2026: A Wild Rabbit Year

This evening, as I was walking home with our New Yearโ€™s feast from Lotus Express Chinese restaurant, one of our wild city rabbits hopped out from a driveway and down the sidewalk in front of me.

North American cottontails donโ€™t dig burrows. They get through the winter outdoors, sheltering in bushes and under porches. This one was certainly on its way home to some preferred back yard where it knows it has a secure place to keep warm tonight and something for breakfast in the morning. As long as I didnโ€™t try to mess with it in the malicious way of those humans who think othersโ€™ discomfort is funny, it seemed content to share the sidewalk with me. So we lolloped along together for half a block. I lost sight of it when it rounded the corner ahead of me. It must have cut up another driveway to get behind the houses. 

I hope it was heading for our yard. We have the most trees and shrubs, thanks to my ambitious but overworked landlords. An accidental rewilding project.

I took this as a good omen. A rabbit-rabbit-rabbit charm, even if the moon is not yet full.

Rabbits symbolize fertility (obviously) and by extension prosperity. Theyโ€™re survivors who thrive against ridiculous odds. Tiny and fragile, they will throw hands (paws) without hesitation when threatened or just pissed off. Omg, those little hooligans will come at you with intent. I just love them.

So I presume to take this rare winter encounter as a good sign for 2026. Confirmation of a feeling Iโ€™ve been having.

A headline from one of the 2025 wrap-up articles I have set aside to read later says, โ€œThis year ended better than it started.โ€

I agree. Granted, the landscape is still rolling dumpster fires as far as the eye can see, and if I were betting on it, Iโ€™d say 2026 will get worse before it gets better.

But for the first time in a long time, I have the feeling it will get better, maybe even quicker than expected.

Thereโ€™s no particular event that makes me think this. Itโ€™s more a shift of energy. A societal mood swing. A ripple in the zeitgeist. A sense that people have had enough of this shit.

Which shit? All of it. All the 10,000 shits. 

A sketch of rabbits fighting in the spring.
When first you see the full moon’s light,
Say “Rabbit, rabbit, rabbit” thrice
For a month of fortune, joyous and bright.

I know Iโ€™ve had enough. My list of Things Iโ€™m Done With is long. Iโ€™m done with billionaires and maga, with marketing and media, with all the corporate shenanigans and snake oil. Just frikkin done.

And Iโ€™m done with a lot of myself, too. With old bad habits. (I need new ones!) With my waffling and procrastination, with half-assing my way through problems. With being so deep in the weeds, I have no idea where Iโ€™ve come to in my life. With my utter and complete disorganization.

When it comes to changing for the better, nothing just happens. You have to do it, and nobody does anything until theyโ€™re ready. Until they feel like it. Thatโ€™s when they make their move. Thatโ€™s when they quit smoking, change parties, leave that job, take that class, get out and vote, blow the whistle, clean their house.

2025 was horrible. No argument. I donโ€™t need to go over it all here. If you follow me, then you probably also follow the news. Itโ€™s been a historically horrible year.

But as of this writing, on December 31st, 2025, We the People are not the ones freaking out and trying desperately to cover our asses. I wonโ€™t say weโ€™ve taken control of the narrative just yet, but we have a grip on it, which is more than we had a year or even six months ago. It took us a whole year, but we finally have the ground under our feet again.

So despite skyrocketing costs, economic chaos, political violence, and a latter-day Nero fiddling with the White House as the dumpsters burn, I will take that little rabbit as a lucky charm. 

An omen of success against the odds, of building happiness by thinking quick, adapting to the circs, making do, creating a lot, and not being afraid to get into the fight when needed.

Thriving in 2026 might not look the way we expect, but lifeโ€™s too short to be long about the forms of it. Whatever comes, I know we can make the most of it.

