The Brickbottom Artists Association exhibition, “Construction/Deconstruction,” is now up in full online. Please enjoy!
The Brickbottom Gallery here in Somerville was forced to close to the public due to the pandemic, but my fellow artists did a fantastic job establishing our first virtual gallery. Our annual spring show is extended into the summer.
The exhibition “Construction/Deconstruction” at the Brickbottom Gallery in Somerville is moving ahead, and so am I. With the kind help of some fellow artists with a car, my new piece, “Pink Yarrow,” made it to the gallery with proper physical distancing observed at all times.
The show will be presented online, so watch this site for further updates.
A new project starts tomorrow. For now, please enjoy a sneak peak at “Pink Yarrow,” part of the Botanicals series, made with actual pink yarrows from last year’s garden, restored to their summer colors.
I must admit to a failure of time management when, surfacing happy from deep immersion in work, I find the entire summer has slipped by without a word from me to the wider world. Oops. Let’s say I’ve been on a summer artist’s retreat. Yeah, that works.
So, I’m back from my summer artist’s retreat, during which quite a lot of things have happened, haven’t they? (Looks at wider world; considers returning to the retreat.) Anyway…
I built a boat. And a cloth doll. My first of each. This was a commission for toys illustrating a children’s story. I blew my labor budget experimenting with materials and techniques, but it was worth it. The client is happy, and it spawned a gaggle of project bunnies along the way.
I enrolled in a dollhouse workshop taught by Laetitia Miéral, a paper artist in France. Her work is beautiful, and she’s an excellent teacher. You must check her out at Merveilles en Papier. I heartily recommend her workshops for both beginners and more advanced artists. She offers both big and small projects, great techniques, and is outstanding at getting her students (or at least me) past perfectionism and commitment phobias.
Appropriately, I worked on dollhouses, too. I either solved a problem with the novel or created a new one – not sure yet. I wrote an essay on magic and reality – release date TBD. I hand-bound sketchbooks and journals, observed wildlife, gardened like a maniac, and did a lot of thinking.
Spring starts this Wednesday, March 20! The trees are budding. The first green shoots are showing through winter’s litter. The birds and animals are setting up house. The sun is higher and warmer, and everything seems full of energy and movement.
I celebrated by making my annual mistake of cleaning my rooms. I learned that I don’t need any more clothes or hair ties, my cats don’t need any more toys, and the only things that are ever truly lost are the ones that are a big pain to replace. I didn’t even do the Kondo method, and I’m overwhelmed – but motivated afresh.
Experiments with monoprint continue, and I’ve started a small set of collages on paper using natural botanical bits. This first one is a tribute to the season and our city rabbits down by the Mystic estuary. It belongs to my ongoing series about walks around town.
Hello, all. It’s been a while. Things have been kind of crazy, y’know, the way they get. Anyway, I have been extremely busy with work and planning and organizing and birding and politics and preparing for gardening, and through it all, I have been shingling the dollhouse roof.
I’m going for the look of slate, and I hope you’ll think I got close. It’s been some fun on the Google, first looking up what slate generally looks like, then how to fake it with paint, then what slate roofs in particular look like, then how to build a slate roof, and from there deeper and deeper down the rabbit hole of roofing, skylights and all that sort of jazz.
The following images show some of what I came up with. I painted more manila folders with a small-scale slate effect and others with a copper effect, because slate or other stone tile roofs will often have metal flashing and gutters at their seams, and those will sometimes be made of copper, according to my admittedly superficial research. I went more for look than structural accuracy. In my defense, my neighbor, who is a roofer, says this is pretty much correct. I find it relaxing and fun to cover sheets of paper with faux paint effects. I’m not sure what that says about me as a person, but it would suck if I didn’t enjoy it, as I need to do a lot of it.
These photos are couple of weeks old, and more progress has been made since they were taken. The work is going quickly at this point, which makes it hard to take a break for blog updates. It is about time I began work on the characters who will play out their drama in this house, as well as the furnishings and props, too.
By the way, the blog’s new background photo is a shot I took of a tree on my street, against a wet, gray sky, the bare branches just getting knobby with their first buds. Springtime in New England!
These past weeks I’ve been working very hard on the dollhouse for my mystery graphic novel project. There were a couple of setbacks since January. I decided the acetate windows would not work for photography, so I had to cut them out and replace the mullion bars with toothpicks. Next, I realized the second floor is too dark to see into if the back roof/gable panel is in place, so I dithered for some time about how to fix that problem. But finally, all that was done, and today I put color on the exterior walls.
As you see, I went with a sunny yellow, which will be complemented by colors on the gingerbread ornaments still to come. Next, I will tile the roof, for which I painted card stock to look like slate. You can see a hint of that, dry-fitted with tape, in one of the photos.
As with most labor-intensive projects, it’s amazing how suddenly real progress can appear, and after months of slogging, the thing looks like it will soon be finished. It’s quite energizing.
It’s been a crazy several weeks, with a strained knee, two bouts of the flu, a blizzard followed by record warmth in February, and a nor’easter to usher in March like a lion, so I haven’t had time to put together a blog post until now. But progress has been made, and a new hobby has emerged.
On the dollhouse, the clapboard siding is finished at last, and I am working now on replacing the acetate in the windows with small wood frames. I found it difficult to focus a camera through the acetate, and in any event, I just didn’t like it all that much.
And the new hobby – wildlife-spotting around scenic urban Somerville. My at-home feeders serve a resident flock of about 15 resident European house sparrows, two pairs of house finches, one lingering junco, a mated pair of northern cardinals, several mourning doves, two blue jays, and the ubiquitous feral pigeons and gray squirrels. Meanwhile, near where I work my day job, I’ve also noticed a welcome return of water fowl to the Mystic estuary, where year-round herring gulls and summer-resident Canada geese have been joined by a pair each of red-breasted mergansers and mallard ducks, and some red-throated loons appear from time to time. This past month, I decided to break out the camera.
Construction continues on my New England beach house project, using the Orchid dollhouse as the starting point. Ironically, while putting up clapboard siding, one manila strip at a time, I find myself cursing the noise of the workmen putting up clapboard siding, one wooden strip at a time, on the house across the street. Life / Art. I’m pleased with the effect of the paper clapboarding. You can also see a little of the interior and the kitchen cabinetry. This cozy-modern cottage will be the setting of a story about trying to get away from it all, as a graphic novel illustrated with collaged photos. Stay tuned for further updates.
I found these little chrysanthemum flowers floating loose in my journal from last October. They looked like suns to me, so I made this collage sketch, with another of my collection of fortune cookie messages, musing on the dangers of ideas, as in the Greek myth.