I love silence and solitude. But even those who read books at ballgames are present. We recognize and are recognized. None of us has to perform a particular way to be part of the โ€œus.โ€ We just have to show up often enough to be a regular.

The Age of Convenience is failing us. We need those passing, superficial relationships with all their frictions. We must re-humanize our ordinary, daily lives.

We do that, first, by getting out of the house, and then by de-automating all those pesky little tasks weโ€™re told are such a burden.

Turn your eyes from your phone to the person doing something for you. Order online but go to the local restaurant to pick up your meal in person. Say thank-you.

Choose your favorite businesses, services, amusements where you live, where you work, along your routes, and make a habit of stopping in rather than adding another app. Use your commons – parks, beaches, libraries, transit, etc. You part-own the damn things, after all.

Pop the bubble. Put the phone in your pocket. Be present in the here-place and now-moment. Little by little, youโ€™ll start feeling the โ€œusโ€ around you. Youโ€™ll hear the music and languages. The dogs will learn your scent, and youโ€™ll learn your neighborsโ€™ roses and holiday decorations. Youโ€™ll collect arcane, insider knowledge of all your places. Youโ€™ll start thinking of your street, your shops, your station.

And before you know it, youโ€™ll be surprised by someone greeting you with, โ€œThe usual?โ€ followed by, โ€œDidnโ€™t see you last week.โ€

And then youโ€™ll be a regular.

Note: The essay above contains 2,022 words which, according to western numerology, reduces to 6. The number 6 represents love, partnership, and community. In tarot, the sixth Major Arcanum is The Lovers, while the sixes of the minor suits represent various forms of shareable benefits. The 6 of Swords, an easing of burdens and difficulty. The 6 of Wands, victory and leadership. The 6 of Cups, relationships, memories, and simple joys. The 6 of Pentacles, sharing and mutual aid.

Please note also, this essay is 100% human-made by me. No AI was used in the writing or the art, all of which are my original creations. – Jen

Event: Somerville YART


Time again for the most relaxed art fair event of the year. If you are in or near Somerville, MA, come tour the front porches and yards of the cityโ€™s artists. Iโ€™ll be showing a selection of works in a warm-season, nature-focused theme, with at least one new idea Iโ€™ve been playing around with.

The event is one day, Saturday, August 8, from 12 โ€“ 6 pm. Rain date, Sunday, August 9. The weatherโ€™s been iffy, but it seems to be clearing up. However, if we get rained out, contact me through this site if youโ€™d like to arrange alternative viewing. I have no idea what that would mean, but we can work something out.

Link here for more info and interactive map.


Somerville Open Studios & Wild Rabbit Magic

This weekend, May 2 & 3, 12-6 pm, is Somerville Open Studios, the biggest arts event in our quaint and scenic town. Naturally, Iโ€™m behind my time in letting you all know about it, but such is me.

Iโ€™ll be turning my front porch into a mini exhibition celebrating the spring season, its moods, symbols, weather, and magic, featuring our wild city rabbits among others.

Click here for details and directions. Iโ€™m in the East Somerville side of town.

Weather Note: The forecast is for โ€œchanceโ€ of rain this weekend. Please subscribe to this website or follow me on Bluesky to receive updates in case I get rained out on Saturday or Sunday.

You can also see my collage-assemblage, โ€œPink Yarrow,โ€ at Somerville Museum, and a new collage-painting, โ€œApril,โ€ at the Brickbottom Gallery, both indoors.

Enjoy a sneak peak at some new works in progress, which I hope to bring out for SOS.


On the magic of rabbits.

Rabbit, bring me luck.
Rabbit, bring me many.
Rabbit, bring me happiness,
But for my foe, not any.

That little ditty is my pitch for wild rabbits as a role model for our times, because they symbolize the four powers we all need right now. Good luck to get through the storms. Abundance to meet our needs, one way or another. Joy in love and pleasure. Resilience to take the blows and never back down because, dammit, these are our streets.

I think, for most people, spring is a cutesy-pootsy season of flowers and baby animals, but I see it differently.

