On Being a Regular

Tremont Street, Boston, in June, collage on board, detail. I used to work down there.

An acquaintance of mine, poet and columnist Doug Holder, recently posed a question on social media: Have you ever been a regular, and what does that mean to you?

He was responding to an article in Esquire, โ€œThe Lost Art of Being a Regular,โ€ by Mark Allen Burger. Itโ€™s paywalled (fair enough). Check your public library if youโ€™d like to read it. In any eventโ€ฆ

I realized that being a regular may indeed be a lost art, at least in the US. People my age are forgetting what it was like, and younger people never knew.

I further realized that we should probably revive this lost art, because we are entering a time when weโ€™re going to need it.

Being a regular is a status relative to another person. Itโ€™s an earned title. You become a regular when someone else says you are, based on your interactions with them.

Itโ€™s a word belonging mostly to commerce, but it has the effect of de-business-ing business, of personalizing the impersonal. Itโ€™s a humanizing word that shifts the focus from transaction to relationship.

But what is it? How does it happen, and how does it work? Iโ€™ll tell you about my own experience.

Coffee and a Newspaper

In my home town, New York City, I commuted to work by the same route every weekday, along with thousands of other people, from Queens into Manhattan. Every morning, I stopped at the newsstand at the top of the stairs into the subway and bought the NY Times. I then went downstairs and stopped at the coffee stand in the station to get a regular coffee with milk and one sugar. I then continued down to the train with my paper and my coffee.

Beyond requesting my paper and ordering my coffee, and saying thank-you, I never spoke to anyone and barely made eye contact because thatโ€™s how we rolled in NYC.

And yet one day, I got to the newsstand, and my Times was folded and waiting for me, along with the papers of other regulars. I just had to put down my money and take it.

In about the same time period, I got down to the coffee stand one day and found my coffee waiting for me on the counter – regular, milk, one sugar, hot and fresh because the guy knew what time Iโ€™d be there.

We still didnโ€™t talk to each other beyond me saying thank-you, which was now all I had to say.

I realized suddenly that I was part of the scene, the community. Despite the traditional New York conversation-avoidance, I was remembered, recognized. I was known to these people. If I ever went missing, those guys along my daily commute would be able to help the cops pinpoint just where and when Iโ€™d vanished.

A little while after that social breakthrough, I had another. I worked in those days in the financial district, near Wall Street. Back then, the work day was 9 to 5 with a lunch break from 12 to 1. This was universal. So every day, the narrow streets of lower Manhattan would be crammed with people arriving to work, then become empty and silent, then get crammed with people going out for lunch, then become empty and silent again, then get crammed with people going home, and then stay empty and silent overnight. (I know about overnight because sometimes my friends and I would wander around down there to decompress after getting out of the Village dance clubs, and it was just us and the rats and the ghost of Peter Stuyvesant.)

Peter Stuyvesant, still a regular on the lower Manhattan scene. Quick pastel sketch from a portrait, c. 1660, attr. Couturier.

Those crammed hours were absolute madness, and the lunch rush was the craziest because the traffic was less orderly than the morning and evening rushes.

Near the office where I worked stood a hamburger and hot dog joint. It was a tiny little storefront on the corner that only cooked 2 or 3 things with 2 or 3 variations each, and it was only open for lunch. What little they did, they did extremely well, though, and the place was incredibly popular, so much so that they had to create a hyper-efficient way to process customers in the limited lunch-rush time window.

They had one line going in the double-door entrance and another line going out. Youโ€™d ride the in-line to the counter (where there were always a few crusty old dudes eating in), and place your order with the guy who would shout it out to the short-order cooks at the grill behind him. Then youโ€™d step to your left and pay and receive your food, which would be ready and bagged in seconds because they were already cooking everything on the menu. Then youโ€™d turn around and ride the out-line back to the street.

They gave this service to literally hundreds of people within the space of a single hour.

Now, granted, Iโ€™m a creature of habit, and I had my favorite thing that I would get from that place every time I went, up to three days a week because it was cheap as well as good.

But still – hundreds of customers on a virtual conveyor belt every single lunch rush.

And yet a day came, surprisingly quickly, when I got up to the counter, and the guy said, โ€œThe usual?โ€

Stunned, I said, โ€œYes, thanks.โ€ And he turned and shouted out exactly what I wanted. I will never comprehend how, out of that sea of humanity all getting burgers and hot dogs, he could remember anyoneโ€™s order or face, but the man obviously had the power of professionalism.

