Happy Thanksgiving: Autumn Book and Pumpkin Pie

Well, the holiday season is officially upon us, and in the midst of life’s battles, I have to admit I have a lot to be thankful for. We have our health at my house (knock wood). I enjoy my work, my town, my friends. There are birds outside my window and cats sleeping on my bed. What more can anyone want?

Later, I’ll rant about all the things that are off the rails, going wrong, just plain nuts, and utterly intolerable, but that’s not what this weekend is for. Today, it’s about feasting and merriment, football, parades, and King Kong. You know, the traditions.

I finished rebuilding my blue sketchbook into an autumn book for sketching, journaling, and collecting field specimens, all the leaves, twigs, feathers, etc., I tend to pick up. I was inspired by the “junk journal” phenomenon, which is a great way to find beauty and function out of detritus. Even these gussied-up pocket inserts are part of my sketchbook practice, as I used them to work out experiments in paper building and collaging with natural botanicals. The binding is my favorite tetsuyoso style. Superficially, it resembles Coptic stitch, but this is in fact a very old binding from Japan. It lacks the external knots of Coptic, maintains neater tension with less fuss, and is flexible and resilient. Traditionally, the covers would be pasted on, but I adapted the Coptic method of sewing the covers on for a totally adhesive-free binding.

It might seem a little odd to make such a fancy thing just to sketch and brainstorm in, but kind of the point of being an artist is to get our thoughts outside of our heads, to make everything be an expression of how we see the world, to unify the inside and outside realities. So I think the book where I work out the kinks in my creativity should be a product of my creativity. This is what I came up with.


And I made the pie this year. It came out fancy, too. 😉

JFries pumpkin pie 2019


Happy holiday, all. Enjoy. Relax.
Express yourself.

Deadline Slightly Blown: Zines, Loose Ends, and Something to Wear

As mentioned in my last entry, I was sick through much of October and had just over one week to try to complete four weeks of projects. I did better than I thought I would, and I’ve decided to cheat slightly by extending the spooky season to the end of this weekend, to finish a few things and tie off those loose ends.

Completed in October proper, two zine-type books: 

– “Masquerade,” featured last week, a book about masks, disguises, and false fronts. The hand-typed text is taken from dictionary clippings and famous quotes, and the illustrations are paper collage.

– “On the Emergence of Ghosts,” a mini collection of monotype prints. These are some of my favorites from a recent printmaking session. I first made the Rorschach-like blot prints with ultramarine blue acrylic paint on sketch paper. Then, before the paint was fully dry, I took a ghost print from the blot by laying over another piece of paper and folding and pressing it again.

Still progress from October:

– “Cemetery Dance,” a zine on a memento mori theme with quotes from Shakespeare.

– Mini mask cards, just some small toys.

– Die Fledermaus Crown, a piece of wearable art. This was my big project for the month, and I’m amazed I was able to get it about 80% done in a week. I wanted something wearable for Halloween, but I’ve been a little off masks; I need to think about them some more. Then the words “bat” and “crown” popped into my head. The first-draft idea was Dracula-esque, then it evolved into a kind of naturalist ode to bats, but you know what? It’s a bat crown. It’s neither possible nor appropriate for such a thing to be dark or quiet or serious. So it ended up inspired by the frilly, fizzy, champagne-popping operetta Die Fledermaus by Johann Strauss, the Viennese Waltz King. I figure it will be just as appropriate for New Year, which is when most opera companies perform Die Fledermaus. Maybe I’ll do a series of opera crowns. The Magic Flute is starting to suggest itself.

In any event, the crown still needs a little construction. The stars, moon, and moths need to be added. And it needs color because, yes, it’s going to be in color. But I decided it looks mad enough to share.

If I can finish these by end of Sunday, I will call October a technical success and take a few days off.

Die Fledermaus Crown in progress


On the Emergence of Ghosts


And also…

Milkweed pods from the garden

JFries milkweed pods 11.2.19
JFries milkweed pod 11.2.19
JFries milkweed seed 11.2.19

A stormy day over the Tobin Bridge, with cormorant in foreground

JFries Tobin Bridge with cormorant 10.28.19

Sunlight through a maple leaf

JFries maple leaf 11.2.19

The same sunlight on a little black cat, Junior Studio Assistant, Scipio

JFries Scipio in studio 11.2.19

New Year, New Look, New Work – Happy!

white pine 12.2018
White Pine, 2018. I’m taking a lot more photos these days.

Happy New Year!

Welcome to the new and improved, shiny and fresh Jen Fries Arts website for 2019. Naturally, it’s still in progress, with more to come throughout January. But it is open for reading, viewing, and commenting as of this first day of the new year.

What has changed?

Pages: You’ll notice some of my pages are gone. This is only temporary as content is being updated with better images and new projects. Look for more pages coming soon as well, including online projects.

Navigating: All of the information about me is now found under the Home tab in the site menu, including About, Contact, and the Dedication to my late founding partner, Gomez Addams. There’s also a spiffy new FAQ page, since so much of what I do makes hardly any sense. Feel free to send me questions. If they are asked frequently enough, they’ll get added to the page.

