After Open Studios, Time to Relax and Say Thanks

Well, I’ve just about settled down from the rush of Open Studios at the Brickbottom Artists Building in Somerville. It was a great weekend, despite a rainy start. The energy was terrific. I want to thank the wonderful folks who bought art from me, as well as everyone who stopped to talk with us about our work.

Also all the OS organizers who worked like mad and did a great job, our lovely hosts who opened their loft for us, and my fellow artists with whom I shared the space. It was a blast, thanks to them.

Now midnight approaches, soft jazz plays, and my cat is asleep on my lap as I write this quick note. As soon as I click the Publish button, I’ll shift her so I can go to my own bed, absolutely exhausted – and start afresh tomorrow.

I’ll end with this: Many of the Open Studios visitors told me they were feeling inspired by all the art and meeting the people who made it. They felt excited and interested and wanted to take up creative hobbies again that they had dropped for one reason or another. I can’t tell you how happy that made me. I deeply hope they do it, all of them.

Today’s world is so inhibiting, even discouraging against us expressing ourselves. Before we take the first step, we convince ourselves we’re not good enough. Even to try is just too pretentious of us. But that’s just bullshit.

Art is one of the most basic human things in all of life. It’s like walking and talking – a natural impulse. But it’s not brain surgery. No one will suffer if we screw up an art project. So don’t hold back. Don’t worry about results, or winning approval, or any of that. Just do it. Slap some color onto a piece of paper. Squish some clay. Write down some words. Decorate that cake. Pick up that ukulele. Do it just to please yourself, not for likes or subs. It’ll make things better, I promise.

Good night, everyone, from the EST time zone, and thank you. Never stop creating.

Thanks to my colleague, Amy Norrod, for these photos of my art and set-up.

Open Studios, November 23-24

You are cordially invited to visit with me at the Brickbottom Artists Open Studios event, this weekend, November 23 and 24, 12-5 PM each day.

Yes, I’m actually coming out of my house! I’ve been doing so much work that I decided to make one of my rare public appearances to show it off and tell people all about it. I’ll be displaying medium and small works on canvas, small works on paper, journaling/note cards, and tiny micro-zines, and I’ll be happy to answer questions and engage in sociable chit-chat.

Get event info here: Brickbottom.org.

Behold! A selection of the art I’m bringing to the event.

Meet and Greet the Artist

Technically, I’m not literally opening my studio. I’ve been a member of the Brickbottom Artists Association of Somerville since 2020, but I only live near, not in, the physical Brickbottom Artists Buildings. I’m what we call an Affiliate Member. (Though, to be honest, I’m really freaking close, just a few streets away.) So I am bringing my studio to you, thanks to a kind and generous resident who is hosting several Affiliates for this year’s event.

I’ll have pieces for exhibition and pieces for sale, and I’ll be there to say hi, chat you up, answer all your questions great and small, and generally make myself pleasant.

Start Your Holiday Shopping Early

This is a great chance to exploit my fever of experimentation, as I will be showing a wide selection of small artworks and handmade cards for mailing or journaling, all very easy to buy, carry home, and gift to loved ones or yourself.

Works on canvas are ready to hang. Art Books and micro-zines can take you on amazing journeys, as books do. Mini paintings can adorn any desk, wall, cork board, or table, easily. And journaling and note cards are the ideal chance to embrace Art as Lifestyle, with original, unique abstract paintings designed for work as journaling cards, bookmarks, or note cards.

Hand-painted abstracts for journaling, writing, or display.

Business Stuff

If you’d like to buy some of my art, please be advised I’m accepting cash only at the event.

Yes, I know, it’s terribly backward of me, but I do so few of these events that it would actually be less efficient to set up a system to process credit cards.

But I realize it’s inconvenient for many of you, so you can also buy art online, right now or any time between now and the end of the event on Sunday evening.

If there’s any art on this site you particularly like, email me, and I’ll let you know if it’s available and for what price. You can buy it online before the weekend and pick it up from me in person at the Brickbottom.

The journaling cards are $15 each, or buy three and get a fourth card free.

Be sure to ask me about any other special offers as well as ongoing or future projects on the event days.

Hope to see you there!

-Jen

The New Day, such as it is

Brickbottom and Joy Street Open Studios, Nov. 23 & 24

End of November Web Forecast: Expect an unseasonably heavy flurry of update posts from yours truly for the rest of this week.