To me, spring is a time when the new forcibly replaces the old, dead, and rotten. Spring brings out the big passions and changes everything, ready or not. Itโ€™s births and beginnings. Itโ€™s melting and mess. Itโ€™s bright colors and clean green shoots pushing through the mud. Itโ€™s migrating birds, emerging bees, and for me, itโ€™s the rabbits.

The old rabbits of winter, scarred, skinny, and strong. The new rabbits like delicate treasures nested in our flower beds.

Rabbits making the first of many babies. Rabbits dodging a thousand dangers. Rabbits robbing our gardens, lounging in the sun, grooming their tiny little faces with their tiny little paws (omg). Rabbits waging war all over town to claim and defend their territories, be they lush parks or weedy train yards.

If I have my way, itโ€™ll be all lush parks and gardens, because where the rabbits thrive, so can we.

-Jen

Note: This post contains 407 words, which according to western numerology, reduces to 11 and then to 2. In tarot, 11 is the number of Justice in some systems and Strength in others, and 2 is the number of The High Priestess. Justice, Strength, and Wisdom.

In Season: Winter

Winter is a season of challenge and rest. It’s a time of stark beauty, quiet light, and endless space. In winter, we see right down to the fundamentals of things, and we make the most of what we’ve learned the rest of the year. Winter is the end of one chapter and the beginning of the next. Here are some paintings and collages, celebrating this season of contrasts. Happy Holidays!


Climate Series: The General Sherman Tree, finding inner strength

Jen Fries, Standing: Portrait of the General Sherman, watercolor, ink, and collage on canvas, 14 x 18 inches

Standing: Portrait of the General Sherman.

Some of you may recognize this tree, if you’ve ever visited Sequoia National Park in California. It is one of the ancient redwoods of North America, over 2500 years old, the largest currently living tree, by volume, in the world. It is named for the American Civil War General, William Tecumseh Sherman. And it is one of the US’s natural treasures living under threat from climate change.

In 2021, staff and scientists of the National Park Service rushed to protect the General Sherman tree and many other giant redwoods when the KNP Complex wildfire burned through Sequoia National Park. Now, redwoods are adapted to fire and even depend on seasonal burnings to release their seeds. But climate change is making wildfires more frequent and more intense every year, and the 2021 fires were beyond anything recorded in the park before. No one knew if the trees could withstand the heat that was destroying everything else.

But survive they did, with bells on. In fact, after the fire, dormant buds of new branches, some dormant more than 1000 years, awakened and sprouted, among other amazing demonstrations of resilience and adaptation.

Faced with the relentless onslaught of bad news these past several years, I thought of the redwoods, and how nature provides inspiring and encouraging examples for every occasion. Adapt and thrive is the message here.

I believe that humanity has the inner strength to get through our challenges, much as the trees survived the fires of 2021. The struggle is far from over, but they are still standing, and so are we, still able to choose a better way forward.

I made this work to celebrate that strength. It belongs to my ongoing series on climate change. And of all the great trees, I chose to portray the General Sherman because, after all, he triumphed through fire, too, didn’t he?

-Jen

Open Studios, November 23-24

You are cordially invited to visit with me at the Brickbottom Artists Open Studios event, this weekend, November 23 and 24, 12-5 PM each day.

Yes, I’m actually coming out of my house! I’ve been doing so much work that I decided to make one of my rare public appearances to show it off and tell people all about it. I’ll be displaying medium and small works on canvas, small works on paper, journaling/note cards, and tiny micro-zines, and I’ll be happy to answer questions and engage in sociable chit-chat.

Get event info here: Brickbottom.org.

Behold! A selection of the art I’m bringing to the event.

Meet and Greet the Artist

Technically, I’m not literally opening my studio. I’ve been a member of the Brickbottom Artists Association of Somerville since 2020, but I only live near, not in, the physical Brickbottom Artists Buildings. I’m what we call an Affiliate Member. (Though, to be honest, I’m really freaking close, just a few streets away.) So I am bringing my studio to you, thanks to a kind and generous resident who is hosting several Affiliates for this year’s event.

I’ll have pieces for exhibition and pieces for sale, and I’ll be there to say hi, chat you up, answer all your questions great and small, and generally make myself pleasant.

Start Your Holiday Shopping Early

This is a great chance to exploit my fever of experimentation, as I will be showing a wide selection of small artworks and handmade cards for mailing or journaling, all very easy to buy, carry home, and gift to loved ones or yourself.