Iโ€™ll put that up over my desk as a motto for the year. โ€œWhatever it is, make the most of it.โ€

Naturally, I have big plans, but I make no promises now. Between the world and the dramas weโ€™ve survived, we are embracing a lot of change here at the studio and attached apartment, so I have no idea what Iโ€™ll do or when. Iโ€™ll just say my focus in 2026 will be on experimenting with new-to-me forms and media. There are skills I want to learn, and skills I learned the past couple of years that will get new uses and presentations. Some of you might not be into it, but some might like it better. I hope everyone will find something good here. But however it goes, 2025 is ending with happy outcomes we couldnโ€™t have foreseen. I intend to make good on it.

And I hope you can find your own inner wild city rabbit this year, as well. Find the resources you need, whatever form they come in. Throw down and thrive. And when the odds are against you, ignore them. Winners donโ€™t bet against themselves.

Happy New Year, everyone!
Letโ€™s get into it.

Note: This essay contains 928 words, which according to western numerology, reduces to 10 and then to 1. So do the numerals of 2026. In tarot, 10 is the number of the Wheel of Fortune, and 1 is the number of The Magician. Interpretation: 2026 is a chance for us to direct our fate. I might write more about this at a later date.


Some of the work I did in 2025.

Finding Magic: a winter small works series

How to stay hopeful when it all gets to be just too much seems to be the question of the day, at least among the Youtubers and pundits I follow. How to weather the slings and arrows, pick yourself up and dust yourself off, and all that.

Well, honestly, I’ve always been too bloody-minded to lose hope for very long. Don’t get me wrong, I’ve had plenty of dark nights, but I get too angry at the effrontery of upstarts to meekly accept whatever they want my fate to be. To me, hope has never been the thing with feathers fluttering in the deep recesses of the heart. Rather, it’s the thing that spits out a bloody tooth and wades back into the fight for another round.

Life has been a real fight lately, hasn’t it? We’ve all been well and truly in it, and there’s no end in sight. Here at the house attached to the studio, we’ve been dealing with medical crises and all the attendant crises that come along with needing urgent help. Don’t worry, it’s working out. Life was saved. Sickness was cured. Needed work is being done. But this past month has been scary and exhausting and expensive, recovery and caring are not yet finished, and neglected work, home, garden, etc., knocked into the proverbial cocked hat by personal disaster, are demanding to get back on the agenda. Time is ready to march on even if I’m not.

So, when all has fallen into confusion, when I’m hopelessly behind on every task, exhausted to the point that I can’t even sleep, and the 10,000 things rush to fill every hour of the day, I open my eyes and look for the patterns in the chaos. This is what I call magic. To find the hidden structures that reveal the sense of it all. Thus I orient myself, ground and center myself, and gradually regain control of my reality.

Art and storytelling are my arcane methods for that.

I cast spells to shine clear lights on dark things, draw boundaries, invoke powers, steer and shape energies, and explore mysteries – until I feel pulled together enough to stand stably on my feet again.

And this year, because we’re all really going through it, I’m sharing my magical explorations with all of you. From now through at least New Year – maybe to spring, I’ll see how it goes – I present “Finding Magic,” a small works series celebrating the winter months of 2025-2026.

Talismans and amulets, tiny things to accent a threshold or guard a book. Symbols of power, resilience, prosperity, emotions. Worlds in the palm of your hand. Portals to other realms. Small wishes to bring good things into challenging times.

In the northern hemisphere, where I live, winter is the season for new beginnings, containing as it does not one but four new years – the solar new year of the winter solstice, the astronomical new year at the close of the calendar, the planetary new year at Earth’s perihelion, and the lunar new year in February. It’s a season for resting and resetting, for looking back and ahead, for personal transformations, for the quiet inner work of healing and growth.

With “Finding Magic,” I invite you to come along with me as I do that work for myself and offer what I find to you.

There seems to be a trend – or I’d like there to be a trend – of artists celebrating the end of the year with affordable small works series to tell the story of the year that was. “Finding Magic” is about pulling ourselves together to wade back into the fight next year, stronger, refreshed, clear-eyed, and empowered.

It will be all small items in various media, priced for any budget at under $50 and under $100 depending on the piece. Follow this site for updates as new pieces are finished.

