I have posted my very first online poll. It’s on my shiny, new, barely scuffed Patreon, and I would like very much if you would check it out. If I’ve done it right, you should be able to vote for free, without setting up a new account or becoming a patron. You can see it here: Jen’s Patreon – Public Poll.
It’s kind of a focus-group thing. An Alchemy of Dragons is my biggest current project and the one I’ll be talking about the most on Patreon – and increasingly here, too, fair warning. So to help me get organized, I’m tapping all you fans of writing, fantasy, and world-building to let me know which parts of the process you’re most curious or enthusiastic about. The options are:
World Building
Character Design
Magic System
Art and Illustration
Choose as many as you like.
Becoming a patron, aka a Friend of the Studio, is entirely optional.
Some content will be reserved for patrons only, such as video projects, podcasts, tutorials, etc. Those kinds of projects are high on my future plans list, but they cost quite a lot to make in both money and time, so I really can’t do them on spec, as it were. They will need to be paid for. And there will be other thank-you perks for people who like my work enough to want to support my studio with a monthly pledge.
But I’m about selling finished work – art, books, poems, etc. That’s how I would ideally like to earn my living. So this site will always be a place where people can keep up with me and enjoy what I do and have the option to make a purchase.
But if you would like to become a Friend of the Studio by supporting me, you can sign up for a monthly subscription via Patreon, or make a one-time donation via Paypal, using the buttons in the website footer.
For now, though, please check out what should be a free poll, especially if you are a fan of An Alchemy of Dragons.
As my long-time subscribers know, when I run into a creative problem, I tend to retreat into my burrow and gnaw on it – and gnaw and gnaw like a determined squirrel – until it’s dealt with. Then I come back and tell you a bunch of new stuff and resume posting.
Well, I’ve just finished another round of gnawing, and I am now emerging from the burrow.
The tough nut this time was Chapter 5 of An Alchemy of Dragons, appropriately enough. In Tarot, 5 is the number of struggle, complications, and finding one’s way, all of which describes the part of the story where Protagonist 1 finally meets Protagonist 2, and the perfectionist author has to obsess over every single freaking word and comma and every possible plot permutation over and over again.
I finally cracked it. Vistas have opened before me. The plot is improved all down the line. Necessary world-building edits for continuity are identified. Research has been done and decisions made about how to handle things that will come up later.
Plus, a lot of new writing and art projects were spawned in the process. Ideas a-poppin’ all over.
While I was at it … I launched a Patreon!
Now, don’t get nervous. Yes, I’m asking for money. I’ve been asking for money. There are donation buttons all over the website. Don’t pretend you haven’t noticed them. I have an online shop at Artrepreneur with its very own link in the navigation tabs. I know you’ve been avoiding it.
All I’ve done is add another support option. Jen Fries Arts is not going to change.
So why a Patreon, then?
Because Patreon will provide a secure system for subscribers who wish to become monthly supporters, and it will, I hope, help me manage my time and work flow and offer projects that would be hard to do on the WordPress website, as it’s currently set up.
Patreon demands consistent engagement by me, the creator, which should address that whole burrow-retreat problem. No more only hearing from me after you’ve started thinking I must have died. With Patreon, I’ll be getting paid to produce work on a real schedule, so I’d better do it.
Also, Patreon provides tools and a platform for things I really want to do in future, such as invitational social events, interactive online projects, discussion groups, and so forth.
Supporting my studio is completely optional, but it is deeply appreciated.
I will always strive to make my money by selling my creative works, but we all know how the world is today. Sales lag desperately behind basic living costs. A creator can easily go utterly broke before their career can catch up with their rent. If I want to keep doing what I’m good at, I need to monetize it.
I refuse to put ads on my site and turn Jen Fries Arts into just another corporate marketing page. The only alternative is to encourage people who like what I do to pay for it, whether by purchasing the finished works or by patronage.
In an upcoming post, I’ll explain the details of the options I’ve set up. Please watch for that. It will be added to the About section, as well.
Click here to check out my Patreon now: Jen’s Patreon.
More upcoming posts will include a statement regarding generative AI because all the cool kids are doing it, and my big-picture plans for the Alchemy project, which is getting pretty ambitious.
In additional studio news, I have a new artwork on display in the summer show at the Brickbottom Gallery in scenic Somerville, MA. The exhibition is called “Carnival,” and it is running now through July 29th.Click here for gallery details. I will post notes about the new piece soon. The snakes are part of it.
So that’s the update. I’m back, sleeves rolled up, getting down to business, and I’m really glad to see you all again.
In the early dawn of the fourth day, Erran was awakened by a puff of warm air across his cheek.
He rolled over and found himself gazing into the dark eyes of a young woman. Waves of brown hair fell over her shoulders and around his face as she smiled at him.
“Good morning,” she murmured.
Well, the Circuit Minister finally arrived.
And so has Chapter 4, after a hiatus for backstage issues. It tells the story of Erran Fox’s roughest day so far – and was this writer’s roughest chapter so far as well. Questions fill Erran’s head as discrepancies emerge in the villagers’ claims, and the pressure on him mounts.
It’s been a while, so visit the Index to revisit the earlier chapters here: Index of Chapters.
Happy Year of the Water Rabbit, on the Chinese lunar calendar!
This morning, I finished my first art of the year, “Rabbit and Moon” (working title; I may change it).