Okay, it’s been a period of time. My last post was made the night before Election Day in the US, and by now, we all know how it turned out. Sigh.

I just want to say that, for me, nothing has changed from what I wrote then. I chose hope. I’m not googling how to change my mind after the fact, like many maga voters reportedly did. You can read the full pre-election post here, if you missed it earlier.

However, when I say I choose hope, don’t expect any pollyanna-ist reassurances here at Jen Fries Arts. No fluttering of the thing with feathers. That’s not my scene. My style of hope is the kind that spits out a bloody tooth and wades back into the fray, because where there’s a will, there’s a way, and I will be damned if I ever give up on what I know to be right.

Of course, it’s all been terribly inconvenient. There were emergency jettisons of certain social and personal connections, some of whom wouldn’t leave quietly. I still feel physically like I’ve been in a car accident. There’s My Sainted Mom who feels just as bad and just as pissed off. And on top of everything else, the cat’s been poorly, poor baby.

All of it utterly derailed what was supposed to have been a whole month of prep and info for my Open Studios event, which is scheduled to start – checks notes – frikkin this weekend. November 23 and 24.

So this is just to get you all caught up. Expect an unusual-for-me rush of posts about the Brickbottom and Joy Street Open Studios weekend here in quaint and romantic Somerville, MA. Also some website and shop updates. I’ll be doing all this work tonight and tomorrow, basically. Apologies in advance, but the new info will be good for you to have.

For starters:

Open Studios, November 23 and 24, at the Brickbottom Artists Building, 1 Fitchburg Street, Somerville, MA.

I’ll be sharing space with some colleagues in Unit B450, in the Bakery Building of the Brickbottom complex.

I seldom do these kinds of events, so this will be a rare opportunity to see me outside my little stoat burrow. I’ll be showing small to medium works on canvas or paper, hand-painted journaling cards, some micro-zines, and maybe some hand-made art books if I can finish them on time. I’m also up for chit-chat about methods, styles, affordability, sustainability, and life in the zombie apocalypse.

So if you’re around then and there, come on by. Info at Brickbottom.org.


Social Media.

I am now on Bluesky. If you use that platform, please look me up there @jenfriesarts.bsky.social.

I joined Bluesky as an alternative to Facebook, but I am still also on Facebook and Patreon. Of course, it’s all just social media with the usual nonsense, so …


Become a Subscriber.

I encourage everyone to subscribe for free to this website, comment on posts, and follow my projects and articles free of algorithmic interference.

Click the little blue WordPress Follow button at the bottom of this and every page to subscribe. And don’t forget to set your notifications preferences, because another upcoming update is that this blog will also serve as my newsletter, with a monthly round-up and other exclusive subscriber content in the new year.


Keep calm and carry on. See you soon.

-Jen

Meet & Greet Event: Yart Sale


It has a kooky name, but it’s a fun event. In Somerville’s city-wide Yart Sale, Saturday, August 10th, the local arts community open up their yards and front porches for impromptu art exhibitions and sales. It’s a relaxed way to get to know your more boho neighbors, soak up the culture of Our Fair City, and maybe pick up something beautiful for your home or a gift. I’ll be participating again this year, showing new and favorite works.

Rain is predicted, but the forecasts so far think it will clear out well before noon on Saturday, so we should be good to go. Just in case, the rain date is Sunday, 8/11.

Visit the Somerville Arts Council Yart Sale page for event details and an interactive online map of all the participants, HERE.

I will be on my porch, 12:00 to 6:00PM, with a short break at around 3:00.

I’ll be showing paintings and collages, artist books, and tiny art that’s great for bookmarks, journaling, and notecards. If you will be in the Somerville area this weekend, do stop by for a meet-and-greet.

Preview:

YART – Annual arts showcase, yard sale, and social event – Saturday!

So, I’m participating in a city-wide arts event, organized by the Somerville Arts Council, amusingly called YART Sale. (See what they did there? It’s a yard sale, but it’s art, so it’s … yeah, you get it.)

Today is Thursday, 8/10. The YART Sale event is Saturday, 8/12.
(Rain date 8/13.)

This is called Advance Notice!

In my defense, or at least deflection, Somerville only published the interactive online map of all the participants yesterday. We’re a last-minute, seat-of-the-pants kinda town here. It’s how we roll.

Here is the link to the online map: YART Map. And here is the link to a pdf of the participants, alphabetical by something (not sure exactly what), that you can print and carry around with you if you prefer to be analog: YART Listings.