Site Title: “Instant Elixir Cures All” is only temporarily out of sight. It is evolving into the name/title/imprimatur of a new venture. Follow and/or visit often to keep up to date.

Update Schedule: I’m shooting for an update every ten days or so this year. I know I don’t have an excellent record that way, but the times they are a-changing and so, hopefully, will my habits. It’s the new year, people – resolutions and all that.

Exciting Plans: I am fairly champing at the bit for the work on my calendar this year, including:

Writing: I will integrate my writing with my artwork in this site. Look for books, challenges, and prompts, as well as illustrated projects.

That Dollhouse I Was Building All Last Year: Is finally becoming something. I’m so up about this one. Wait till you see what I’m doing. Look for progress reports as we go.

Learning and Sharing: I was stretching my wings a bit in 2018, and I’m eager to share in 2019 what I’ve been learning about printmaking, wildlife spotting, and home-made art supplies.

And so much more…

Please enjoy the new site. As I say, it’s under construction, so if you find any errors, broken links, etc., please let me know. One thing I know isn’t working at the moment is the email account, but please use the Blog comments to chat, correct, or critique, until that gets fixed.

Thanks, everyone. I wish you all the best. Let’s have fun this year. I think we deserve it.

And here’s a hello from my two studio Assistants:

Studio Assistant Leah
Senior Assistant Leah. She looks like butter wouldn’t melt in her mouth,
but we know better.
Studio Assistant Scipio
Junior Assistant Scipio. Chair of the Staff Morale Committee.

Experiments and holiday cheer – Stars and Mushrooms galore

Hi, all. I hope all my friends and readers enjoyed the holiday. We were cozy and small at home, and I had great fun making the decorations for our little live tree this year.

The paper stars were made using a delightful little origami model. Click this link for a tutorial from Jo Nakashima on Youtube. I dusted them with a hint of metallic gold acrylic paint – which doesn’t show in the photos but gives the stars a bright glow in the light, in person . I then strung them on simple red cord to make a garland. They are so much fun to make, I will definitely see what more I can do with them.

The paper mushrooms, though, are my success story for the season. I managed to make papier mache with thin, translucent layers of crumpled tissue paper. In the past, I’ve gotten good results with other types of paper, but this month, nothing wanted to work but the plain white tissue paper. It gave the best shapes, but of course was way to flimsy. So I spent a total of about three days lightly and carefully brushing the shaped mushrooms with a very dilute paste of water, PVA glue and wheat flour to stiffen them without tearing or dissolving the tissue. I then painted them, mixing the paint with more of the paste for added stiffness. I am very pleased with the results.

The bases are a last-minute improvisation. The mushrooms themselves were made without bases, but I wanted them standing. Can you guess what I have holding them up?

The display in front of our kitchen window brings a hint of a winter forest into our home. Soon, the decorations will be put away, the cats will get their toy squirrel back, and our little dwarf Alberta Spruce will go back outdoors in the cold where it likes to be. And then a new year will begin, with a new look for this site, new projects from my studio, and lots of plans.

I wish you and yours great happiness and growth in 2019!

Paper Decorations, Website Changes, and Feeling Eager for a New Year

I am spending this week making holiday decorations. There will be more paper bows like the first ones I made last year, plus paper mushrooms to make a “forest floor” around our tree and paper stars to twinkle above it and amongst its boughs. I’m having lots of fun playing with paper forms and surface treatments.

Also this week, I am working behind the scenes on an overhaul of this website. The new look will be brighter and livelier, with better organization. It will go well with some big projects coming up in 2019, including new books, dollhouses, toys, more of my Cities series of collages, and lots of art and writing experiments.

It’s been a crazy and distracted year, but I feel excited about the holidays and the new year. I’m ready to buckle down and get to work.

By the way, the new background image for winter is my own photo of white pines in Charlestown, at the Lower Mystic estuary.

mushrooms in progress
Paper mushrooms in progress on my work table

First art of 2018, journal and mushrooms

I heard somewhere once, many years ago, that at a certain latitude, if the sky is clear and you look due north at an unobstructed horizon, at the stroke of midnight on New Year’s night, you will see Sirius, Orion’s dog, at its apogee, with winter’s Orion setting to the west of it, and his mortal enemy, spring’s Scorpio rising to the east of it, and the two constellations will be equidistant above the Earth. So the story of Orion the Hunter, lover of Artemis, killed by the poisoned sting of Hera’s scorpion, marks the passage of winter and the new year.

I don’t know if this is true, but I think it should be, and already, the sun is setting a little later, haven’t you noticed?

This little journal collage is my first artwork of 2018. I’m calling it The Future of Orion, inspired by this video from the European Space Agency: Youtube Link.

The little snippet of text is my New Year’s dinner fortune cookie message. “Your fate is in no one else but you, in no hands but yours.”

Plus, I made some little crumpled-paper mushrooms – my first attempts – out of napkins. Super ephemeral, but I rather like them. I’ll play with these a bit more.

Happy New Year!