Jen Fries, Eye Amulets, pastel, watercolor, and ink on paper, roughly life-sized, $25 each, part of “Finding Magic.” Display, carry, use for ornament, journaling, or to ward off unwelcome pests and gossips. Email me if interested.


And if you happen to be in the Boston, Massachusetts, area this weekend, stop by the Brickbottom building in Somerville for our Open Studios event, November 22-23, 12-6pm. Info here. I’ll be in Unit C322, showing the first of the “Finding Magic” pieces along with larger works on similar themes.

Mystery Mail Art launched today

Happy Artists Sunday, all.

Whatโ€™s that, you ask? 

Artists Sunday, always the first Sunday after Thanksgiving, is one of the worldโ€™s largest art events, dedicated to supporting and celebrating artists in our communities, and encouraging people to buy art as gifts during the holidays.

This year, for Artists Sunday, Iโ€™m opening a new project – a Mystery Mail Art subscription.

Now, you may look at the time stamp on this post and think, um, Jen, considering your time zone and all, arenโ€™t you a little late for Artists Sunday?

To which I would say, donโ€™t criticize my personal failings. This is just the opening day of a permanent rolling project that you can get in on at any time.

Check it out.

Mystery Mail Art

The concept is basically an art-of-the-month club – a chance for you to collect small original artworks.

I have a passion for these little things – handheld art, portable art, working art, daily life art. For every larger canvas or sculpture I finish, Iโ€™ve also made piles of journaling cards, mini paintings, micro-zines, pocket objects, and so forth. These fun, useful objects often donโ€™t get a lot of exposure.

Well, not anymore! As of today, the Jen Fries Mystery Mail Art subscription belongs to the most experimental, whimsical, category-busting art I make.

How It Works

Subscribers receive one or more small, original artwork(s) each month, for twelve months, via US mail. 

I choose what each subscriber gets, because I donโ€™t know in advance what Iโ€™ll be making. Hence, โ€œmystery.โ€ It could be cards, paintings, drawings, collages, micro-fiction or poetry, or anything else that comes out of my experiments.

$20/month covers the artwork plus shipping and handling. Your first artwork will be shipped as soon as possible after you sign up, with subsequent works mailed on a fixed date thereafter. Your subscription expires 12 months after beginning. Subscribers can cancel anytime, of course.

Quantities are limited. Iโ€™ll sign up only thirty (30) subscribers at a time. I know my limitations.

Iโ€™m using Patreon to manage this and future subscription projects for now. Their system is easy and reliable. Follow this link for the full details: Jen Fries Arts on Patreon.

If youโ€™re unsure, Iโ€™ll gladly send you one Mystery Mail Art piece for a one-time payment of $20. Email me, drop a comment on this post, or send the $20 via Paypal using the button below. Make sure to tell me it’s for one (1) mystery mail and provide your mailing address. You can opt to subscribe later whenever you like.

The kind of art you might receive:

April in the garden and the sketchbook, plus other news


Spring is in full bloom, and filling my head with ideas. Behold!


Out and about

The garden is up and running – largely without me, I admit. The daffodils are especially robust this year. (I wish I could say the same for the studio lighting or my poor old camera.)


A little sketchbook tour

Inspired by the energy of the season, I’ve been letting all my ideas make their pitches. Those glorious daffodils again, this time in two vases. This year’s solar eclipse – from photos. We didn’t get totality over Massachusetts, so while I took a moment to observe the partial over my studio (safely!), I also watched the totality over and over, live on NASA tv. The little Medusa concept doodles happened because I am convinced Medusa and the Gorgons were solar mythic beings. Next, ephemeral springtime forest plants – North American bloodroot flower and fern fiddleheads. (Did you know, that part of the violin is both named and designed after the plant?) All of these sketches are plans for future artworks.

The color sketch was just testing out some watercolor pencils. I’m not particularly in love with this set, but the SATOR design is an idea in development for some typographic abstracts. The SATOR square is one of the oldest good-luck charms in western culture, found decorating doorways of ancient Roman buildings.

And finally, testing out different pens – a dip pen, a bamboo reed pen, and a fountain pen – the one in black. I sketched with a glass pen, too, but forgot to photograph it. I like them all, but I think the reed pen gives that Real Artist vibe, at least in these little drawings.