And here is the direct link to my listing on the online map:
ME at YART!

This will give you all the details in case you are in the metro Boston area and would like to stop by, see the work for real, meet the artist for real, and so forth. I’m #62 on the map and one of the 5 closest to Sullivan Square, which would make me first or last on your itinerary, depending on which end of the city you start at. I will be there the full afternoon from 12 to 6, with a short pit-stop break when I can get one.


By the way, if you are in the metro Boston area and have been longing silently for one of my artworks, this is your chance to buy it and avoid prohibitive shipping costs with in-person pick-up. If there’s a piece you especially would like to see in person, just email me at jen@jenfriesarts.com or contact me on Facebook, and I will make sure it is on the porch on the day. Or if you prefer to use a credit card, just contact me about it. If anyone buys art today or tomorrow via the Artrepreneur shop (See Shop tab, above) or by emailing me, and can pick up in person this Saturday, I will refund any shipping costs that may get charged automatically and will have the piece ready for you during the YART event. Make sure you let me know you’re picking up.

This is also a great opportunity to join my Patreon (see button below). Be among the first to join the free community, then introduce yourself on Saturday and get an embarrassing public acknowledgement from me right there on my porch! Or subscribe for $5/month and enjoy a 10% Friend of the Studio discount on any YART purchases, plus an even more embarrassing public acknowledgement.

And if you’re not buying or joining, that’s fine, too! Visit. See art. Chit-chat. We’re supposed to have nice weather this Saturday.

This is my first venture out into the YART wilds, and as usual, I’m doing it completely half-assed. But I dunno, I feel good about it. It’s the kind of casual, heck-whatever event that appeals to me, so I hope to add it to my permanent calendar.

Let’s see how it goes.

-Jen

PS: There is an extremely slight chance that a reading from Chapters 1 through not-yet-published 5 of An Alchemy of Dragons may occur, if requested. Fair Warning. – J

I’m back! Miss me? Remember me?

As my long-time subscribers know, when I run into a creative problem, I tend to retreat into my burrow and gnaw on it – and gnaw and gnaw like a determined squirrel – until itโ€™s dealt with. Then I come back and tell you a bunch of new stuff and resume posting.

Well, Iโ€™ve just finished another round of gnawing, and I am now emerging from the burrow.

The tough nut this time was Chapter 5 of An Alchemy of Dragons, appropriately enough. In Tarot, 5 is the number of struggle, complications, and finding oneโ€™s way, all of which describes the part of the story where Protagonist 1 finally meets Protagonist 2, and the perfectionist author has to obsess over every single freaking word and comma and every possible plot permutation over and over again.

I finally cracked it. Vistas have opened before me. The plot is improved all down the line. Necessary world-building edits for continuity are identified. Research has been done and decisions made about how to handle things that will come up later.

Plus, a lot of new writing and art projects were spawned in the process. Ideas a-poppinโ€™ all over.


While I was at it … I launched a Patreon!


Now, donโ€™t get nervous. Yes, Iโ€™m asking for money. Iโ€™ve been asking for money. There are donation buttons all over the website. Donโ€™t pretend you havenโ€™t noticed them. I have an online shop at Artrepreneur with its very own link in the navigation tabs. I know you’ve been avoiding it.

All Iโ€™ve done is add another support option. Jen Fries Arts is not going to change.

So why a Patreon, then?

Because Patreon will provide a secure system for subscribers who wish to become monthly supporters, and it will, I hope, help me manage my time and work flow and offer projects that would be hard to do on the WordPress website, as it’s currently set up.

Patreon demands consistent engagement by me, the creator, which should address that whole burrow-retreat problem. No more only hearing from me after youโ€™ve started thinking I must have died. With Patreon, Iโ€™ll be getting paid to produce work on a real schedule, so Iโ€™d better do it.

Also, Patreon provides tools and a platform for things I really want to do in future, such as invitational social events, interactive online projects, discussion groups, and so forth.

Supporting my studio is completely optional, but it is deeply appreciated.ย 

I will always strive to make my money by selling my creative works, but we all know how the world is today. Sales lag desperately behind basic living costs. A creator can easily go utterly broke before their career can catch up with their rent. If I want to keep doing what I’m good at, I need to monetize it.

I refuse to put ads on my site and turn Jen Fries Arts into just another corporate marketing page. The only alternative is to encourage people who like what I do to pay for it, whether by purchasing the finished works or by patronage.