Thatโ€™s what being a regular means to me. It means being a noticed presence in the spaces you occupy and move through. It means being recognized by identity markers unique to you. Small woman with long, dark hair. New York Times. Regular coffee, milk, one sugar, 7:30 AM. Hot dog, heavy mustard, sauerkraut, ginger ale. It means being part of someoneโ€™s world enough that they add you to their schedule. They prepare for you, reserve space for you. You become part of the easy, efficient flow of their work. You are expected, and missed when you donโ€™t show up.

Sometimes, it can be moments like the time the delivery guy from our favorite Chinese restaurant came to our apartment by mistake. He was going to another apartment in our large building, but his feet carried him to our door by sheer force of habit, and he didnโ€™t realize it until we were all looking at each other in confusion. And then we laughed.

All Our Third Places

Whether youโ€™re in and out in 30 seconds or you stick around for hours, anywhere that youโ€™re a regular becomes a โ€œthird placeโ€ in your territory.

Third places, a concept developed by sociologist Ray Oldenburg, are spaces for free, informal, social interaction, additional to home and work. Itโ€™s your coffee shop, pub, park, bookstore, basketball court, hair salon, etc. I argue they can also be transitional spaces on routes we travel frequently, turning the route itself into a third place. Hereโ€™s a free article about the importance of third places by Ray Oldenburg and Karen Christensen in the UNESCO Courier.

Being a regular at a place grants you a certain emotional ownership of it. Something about it is now yours. Your paper, your coffee, your lunch, your time slot. Eventually, you might even have your table by the window, your pizza combo added to the menu with your name on it.

The day I became a regular at the news and coffee stands granted me ownership over my commute. That route became part of my home turf. I could relax and enjoy my morning that little bit more. I felt comfortable enough to look around and begin to recognize other regulars I shared it with, who also ceased to be strangers just by dint of being seen every day.

Has that ever happened to you?

Has a barista anticipated your order? Maybe your favorite Thai restaurant knows how spicy you like your drunken noodles. Is there a shop you spend so much time in that when a newbie asks for help, you take care of them before revealing that you donโ€™t work there? Do you see the same joggers and families at the park every Saturday, and do they see you?

How many such third places do you have? Probably fewer now than before the pandemic. Covid cut us off from so much that was regular about our lives, but it was just the knock-out punch. It was already getting harder to become a regular before that disaster.

Our digitized, virtual, automated world yaps endlessly about connection and community, but it doesnโ€™t want us to go anywhere or meet anyone. We save our coffee order to the app, but the app wonโ€™t anticipate our arrival or remark on our absence. The worker wonโ€™t connect our face to our cup. Weโ€™re responding only to the apps, not each other.

One-click ordering. Frictionless payment. Contactless delivery. These โ€œconveniencesโ€ scrub the humanity out of our habits. Theyโ€™re bad when we need them, as during a plague, but worse when we donโ€™t.

Supposedly, eliminating all that interactive friction will free up more time for โ€œqualityโ€ socializing. Really, though?

I mean, your commute is your commute. Is it better to make that daily trip with people to help you fuel up on the way out and wind down on the way back, or to do it in a bubble of invisibility and isolation?

And how will we do all this quality socializing when the work day is longer and more exhausting than ever? How much of that freed-up time gets spent doomscrolling before collapsing into bed?

Here-Place, Now-Moment

JFries Devonshire Street
Devonshire Street, Boston, collage with wood, on board.
One of my regular haunts.

When you leave your home, how many faces do you recognize, and how many might recognize you? Do you know which dogs belong to which houses on your street? Do you have a personal map of businesses and amenities along your various routes, favorites that you use again and again?

If you needed to beg a favor, or drop out for a couple of hours, or you were being followed by a suspicious van, where would you go? What haven or check-in spaces do you have, where you are โ€œone of usโ€?

Thatโ€™s what community is, our โ€œus.โ€ The We of We the People. Itโ€™s our extended home where we do all our regular stuff among our regular faces. We belong because we are participating members.

To be clear, Iโ€™m a hardcore introvert. I hate chatting, smiling, sparkling. I love silence and solitude. But even those who read books at ballgames are present. We recognize and are recognized. None of us has to perform a particular way to be part of the โ€œus.โ€ We just have to show up often enough to be a regular.

The Age of Convenience is failing us. We need those passing, superficial relationships with all their frictions. We must re-humanize our ordinary, daily lives.

We do that, first, by getting out of the house, and then by de-automating all those pesky little tasks weโ€™re told are such a burden.

Turn your eyes from your phone to the person doing something for you. Order online but go to the local restaurant to pick up your meal in person. Say thank-you.