In Other News

New small paintings are ready. I’m just editing the photos. I’ll post them separately, and they’ll be added to the shop soon.

An Alchemy of Dragons is on a brief hiatus. As I prepare to introduce the second protagonist, Iarius, and expand my characters’ world, I found I need to corral an explosion of plot bunnies. I also realized I made some mistakes in the earlier chapters. So I decided to pause, rework some details, and get more of the story written in advance of posting. Maps are being drawn. Character portraits are being designed. A world-building wiki is coming together as I go along. I’m pretty excited about the upcoming improvements. Watch this space.

An Alchemy teaser.

-Jen

The Month that was November

I have been writing, arting, businessing, and planning, and youโ€™re going to have to take my word for it because I forgot to do the updating (and several other -ings as well).

But no, for real, did the things. I drew. I painted and collaged. I experimented with some still raw, in-the-seed ideas. I wrote and illustrated. I prepped several projects. I did a secret thing I’m not going to talk about yet.

I just didnโ€™t mention any of it to you guys. The Communications division of me is feeling a bit exasperated with the Studio division of me.ย 

Oh, well, I’m telling you now. Letโ€™s get into the update.


An Alchemy of Dragons

As you know, Chapter 6 was posted earlier this month. Read it here.

Chapter 7 is about half written so far. Hereโ€™s a glimpse into the current draft:

The first tone of the concert seemed to rise from the Bard of Pernaโ€™s fingers of its own accord, tight, hard, building tension until it broke into an arabesque of notes sparkling through the air like the sunlight itself.

He let the passage fade into silence, then repeated, and with it, the Lady of Arrak rose and began to dance. His music and her movements were relaxed and breezy. Her veils floated and subtly slipped away, exposing slender bare arms, then a hint of a colorful bodice, all grace and tender gestures


November Art Highlights

Studies for seasonal paintings.


Illustrations for Alchemy Chapter 6 were posted.


Studio Assistant Princess LunaLynx posed for a photo shoot.


“I have traveled far to share this with you,” collage postcard with asemic writing. This was a mark-making exercise, related to a workshop idea in development. It resulted in a two-sided art object and an examination of my creative process.


And I have a question for you!

Little by little, I’m organizing my online realm and figuring out how all the knobs and buttons work. The next phase is to integrate all the parts of the Jen Fries Arts Community, i.e. all you wonderful folks who subscribe or follow in the various ways. I’m going to be tweaking some features of the website and adding some more ways for us to interact, but I need to plan which skills to learn and gear to acquire next.

I would love to get some guidance from you via the form below. Let me know what you’d like me to develop for our little circle, and I’ll see what I can do about it.

Go back

Your message has been sent

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Choose the features you’d enjoy as a member of the JFA Community. Select all that apply.
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Thanks!

– Jen

Magical Art for Halloween – Hunter’s Moon collages and a magic fantasy flight

October is the Hunter’s Moon, and this week, it was big and bright, and lit up the broken clouds in silver and gold. I decided to celebrate with some collages.

I’ve been deep in painting for the Alchemy of Dragons illustrations, so it’s been a while since I did a collage, which has been a mainstay of my work for many years. It was interesting to compare the two processes.

Painting is straightforward. I sketch and plan. Finalize the image. Recreate or transfer the line art to the painting surface. Select the palette. Do the doing. It takes as long as it takes.

Collage takes its time, too, but it’s a wilder ride. It’s a deep dive into my mind. It’s like memory recovery hypnosis. It’s like dream analysis. Nothing is planned or designed. A vision is in my head – a thing is seen or thought – and wants to become art. In this case, it’s a real-life thing, the Moon on the 28th of October, 2023.

The actual Moon, photographed from my studio on the night in question.

But I didn’t draw a picture of it. I didn’t try to recreate the object of the Moon. I wanted to express the feelings it gave me. Complicated feelings and several of them.