In an upcoming post, Iโ€™ll explain the details of the options Iโ€™ve set up. Please watch for that. It will be added to the About section, as well.

Click here to check out my Patreon now: Jen’s Patreon.

More upcoming posts will include a statement regarding generative AI because all the cool kids are doing it, and my big-picture plans for the Alchemy project, which is getting pretty ambitious.

In additional studio news, I have a new artwork on display in the summer show at the Brickbottom Gallery in scenic Somerville, MA. The exhibition is called “Carnival,” and it is running now through July 29th. Click here for gallery details. I will post notes about the new piece soon. The snakes are part of it.

So that’s the update. Iโ€™m back, sleeves rolled up, getting down to business, and I’m really glad to see you all again.

Happy Summer!

– Jen

Studio News: Exhibition: Dark Tales, Familiars and Objects of Divination

My assemblage, Augury, is included in the autumn exhibition in the Inside-Out Gallery outside the CVS at Davis Square, Somerville. See it there, because it will be seeing you. Happy Halloween!

โ€œDark Tales, Familiars, and Objects of Divinationโ€ is presented by Inside-Out Gallery and Somerville Arts Council and will run through November.

Augury, mixed media assemblage.

Interview: Bringing Order to Chaos

News! I was recently interviewed for The Somerville Times by poet, publisher, and arts editor, Doug Holder. We touched on my personal history, my creative process in art and writing, and my sources of inspiration.

It’s perhaps a little more of a glimpse behind the curtain than I often give out, and I’m excited to share it with you all. It’s drawing me out of my burrow, as it were, just a bit.

I’d like to thank Doug for his kind interest in my work and for asking wonderful questions that made it easy for a recluse like me to talk about myself.

You can read the full interview now at Doug’s website, Boston Area Small Press and Poetry Scene.

It is also planned to appear in The Somerville Times newspaper soon.

Out of the Studio – Mystic River Walk

JFries Mystic River border 1.11.2020

This week’s post takes us out of the studio for an impromptu hike along the Mystic River. It was 70 degrees F in Massachusetts yesterday – not entirely reassuring re climate change – and I took advantage of it to stroll the river walk from Assembly Row to the Blessing of the Bay Boathouse here in Somerville to refresh my lungs and my spirit and refill my creative reserves .

It was a red-letter day for water fowl. I saw hundreds of herring and black-backed gulls, at least 80 by my count mute swans, the same or more of Canada geese, and the flocks of bufflehead and mallard ducks, and red-breasted mergansers. The real stars of the day were the swans, who were everywhere one looked. These are the inspirations for my Mystic River Project, of which the Estuary Birds are part.

Please enjoy these shots from my 2.5-hour walk.

Happy New Year – Itโ€™s the Roaring Twenties!

JFries leaves banner 12.31.19

Tomorrow dawns the 2020s, and I realized that exactly 100 years ago, the 19th Amendment became part of the US Constitution, and American women got the vote.

The parallels between then and now are uncanny. We were talking it over at dinner this evening. In addition to giving women the vote, the 1920s saw the rise of extreme political and religious beliefs, overweening morality laws and backlashes against them, social and political grassroots organization, massive advances in science and technology with accompanying benefits and abuses, domestic and international terrorism, a great flowering of arts and intellectualism, and fundamental, permanent changes in the ways people lived day to day. In the wake of WW1, it was a decade of no going back to the old conformist pantomimes of class and propriety of the 1890s and 1910s. We can debate whether it was good or bad, but it was truly a revolutionary decade.

Iโ€™m pretty sure our 20s will be revolutionary too, with climate change crashing into us, the return of extreme ideologies, science racing forward, and all of us facing the challenges of a shifting world. One way or another, I think we are all going to change our lives forever. I think there will be a lot of ideas to express. Who knows, but we might even finally settle some of the fights we started way back then.

Itโ€™s scary but also exciting. Maybe Iโ€™m just itching to mix it up with the world. Maybe Iโ€™m tired of the same old same-old. I canโ€™t help it – Iโ€™m an Aquarius. We like new things. We live for tomorrow.

But tonight, I say farewell to the 2010s. Here is the last of my final project of the decade, the East Somerville Trees collages – preserved memories of autumn under our urban canopy, part of the Botanicals and Cities series. It’s about the things that really matter in the midst of all the changes.

These are destined for a book, so be on the lookout for updates on that.

Happy New Year!