Choose your favorite businesses, services, amusements where you live, where you work, along your routes, and make a habit of stopping in rather than adding another app. Use your commons – parks, beaches, libraries, transit, etc. You part-own the damn things, after all.

Pop the bubble. Put the phone in your pocket. Be present in the here-place and now-moment. Little by little, youโ€™ll start feeling the โ€œusโ€ around you. Youโ€™ll hear the music and languages. The dogs will learn your scent, and youโ€™ll learn your neighborsโ€™ roses and holiday decorations. Youโ€™ll collect arcane, insider knowledge of all your places. Youโ€™ll start thinking of your street, your shops, your station.

And before you know it, youโ€™ll be surprised by someone greeting you with, โ€œThe usual?โ€ followed by, โ€œDidnโ€™t see you last week.โ€

And then youโ€™ll be a regular.

Note: The essay above contains 2,022 words which, according to western numerology, reduces to 6. The number 6 represents love, partnership, and community. In tarot, the sixth Major Arcanum is The Lovers, while the sixes of the minor suits represent various forms of shareable benefits. The 6 of Swords, an easing of burdens and difficulty. The 6 of Wands, victory and leadership. The 6 of Cups, relationships, memories, and simple joys. The 6 of Pentacles, sharing and mutual aid.

Please note also, this essay is 100% human-made by me. No AI was used in the writing or the art, all of which are my original creations. – Jen

April in the garden and the sketchbook, plus other news


Spring is in full bloom, and filling my head with ideas. Behold!


Out and about

The garden is up and running – largely without me, I admit. The daffodils are especially robust this year. (I wish I could say the same for the studio lighting or my poor old camera.)


A little sketchbook tour

Inspired by the energy of the season, I’ve been letting all my ideas make their pitches. Those glorious daffodils again, this time in two vases. This year’s solar eclipse – from photos. We didn’t get totality over Massachusetts, so while I took a moment to observe the partial over my studio (safely!), I also watched the totality over and over, live on NASA tv. The little Medusa concept doodles happened because I am convinced Medusa and the Gorgons were solar mythic beings. Next, ephemeral springtime forest plants – North American bloodroot flower and fern fiddleheads. (Did you know, that part of the violin is both named and designed after the plant?) All of these sketches are plans for future artworks.

The color sketch was just testing out some watercolor pencils. I’m not particularly in love with this set, but the SATOR design is an idea in development for some typographic abstracts. The SATOR square is one of the oldest good-luck charms in western culture, found decorating doorways of ancient Roman buildings.

And finally, testing out different pens – a dip pen, a bamboo reed pen, and a fountain pen – the one in black. I sketched with a glass pen, too, but forgot to photograph it. I like them all, but I think the reed pen gives that Real Artist vibe, at least in these little drawings.


In Other News

New small paintings are ready. I’m just editing the photos. I’ll post them separately, and they’ll be added to the shop soon.

An Alchemy of Dragons is on a brief hiatus. As I prepare to introduce the second protagonist, Iarius, and expand my characters’ world, I found I need to corral an explosion of plot bunnies. I also realized I made some mistakes in the earlier chapters. So I decided to pause, rework some details, and get more of the story written in advance of posting. Maps are being drawn. Character portraits are being designed. A world-building wiki is coming together as I go along. I’m pretty excited about the upcoming improvements. Watch this space.

An Alchemy teaser.

-Jen

New Art – Illustrations, a small painting, teasers in October


A round-up of what I’ve been drawing and painting lately.


New illustrations for An Alchemy of Dragons.

I decided to take pity on you all for once and split my longer chapters into two parts for easier reading on teensy-beensy little phone screens. Of course, each chapter still needs at least two illustrations, so that means more art!

Chapter 4 has been split into Chapters 4 and 5, with two new images. You can see these in the novel text, here, and get a close-up look in the Artworks Gallery, under Illustration, here.

jfries-alchemy-ch-4b-initial-10.15.23-72dpi-1

jfries-alchemy-ch-4a-dragon-10.18.23-72dpi-2


Chapter 3 is also going to get split. I need to do one new image for that. I’ll probably default to Ch. 3, Pts 1 and 2, rather than edit all the other page titles after it.


A Small Botanical Painting


Dog roses from my garden, pastel on paper.

I actually don’t work well with pastels in the traditional way, as a dry medium. I apply them wet, like watercolor paints. It gives me an interesting matte finish, like a more ethereal gouache. I intend to write about my process in the near future.


Teasers

Coming Next: The first illustration for Chapter 6 of Alchemy. Here’s a sneak peak of the sketch.



Still Inside My Head: October is the month for lunar art, don’t you think?