I wanted to pull that Moon down to me, big and close, the way it felt when I looked up and the distance between me and it melted away. The clouds parting, and my little neighbors in their roosts, touched by its light. Taking a night walk, soaking up that cool glow amid autumn wind and flying leaves, in the season of witchery and ghosts.

I can’t sketch that out. I have to wander my way to such an image. I have to find the hooks to draw it out, piece by piece, to turn the ephemeral into the material. So I hit the collage files.

I pulled out papers, vintage clips, found materials, searching for pieces of what was brewing in the old noggin, anything that resonated in the moment. Dark blues and a rich black. Oh, look, some gold tissue paper, just like the clouds that night. A scrap of a copy of some Japanese textiles, this will give me the leaves I want. Wait – what stars are up this month? Consult the Old Farmer’s Almanac! Collect paint, ink, pencils. Cook some paste.

I pulled out so much stuff, and then began the process of combining and recombining, adjusting and problem-solving until two stories emerged. One on paper. One on canvas.

Hunter’s Moon and Cassiopeia, collage on canvas, Jen Fries
Admiring the Moon, collage on paper, Jen Fries

It took up my whole freaking workspace, much to the annoyance of Studio Assistant Princess Lunalynx, who likes to nap in the sun on the main table. Holy smokes, there was a lot of clean-up. I’m still holding out the unused materials, in case more Moon or Halloween ideas come to me – the ripples and echoes still bouncing around.

Collage will always be a vital part of my creative practice because it teaches me about myself. The process of selection and composition mirrors the way my mind works and how I construct my ideas. Chaotic. Messy. Quirky. Full of references. And of the school that says that even the most unrealistic image will be realistic if it captures the real essence of a thing – if it speaks to a person’s emotions – if it makes you feel like you were there, like you had that dream, too.

Anyway, that’s the goal.

These works will be added to the Artworks gallery and my shop very soon.


I did the Alchemy Chapter 6 illustration, too. I’ll talk more about this and its accompanying chapter initial in another blog post, but for now, thrill to the world’s first glimpse of our main protagonist, Erran Fox.

Here he is, with Squirrel Nutkin and the aura-horse Maedrephon, flying towards the sunset, in search of a bard who can charm dragons.

… flew the distance as fast as the wind itself …
pen and wash in pastels, on paper

Chapter 6 is expected to hit the website by the end of this week. Watch this site.


Our Halloween is a little pauce this year. We’ve had too many headaches and joint issues, both me and My Sainted Mother, too many distractions, and too much disappointment with our fellow humans.

But I still found some moons and some magic. Plus, I see it’s 1:30 AM as of this writing. The day is young.

Happy Halloween!

-Jen

Figuring it out, little by little

JFries leaves banner 12.31.19

Hello, all. It’s been a while, as usual.

I have been off wandering in the weeds again, trying to figure out how to organize all the new tools and features I’ve been picking up in building my little corner of the online world. I have progress to report.

Behold!

It’s an org chart.

A Jen-style org chart – over-thought, drawn free-hand, complete with smudges and the ghosts of erasures, a big ol’ patch where I messed up in ink, and pencil notes indicating more to come. Terrible photo, I admit, due to having no scanner at the moment and the weather here being so stormy, I can’t get good light even with lamps. Oh, well, it’s a working draft, still in progress. The original is hanging over my desk now.

The point is that it’s all finally starting to make sense. Take a tour with me:

The Studio: This is where I work the magic, all by myself. This is my workspace, home base, refuge, and one-person think tank. Everything flows from here.

The Website: The official online hub for all things Jen Fries Arts. Whatever happens in the Studio ends up here eventually, and everything else revolves around this site. If you’re looking for anything to do with my work, this is the place. Over the next few days, I’ll be adding some tabs, updating some buttons, and sprucing the joint up.

Community: Free, public, via Patreon. The new social media arm of Jen Fries Arts. This the place to find frequent updates on WIPs and the Arting Life, engage in discussions, participate in challenges and prompts, and purchase digital downloads, starting this month. And we can do it all without the intrusive, passive-aggressive shenanigans of the social media platforms.