Works on canvas are ready to hang. Art Books and micro-zines can take you on amazing journeys, as books do. Mini paintings can adorn any desk, wall, cork board, or table, easily. And journaling and note cards are the ideal chance to embrace Art as Lifestyle, with original, unique abstract paintings designed for work as journaling cards, bookmarks, or note cards.

Hand-painted abstracts for journaling, writing, or display.

Business Stuff

If you’d like to buy some of my art, please be advised I’m accepting cash only at the event.

Yes, I know, it’s terribly backward of me, but I do so few of these events that it would actually be less efficient to set up a system to process credit cards.

But I realize it’s inconvenient for many of you, so you can also buy art online, right now or any time between now and the end of the event on Sunday evening.

If there’s any art on this site you particularly like, email me, and I’ll let you know if it’s available and for what price. You can buy it online before the weekend and pick it up from me in person at the Brickbottom.

The journaling cards are $15 each, or buy three and get a fourth card free.

Be sure to ask me about any other special offers as well as ongoing or future projects on the event days.

Hope to see you there!

-Jen

The New Day, such as it is

Brickbottom and Joy Street Open Studios, Nov. 23 & 24

End of November Web Forecast: Expect an unseasonably heavy flurry of update posts from yours truly for the rest of this week.


Okay, it’s been a period of time. My last post was made the night before Election Day in the US, and by now, we all know how it turned out. Sigh.

I just want to say that, for me, nothing has changed from what I wrote then. I chose hope. I’m not googling how to change my mind after the fact, like many maga voters reportedly did. You can read the full pre-election post here, if you missed it earlier.

However, when I say I choose hope, don’t expect any pollyanna-ist reassurances here at Jen Fries Arts. No fluttering of the thing with feathers. That’s not my scene. My style of hope is the kind that spits out a bloody tooth and wades back into the fray, because where there’s a will, there’s a way, and I will be damned if I ever give up on what I know to be right.

Of course, it’s all been terribly inconvenient. There were emergency jettisons of certain social and personal connections, some of whom wouldn’t leave quietly. I still feel physically like I’ve been in a car accident. There’s My Sainted Mom who feels just as bad and just as pissed off. And on top of everything else, the cat’s been poorly, poor baby.

All of it utterly derailed what was supposed to have been a whole month of prep and info for my Open Studios event, which is scheduled to start – checks notes – frikkin this weekend. November 23 and 24.

So this is just to get you all caught up. Expect an unusual-for-me rush of posts about the Brickbottom and Joy Street Open Studios weekend here in quaint and romantic Somerville, MA. Also some website and shop updates. I’ll be doing all this work tonight and tomorrow, basically. Apologies in advance, but the new info will be good for you to have.

For starters:

Open Studios, November 23 and 24, at the Brickbottom Artists Building, 1 Fitchburg Street, Somerville, MA.

I’ll be sharing space with some colleagues in Unit B450, in the Bakery Building of the Brickbottom complex.

I seldom do these kinds of events, so this will be a rare opportunity to see me outside my little stoat burrow. I’ll be showing small to medium works on canvas or paper, hand-painted journaling cards, some micro-zines, and maybe some hand-made art books if I can finish them on time. I’m also up for chit-chat about methods, styles, affordability, sustainability, and life in the zombie apocalypse.

So if you’re around then and there, come on by. Info at Brickbottom.org.


Social Media.

I am now on Bluesky. If you use that platform, please look me up there @jenfriesarts.bsky.social.

I joined Bluesky as an alternative to Facebook, but I am still also on Facebook and Patreon. Of course, it’s all just social media with the usual nonsense, so …


Become a Subscriber.

I encourage everyone to subscribe for free to this website, comment on posts, and follow my projects and articles free of algorithmic interference.

Click the little blue WordPress Follow button at the bottom of this and every page to subscribe. And don’t forget to set your notifications preferences, because another upcoming update is that this blog will also serve as my newsletter, with a monthly round-up and other exclusive subscriber content in the new year.


Keep calm and carry on. See you soon.

