Storms, Color, Summer

JFries geese border

I’ve had an unusually productive two weeks since launching my newsletter. The thing must be magic! Here are some of the highlights, including a new work for another upcoming exhibition.

I’m going to be binding some new journals and re-binding some older books, so I made a selection of paste papers for them, which led to me playing around with the paste paint. That resulted in some not too bad monochromatic landscapes, which then led to shades of the color blue scrolling through my mind. A certain dusky shade of blue-gray struck me as perfect for a collage that had been simmering in my mind for some time, so I set about inventing the color with layers of paint and dyed tissue paper. The resulting collage of geese flying across the moon will be shown with the Brickbottom Artists Association summer exhibition, which just happens to be on the theme of “BLUE.” That will be shown online from mid-July. See the Home page for details.

I finished an additional collage today – The Death of Orpheus – but I did it on paper so I could experiment with a new pasting technique to prevent warping. Fingers crossed on that one. Two more collages on canvas are in the works, inspired by views from my studio window – one a particularly spectacular spring morning, the other a rather spectacular super moon.

Nature has been pushing me along. These past weeks have been full of moon views and thunder storms. The garden is filling up with flowers, bees, butterflies, and rabbits. My landlords’ mulberry tree, outside our kitchen window, is bent under the weight of fruit and crowded with birds and animals. And all day today, my landlords’ dogwood, outside my studio window, hosted two fledgling mockingbirds fresh out of the nest, crying for food as their parents came and went, stuffing them with mulberries.

I can’t help feeling a little allegorical. I took the lesson of these weeks from the text on the collage of the geese, adapted from a Siberian shaman’s song:

“The birds’ way of returning,
The birds’ way of leaving behind the sea,
If I lean on these ways,
I find support for my legs.”

Where are you finding support in these difficult times? Drop a comment and let me know what flashes or colors or things outside your window keep you going. If you have any questions about the works below, I’ll be happy to answer.

Also, issue #2 of the newsletter is scheduled for around July 16th. Sign up now for more updates and exclusive content.


Paste Papers



Estuary Moon, part of the Mystic River Project and Cities

JFries Estuary Moon 6.30.2020


Experimental landscape

JFries indigo landscape 7.1.2020


Death of Orpheus, part of Literary Works, another experiment

JFries Orpheus 1 7.2.2020

Virtual Gallery: Construction/Deconstruction is online

The Brickbottom Artists Association exhibition, “Construction/Deconstruction,” is now up in full online. Please enjoy!

The Brickbottom Gallery here in Somerville was forced to close to the public due to the pandemic, but my fellow artists did a fantastic job establishing our first virtual gallery. Our annual spring show is extended into the summer.

Click here to view the full exhibition at www.Brickbottom.org.

My contribution, “Pink Yarrow,” reconstructs flowers from my urban garden from the dried remains of the actual plants.

JFries Pink Yarrow 4.2020

Happy New Year – It’s the Roaring Twenties!

JFries leaves banner 12.31.19

Tomorrow dawns the 2020s, and I realized that exactly 100 years ago, the 19th Amendment became part of the US Constitution, and American women got the vote.

The parallels between then and now are uncanny. We were talking it over at dinner this evening. In addition to giving women the vote, the 1920s saw the rise of extreme political and religious beliefs, overweening morality laws and backlashes against them, social and political grassroots organization, massive advances in science and technology with accompanying benefits and abuses, domestic and international terrorism, a great flowering of arts and intellectualism, and fundamental, permanent changes in the ways people lived day to day. In the wake of WW1, it was a decade of no going back to the old conformist pantomimes of class and propriety of the 1890s and 1910s. We can debate whether it was good or bad, but it was truly a revolutionary decade.

I’m pretty sure our 20s will be revolutionary too, with climate change crashing into us, the return of extreme ideologies, science racing forward, and all of us facing the challenges of a shifting world. One way or another, I think we are all going to change our lives forever. I think there will be a lot of ideas to express. Who knows, but we might even finally settle some of the fights we started way back then.

It’s scary but also exciting. Maybe I’m just itching to mix it up with the world. Maybe I’m tired of the same old same-old. I can’t help it – I’m an Aquarius. We like new things. We live for tomorrow.

But tonight, I say farewell to the 2010s. Here is the last of my final project of the decade, the East Somerville Trees collages – preserved memories of autumn under our urban canopy, part of the Botanicals and Cities series. It’s about the things that really matter in the midst of all the changes.

These are destined for a book, so be on the lookout for updates on that.

Happy New Year!

Nature in the City: Leaf Specimens, Geese, Ducks, Sunset

JFries Tobin and boat banner 12.19

Hello, all! This week’s – (checks calendar) – er, I mean this fortnight’s artwork comes from my walks under the urban canopy of Somerville, Massachusetts. I made these specimen collages from just a few of the many tree leaves that have found their way amongst the pages of my books. I have a deep fondness for leaves as objects – their colors, textures, intricate inner structures, varied shapes. So I present them just as they are in a vaguely scientific context, for contemplation and exploration.

I am also working on 2020 updates for the website, and wouldn’t you know it, this month, every government in the world decides to announce new laws affecting online content to be implemented as of next month. So now I get to learn more things. Life is chaos. I believe some physicists say that, don’t they? If not, they should because it is. In any event, be on the lookout for a working contact function (finally!), new pages and reorganized categories, and yes, it’s really happening, a way to buy stuff. I know, right? Miraculous.

Bird-Nerd Update: A recent walk along the Mystic estuary was highlighted by some rather nice afternoon lighting and bird sightings. Between bad weather and ill health, I’ve fallen behind on my birding, but last week, I got buzzed by a small flock of Canada geese as they swooped in to graze the ball field – always a little thrill – and I observed some Bufflehead ducks bobbing and diving in the river, one male and two females. Unfortunately, the light by then was fading, and Buffleheads are quite small. This blurry shot of one of the females is the best I could do, but she can be known by the distinctive white strip on her cheek, and the white spot on her wing. The male, by comparison, is a striking black and white with iridescence on his head, but he was too far from the dock for me to get a good shot of him as the sun set. Buffleheads winter in Massachusetts. I hope these stick around so I can get better pics and add them to the Estuary Birds series.

Leaf Specimens



Female Bufflehead in shadow

JFries female bufflehead 12.19


Canada geese grazing

JFries canada geese 12.19


Tobin bridge, tug boat, and the Pier 4 barge

JFries Tobin and boat 12.19


An ironic view of the Everett side in really gorgeous light

JFries powerplant and casino 12.19