Patrons: Paid, exclusive, via Patreon. Friends of the Studio who opt to support me with a $5 monthly pledge receive exclusive content and benefits as well as my heartfelt gratitude and appreciation. Patrons will enjoy free downloads, discounts on purchases, backstage looks into my creative processes, discussion threads on art and writing, invitations to events, and more as we go along.

Newsletter: Free, private, via Email. The newsletter is being transformed into a monthly digest of Studio News and Community content for those who prefer to keep things mellow, far from the social media hurly-burly.

Buy: All the legit venues where my work is sold will be listed and linked on this site. Artrepreneur for original artworks. Patreon for digital images and files (coming soon). My email for commissions, licensing, or offline sales. And more to come, including art prints, books, and other stuff currently simmering in my head or in development.

Offline: I’m a real person living in the real world where I do real things. Watch this site for exhibitions, pop-ups, and in-person events. Check out my public, professional network. Someday, there may even be some courses and workshops.

Check out Patreon features here. Sign up for the Newsletter here. Visit my Artrepreneur shop here.


And this not all I’ve been doing.

October will see new artworks and poems.

An Alchemy of Dragons is very much alive. Chapter 4 is getting reposted in two parts for more screen-friendly reading length, with additional illustrations. Chapter 5 is written and waiting for its illustrations. Our second protagonist has arrived at last. Chapter 6 is scheduled for this month as well.

And I’ll be exploring the season with some witchy, autumnal moods. Be on the lookout for moons, dreams, and magical stuff.

Happy Autumn!

– Jen

I want to hear from you

I have posted my very first online poll. It’s on my shiny, new, barely scuffed Patreon, and I would like very much if you would check it out. If I’ve done it right, you should be able to vote for free, without setting up a new account or becoming a patron. You can see it here: Jen’s Patreon – Public Poll.

It’s kind of a focus-group thing. An Alchemy of Dragons is my biggest current project and the one I’ll be talking about the most on Patreon – and increasingly here, too, fair warning. So to help me get organized, I’m tapping all you fans of writing, fantasy, and world-building to let me know which parts of the process you’re most curious or enthusiastic about. The options are:

  • World Building
  • Character Design
  • Magic System
  • Art and Illustration

Choose as many as you like.

Becoming a patron, aka a Friend of the Studio, is entirely optional.

Some content will be reserved for patrons only, such as video projects, podcasts, tutorials, etc. Those kinds of projects are high on my future plans list, but they cost quite a lot to make in both money and time, so I really can’t do them on spec, as it were. They will need to be paid for. And there will be other thank-you perks for people who like my work enough to want to support my studio with a monthly pledge.

But I’m about selling finished work – art, books, poems, etc. That’s how I would ideally like to earn my living. So this site will always be a place where people can keep up with me and enjoy what I do and have the option to make a purchase.

But if you would like to become a Friend of the Studio by supporting me, you can sign up for a monthly subscription via Patreon, or make a one-time donation via Paypal, using the buttons in the website footer.

For now, though, please check out what should be a free poll, especially if you are a fan of An Alchemy of Dragons.

I’m back! Miss me? Remember me?

As my long-time subscribers know, when I run into a creative problem, I tend to retreat into my burrow and gnaw on it – and gnaw and gnaw like a determined squirrel – until itโ€™s dealt with. Then I come back and tell you a bunch of new stuff and resume posting.

Well, Iโ€™ve just finished another round of gnawing, and I am now emerging from the burrow.

The tough nut this time was Chapter 5 of An Alchemy of Dragons, appropriately enough. In Tarot, 5 is the number of struggle, complications, and finding oneโ€™s way, all of which describes the part of the story where Protagonist 1 finally meets Protagonist 2, and the perfectionist author has to obsess over every single freaking word and comma and every possible plot permutation over and over again.

I finally cracked it. Vistas have opened before me. The plot is improved all down the line. Necessary world-building edits for continuity are identified. Research has been done and decisions made about how to handle things that will come up later.

Plus, a lot of new writing and art projects were spawned in the process. Ideas a-poppinโ€™ all over.