I’m thinking collage for this one.

Why, yes, I do take photos of the moon with a rubbish old point-and-click camera with no filters or proper settings, from my studio window in the middle of the night. Doesn’t everyone?

Happy Thanksgiving: Autumn Book and Pumpkin Pie

Well, the holiday season is officially upon us, and in the midst of life’s battles, I have to admit I have a lot to be thankful for. We have our health at my house (knock wood). I enjoy my work, my town, my friends. There are birds outside my window and cats sleeping on my bed. What more can anyone want?

Later, I’ll rant about all the things that are off the rails, going wrong, just plain nuts, and utterly intolerable, but that’s not what this weekend is for. Today, it’s about feasting and merriment, football, parades, and King Kong. You know, the traditions.

I finished rebuilding my blue sketchbook into an autumn book for sketching, journaling, and collecting field specimens, all the leaves, twigs, feathers, etc., I tend to pick up. I was inspired by the “junk journal” phenomenon, which is a great way to find beauty and function out of detritus. Even these gussied-up pocket inserts are part of my sketchbook practice, as I used them to work out experiments in paper building and collaging with natural botanicals. The binding is my favorite tetsuyoso style. Superficially, it resembles Coptic stitch, but this is in fact a very old binding from Japan. It lacks the external knots of Coptic, maintains neater tension with less fuss, and is flexible and resilient. Traditionally, the covers would be pasted on, but I adapted the Coptic method of sewing the covers on for a totally adhesive-free binding.

It might seem a little odd to make such a fancy thing just to sketch and brainstorm in, but kind of the point of being an artist is to get our thoughts outside of our heads, to make everything be an expression of how we see the world, to unify the inside and outside realities. So I think the book where I work out the kinks in my creativity should be a product of my creativity. This is what I came up with.


And I made the pie this year. It came out fancy, too. ๐Ÿ˜‰

JFries pumpkin pie 2019


Happy holiday, all. Enjoy. Relax.
Express yourself.

Current Projects on My Desk; Autumn Beauty in My Garden

Work continues on selected projects, including some treats for Halloween, as well as coordinating the illustrated essay on magic, using a writing tool Iโ€™ll talk about more in a future post.

But the grand theme of the start of autumn has been the garden. Ten-foot sunflowers (brown Autumn Beauty and light yellow-dark brown Lemon Queen), pink cosmos, and 60โ€™s-mod zinnias are off the hook, and the bees and butterflies are feasting to their heartsโ€™ content. Iโ€™ve been basking in the glory of these final days of growing and getting ready to dive into the darkness of winter.

current projects 9.30.19
sunflowers sept. 19
monarch on zinnia sept. 19
bee on cosmos sept. 19

Sketchbook Visit: They Say Practice Makes Perfect

Working on the words aspects of a couple of projects, which is not very visual as processes go, so I thought this week Iโ€™d share a glimpse into my sketchbook.

Iโ€™m training myself to do more drawing. My poor book – I made it at New Yearโ€™s, for encouragement, using a variation on the Japanese tetsuyoso binding – and now itโ€™s being filled with mad randomness. I think I have too much on my mind.

Journal sketch, Daedalus, and last season’s mums

I found these little chrysanthemum flowers floating loose in my journal from last October. They looked like suns to me, so I made this collage sketch, with another of my collection of fortune cookie messages, musing on the dangers of ideas, as in the Greek myth.

Daedalus's Promising Idea
Daedalus’s Promising Idea, collage with pressed mums

First art of 2018, journal and mushrooms

I heard somewhere once, many years ago, that at a certain latitude, if the sky is clear and you look due north at an unobstructed horizon, at the stroke of midnight on New Yearโ€™s night, you will see Sirius, Orionโ€™s dog, at its apogee, with winterโ€™s Orion setting to the west of it, and his mortal enemy, springโ€™s Scorpio rising to the east of it, and the two constellations will be equidistant above the Earth. So the story of Orion the Hunter, lover of Artemis, killed by the poisoned sting of Hera’s scorpion, marks the passage of winter and the new year.

I donโ€™t know if this is true, but I think it should be, and already, the sun is setting a little later, havenโ€™t you noticed?

This little journal collage is my first artwork of 2018. I’m calling it The Future of Orion, inspired by this video from the European Space Agency: Youtube Link.

The little snippet of text is my New Year’s dinner fortune cookie message. “Your fate is in no one else but you, in no hands but yours.”

Plus, I made some little crumpled-paper mushrooms – my first attempts – out of napkins. Super ephemeral, but I rather like them. I’ll play with these a bit more.

Happy New Year!