It’s about 9 x 12 inches, on paper, mixed media – watercolor, graphite, and ink. The asemic writing in the upper right corner is actually my real, gloriously illegible handwriting, turned on its end. This time I’m quoting Robert Frost, a line from “Mending Wall” (1914):
But they would have the rabbit out of hiding to please the yelping dogs
In the verse containing that line, Frost talks about going out in spring with his neighbor to repair the damage that happens to their boundary wall over the winter, including the vandalism of hunters who knock down the stones to flush out their prey, because “they would have the rabbit out of hiding.” (Click here for the full text, off-site.)
That poem also gives us the famous line, “Good fences make good neighbors.” Frost’s neighbor repeats that saying, and the poet Frost wonders why good neighbors need fences at all. Shouldn’t they be able to rely on their mutual understanding?
Myself, I’m a little on the fence about that (har-har), but I do appreciate that, even though Frost might not like the barrier between people, by mending the wall, he’s evening the odds for the rabbits.
Jumping back from West to East, Chinese astrology says that the Water Rabbit brings in peaceful, patient, and creative energies and encourages us to rely on our inner wisdom and trust our instincts. We should approach this year’s challenges calmly and rationally, and be kind and considerate to each other and to ourselves.
Water Rabbit Year 2023 could turn out to be all about good neighbors – having them and being them. Just remember that the barriers that delineate our personal boundaries are best when everyone finds safety in them – us and the rabbits.
Three new abstracts I made this fall. Let’s take a walk through them.
Abstract Landscape 8
Watercolor and ink, half painting, half monotype print, 5 x 7 inches. I printed Prussian blue over a dilute Prussian wash, then incised color with a palette knife. It’s one of my more purely abstracted things, but you know me – I can’t really do abstracts. To me, this small painting suggests city lights reflected in water.
Abstract Landscape 9
Watercolor and ink. 9 x 12 inches. Definitely a seascape, to my eye, winter, the surf viewed through dried grasses. What do you think?
Abstract Landscape 10
Mixed media – watercolor, pastel, and collage, 12 x 9 inches. In this one, I altered the original abstract watercolor to pick out the image I saw in it – a pine forest, full of mist pierced by light.
My series of abstract landscapes get at the heart of my creative practice. They’re about following and exploring, not directing the process. They’re about finding the images that resonate most naturally with me, like a kind of Rorschach test to reveal how I see the world.
These three works will be in my shop in a couple of days.
Also coming up, Chapter 4 of An Alchemy of Dragons, and a gift for all of you, connected to a Yuletide painting in progress.
Join me for Artists Sunday, tomorrow, November 27. It’s like Small Business Saturday, but exclusively for art.
Started in 2020, Artists Sunday unites artists, creators, and makers across the US for the world’s largest art event, the Sunday after Thanksgiving, encouraging consumers to shop with artists.
I’m excited to participate in this great program bringing artists and communities together.
Visit my online shop at Artrepreneur for works ready to ship now. Watch the shop for new works coming before Christmas.
You can also email me at jen@jenfriesarts.com to inquire about any artwork on this site, even if it’s not yet listed in the shop.
Plus, if you are or will be in the Somerville, MA, area any time, email me to arrange local, in-person pick-up of your purchases, and save the cost and delay of holiday shipping.
…woke Erran in the early dawn on his second day in Chesny Wold.
His meeting with the wyvern the day before had been brief, dominated by beak and teeth, colorful head frills, huge eyes rising above him on a snake-ish neck, and shrieks like a hundred raging harpies. Finding the human amongst the leftovers of its meal, the wyvern had sought no introduction, but lunged straightaway. Erran instinctively dropped down among the deer bones, rolled under the trunk of a fallen tree, and froze behind it.
The massive head did not appear above him, and after about a minute of listening to angry thrashing and growling, Erran took a deep breath and a chance. He jumped up and shot his arrow into the bushes. The beast’s head whipped around after the sound, and Erran took off in the opposite direction, leaving the wyvern entangled in brambles.
It had been encounter enough, though, and he had spent most of that night in the caravan in the stable yard of the Old Ram, going through his books and crafting spells.
Now, summoned by the incessant knocking, he climbed from his bed, shaking papers from the blankets, and stepped out to find most of the Chesny Council with more questions and complaints.
He could at least tell them what kind of dragon it was.
“It’s a blood wyvern,” he said, rubbing his eyes.
“A what?” was the chorused response.
Things go downhill from there for Erran Fox, Ranger of the Beast Goddess.
The illustrations for An Alchemy of Dragons draw on traditional Celtic patterns and Medieval illuminations. I got on a bit of a roll this month, and also added another illustration to Chapter 2, along with ornamental section separators in all the chapters, copied from 14th century French manuscripts.
Chesny Wold was a soft land of green meadows dotted with flowers. The undulating terrain rose and dipped like waves in motion. They had landed near one of the Temple’s shrines, a water hole circled by standing stones carved with Nimrie’s symbols. All creatures might stop here as they pleased and be blessed by the place’s sacred aura. Yet no beasts grazed these pastures, as far as Erran could see.
Nearby in one direction, a line of trees marked a road, and in another, a soft sound and a fresh, earthy smell suggested a swift-running stream. Over one hill rose a faint haze of chimney smoke. On the slopes and ridge of another stood a dark mass that seemed to resist the dawn. Shadow and tension radiated into the air above it like a different kind of smoke.
“I would keep clear of that place, brother,” a voice called out.
Did you miss Chapter 1? No problem! Click here to see the Index of Chapters.
Like all the art for An Alchemy of Dragons, the illustrations for Chapter 2 are done in walnut ink and soft pastel on paper.
Jen Fries Arts 