While I was at it … I launched a Patreon!


Now, donโ€™t get nervous. Yes, Iโ€™m asking for money. Iโ€™ve been asking for money. There are donation buttons all over the website. Donโ€™t pretend you havenโ€™t noticed them. I have an online shop at Artrepreneur with its very own link in the navigation tabs. I know you’ve been avoiding it.

All Iโ€™ve done is add another support option. Jen Fries Arts is not going to change.

So why a Patreon, then?

Because Patreon will provide a secure system for subscribers who wish to become monthly supporters, and it will, I hope, help me manage my time and work flow and offer projects that would be hard to do on the WordPress website, as it’s currently set up.

Patreon demands consistent engagement by me, the creator, which should address that whole burrow-retreat problem. No more only hearing from me after youโ€™ve started thinking I must have died. With Patreon, Iโ€™ll be getting paid to produce work on a real schedule, so Iโ€™d better do it.

Also, Patreon provides tools and a platform for things I really want to do in future, such as invitational social events, interactive online projects, discussion groups, and so forth.

Supporting my studio is completely optional, but it is deeply appreciated.ย 

I will always strive to make my money by selling my creative works, but we all know how the world is today. Sales lag desperately behind basic living costs. A creator can easily go utterly broke before their career can catch up with their rent. If I want to keep doing what I’m good at, I need to monetize it.

I refuse to put ads on my site and turn Jen Fries Arts into just another corporate marketing page. The only alternative is to encourage people who like what I do to pay for it, whether by purchasing the finished works or by patronage.

In an upcoming post, Iโ€™ll explain the details of the options Iโ€™ve set up. Please watch for that. It will be added to the About section, as well.

Click here to check out my Patreon now: Jen’s Patreon.

More upcoming posts will include a statement regarding generative AI because all the cool kids are doing it, and my big-picture plans for the Alchemy project, which is getting pretty ambitious.

In additional studio news, I have a new artwork on display in the summer show at the Brickbottom Gallery in scenic Somerville, MA. The exhibition is called “Carnival,” and it is running now through July 29th. Click here for gallery details. I will post notes about the new piece soon. The snakes are part of it.

So that’s the update. Iโ€™m back, sleeves rolled up, getting down to business, and I’m really glad to see you all again.

Happy Summer!

– Jen

An Alchemy of Dragons, Ch. 3, in which Erran is rudely awakened

Read it here: Ch. 3: Sharp rapping on the caravan wall…


…woke Erran in the early dawn on his second day in Chesny Wold.

His meeting with the wyvern the day before had been brief, dominated by beak and teeth, colorful head frills, huge eyes rising above him on a snake-ish neck, and shrieks like a hundred raging harpies. Finding the human amongst the leftovers of its meal, the wyvern had sought no introduction, but lunged straightaway. Erran instinctively dropped down among the deer bones, rolled under the trunk of a fallen tree, and froze behind it.

The massive head did not appear above him, and after about a minute of listening to angry thrashing and growling, Erran took a deep breath and a chance. He jumped up and shot his arrow into the bushes. The beastโ€™s head whipped around after the sound, and Erran took off in the opposite direction, leaving the wyvern entangled in brambles.

It had been encounter enough, though, and he had spent most of that night in the caravan in the stable yard of the Old Ram, going through his books and crafting spells.

Now, summoned by the incessant knocking, he climbed from his bed, shaking papers from the blankets, and stepped out to find most of the Chesny Council with more questions and complaints.

He could at least tell them what kind of dragon it was.

โ€œItโ€™s a blood wyvern,โ€ he said, rubbing his eyes.

“A what?” was the chorused response.


Things go downhill from there for Erran Fox, Ranger of the Beast Goddess.

Need to catch up with Chapters 1 and 2? Click here for the Index.

The illustrations for An Alchemy of Dragons draw on traditional Celtic patterns and Medieval illuminations. I got on a bit of a roll this month, and also added another illustration to Chapter 2, along with ornamental section separators in all the chapters, copied from 14th century French manuscripts.


New in Chapter 2, the signboard of The Old Ram.