-Jen

Meet & Greet Event: Yart Sale


It has a kooky name, but it’s a fun event. In Somerville’s city-wide Yart Sale, Saturday, August 10th, the local arts community open up their yards and front porches for impromptu art exhibitions and sales. It’s a relaxed way to get to know your more boho neighbors, soak up the culture of Our Fair City, and maybe pick up something beautiful for your home or a gift. I’ll be participating again this year, showing new and favorite works.

Rain is predicted, but the forecasts so far think it will clear out well before noon on Saturday, so we should be good to go. Just in case, the rain date is Sunday, 8/11.

Visit the Somerville Arts Council Yart Sale page for event details and an interactive online map of all the participants, HERE.

I will be on my porch, 12:00 to 6:00PM, with a short break at around 3:00.

I’ll be showing paintings and collages, artist books, and tiny art that’s great for bookmarks, journaling, and notecards. If you will be in the Somerville area this weekend, do stop by for a meet-and-greet.

Preview:

Get to know the artist: Springtime Edition

Happy Vernal Equinox Day! I thought I’d celebrate the season with a selection of some new and older works on the seasonal theme. No explanations. Not in any particular order. Comments and questions are welcome.

Enjoy!

Spring time signs of life – new art and new directions

Hi, all. Hope you’re doing well. Spring is literally just around the corner, with the Vernal Equinox next Tuesday, March 19. I’m very excited about it because it’s been a windy late winter here in lovely Massachusetts, and I live and work in a creaky, old, 1870s triple-decker. Locals will know what that means. I am tired of being cold. Granted, we could have a freeze as late as May because New England, but I cling to the straws I find.

I have two new paintings to share. Behold!

Wind and clouds with gull, watercolor and collage

Dogwood buds with junco, watercolor and ink

These are both views from my studio window, originally sketched on the same day, at about 11:00 AM. They will be added to the Artrepreneur shop shortly.

They’re also both experiments in mounting watercolors on canvas. Painting watercolor on canvas is tricky. You have to treat the canvas with a specially mixed primer, called watercolor ground, but honestly, I don’t love it. I like my work to look and even feel a certain way, and watercolor ground is just not the surface texture I want. Plus, watercolor on ground is fragile. For me personally, it’s a lot of prep work for a substrate that’s not very stable, for a medium meant for a different surface. Many artists do amazing things with it, but it’s not my resonance.

But then I had one of my “Hey, wait a minute, Jen” thoughts. Don’t I build collages on canvas all the time?, I said to myself. Why yes, I do, now that you mention it, I said back to myself. So why don’t I mount some paper on some canvas and then paint on it? Duh!

So I’ve been experimenting.

Wind and Clouds with Gull is watercolor, gansai, pastel, pencils, and collage on rice paper on canvas.

Dogwood Buds with Junco is watercolor, gansai, pastel and ink on drawing paper on canvas.

More experiments are upcoming with other papers and media. I think this is going to be a regular thing. I really like it. The wheat paste I make for collage shrinks in drying, tightening up the canvas like a drum. Maybe I’ll make a video of it, so you can hear it. It results in a gorgeously flat surface with no buckling or cockling, and a finished work that’s ready to frame and hang. I can’t think why I never thought to use this for painting and drawing before. Silly me.

Anyway, that was the first big breakthrough of 2024.

I suppose the fact that they are paintings is kind of also a breakthrough. Collage is and always will be the most direct glimpse into how my brain works, but there’s actually a practical problem-solving reason why I am doing more mark-making work. I’ll write about that in future.

Other practical problems that need solving are being addressed this year as well. Watch this space for adjustments to the Newsletter and the Patreon, both of which will continue to be free, so you should totally sign up for them. There will also be new ways to acquire original, bespoke, Jen Fries artworks of your very own, so brace for joy on that front.

An Alchemy of Dragons will be undergoing some renovations, too. It turns out that writing a serialized novel is kind of like producing a reality series about a fictional series in which the characters build a suspension bridge, for which you actually build a suspension bridge. I’m bringing in co-protagonist Iarius Venzo as well as at least one subplot, and I’ve been quite literally at the engineering drawing board, because, you know, you can’t just do the thing. You can’t just sploop it out onto the internet. You have to build, design, construct – like a collage. Or a Werner Herzog movie.

I’ll write about that process in the near future, too.

Anyway… Spring!

-Jen