April in the garden and the sketchbook, plus other news


Spring is in full bloom, and filling my head with ideas. Behold!


Out and about

The garden is up and running – largely without me, I admit. The daffodils are especially robust this year. (I wish I could say the same for the studio lighting or my poor old camera.)


A little sketchbook tour

Inspired by the energy of the season, I’ve been letting all my ideas make their pitches. Those glorious daffodils again, this time in two vases. This year’s solar eclipse – from photos. We didn’t get totality over Massachusetts, so while I took a moment to observe the partial over my studio (safely!), I also watched the totality over and over, live on NASA tv. The little Medusa concept doodles happened because I am convinced Medusa and the Gorgons were solar mythic beings. Next, ephemeral springtime forest plants – North American bloodroot flower and fern fiddleheads. (Did you know, that part of the violin is both named and designed after the plant?) All of these sketches are plans for future artworks.

The color sketch was just testing out some watercolor pencils. I’m not particularly in love with this set, but the SATOR design is an idea in development for some typographic abstracts. The SATOR square is one of the oldest good-luck charms in western culture, found decorating doorways of ancient Roman buildings.

And finally, testing out different pens – a dip pen, a bamboo reed pen, and a fountain pen – the one in black. I sketched with a glass pen, too, but forgot to photograph it. I like them all, but I think the reed pen gives that Real Artist vibe, at least in these little drawings.


In Other News

New small paintings are ready. I’m just editing the photos. I’ll post them separately, and they’ll be added to the shop soon.

An Alchemy of Dragons is on a brief hiatus. As I prepare to introduce the second protagonist, Iarius, and expand my characters’ world, I found I need to corral an explosion of plot bunnies. I also realized I made some mistakes in the earlier chapters. So I decided to pause, rework some details, and get more of the story written in advance of posting. Maps are being drawn. Character portraits are being designed. A world-building wiki is coming together as I go along. I’m pretty excited about the upcoming improvements. Watch this space.

An Alchemy teaser.

-Jen

Get to know the artist: Springtime Edition

Happy Vernal Equinox Day! I thought I’d celebrate the season with a selection of some new and older works on the seasonal theme. No explanations. Not in any particular order. Comments and questions are welcome.

Enjoy!

Summer Series: The Diver

Jen Fries, The Diver, collage with artificial flowers on board, 16 x 20 inches.
Inspired by the Olympic Games.

New Work: April Moon

JFries april moon 4.22
Rabbit in moonlight
Moths dance
Returning home

This one is about the gifts the universe sends us, the treasures we pass by on the road.ย 

The moon was particularly beautiful over Somerville last night, when the storm clouds parted. It was bright enough to light my room, overcoming the street lamps. The wet air smelled of spring.

By the way, we call Aprilโ€™s moon the Pink Moon, not because it looks pink, but because it’s the month for pinks, the flower, to bloom. Indeed, my city is filling up with flowers now.

I repurposed one of my blue landscapes for this collage. Sometimes an image has more to say, and I will often revisit older pieces that seem like they want to go in a different direction. In fact, I wonโ€™t let go of a piece until Iโ€™m sure it is what it wants to be.

Happy Spring, all.

-Jen

Construction, Deconstruction… Reconstruction

JFries spring colors 2 3.14.2020
…any minor world that breaks apart, falls together again… — Steely Dan, Any Major Dude

Staying at home, maintaining physical distance, and working on a new piece for spring.

This is for the โ€œConstruction/Deconstructionโ€ group show at the Brickbottom Gallery, scheduled for April 16 – May 16. Details may change due to coronavirus, so watch this site for updates.

My experiment: โ€œPaintingโ€ dried flowers with thin skins of dyed tissue paper. The flowers were collected last fall, after they had gone to seed and dried naturally on the plants. I am trying to restore their summer colors. I like the effect – it kind of looks like paintings rendered in 3D. This work-table still life shows pink yarrow and hydrangea in progress. Far in the background, blurry behind my coffee cup are more yarrow, seaside goldenrod, and white pine, waiting their turn. The yarrow are from my own garden. The rest were collected from roadsides, and the hydrangea I actually found in a parking lot where it had been dropped by the wind. Iโ€™m not sure what Iโ€™ll do with the broken china and egg shell yet.

JFries work table 3.28.2020

Iโ€™d been tinkering with this technique for a while, but the disruption weโ€™re all going through with the coronavirus pandemic has inspired me. โ€œConstructionโ€ and โ€œdeconstructionโ€ are classic Art Words, more or less abstract concepts we creatives often dance around with. But as things kind of come off the rails around us, it occurred to me that โ€œreconstructionโ€ is what art really does. Artists see things, and take them apart, and then we put them back together, a little altered, interpreted, understood in some way, and made part of the human conversation.ย Our work isn’t done until we’ve got it all together again somehow.

Right now, a lot of us feel like weโ€™re watching things fall apart, but weโ€™ll get through these times. Nothing will be the same, but we can rely on the continuity of construction, deconstruction, reconstruction. The artists, writers, poets, musicians, etc., will tell the stories of how it all went down, and each of us will add our memories to it. Weโ€™ll reconstruct our world, with a little more weight of experience and a little more light of understanding.ย 

This process is slow and delicate, perfect for being under a stay-at-home order. And sometime after Iโ€™m done building my memories of last yearโ€™s flowers, this yearโ€™s flowers will be blooming everywhere.

Be well, friends.

In spite of everything, it’s Spring

JFries spring colors 2 3.14.2020

Wow. You wander off for a month and look what happens.

Iโ€™ll start by hoping everyone out there is okay and comfortable at home with lots of soap and disinfectants and everything they need. Weโ€™re all doing fine here at the apartment attached to the studio in charming, scenic Somerville.

I was going to tell you all about why I vanished again, but it was just the usual February lost-in-the-weeds stuff. The seasonal joys of taxes, insurance, and bureaucracy. That melting of the brain and spirit and knee joints that comes with the melting of winter. All my favorite creatives were posting stories about taking stock and starting over, and I was all set to jump on the bandwagon. World events intervened, however. Boy, did they ever.

So quick catch-up: February sucked the way February does. I did finally finish that damned dollhouse roof that had threatened to derail the whole ambitious project the dollhouse belongs to. Trust me, you didnโ€™t want to watch me do it. The project, by the way will be either a graphic novel or visual story, a suspense thriller set in and around this dollhouse. Working title: Orchid Beach.

I am committed to three public events with the Brickbottom Artists Association this year. Details will be posted separately. First up will be the Spring group show, โ€œConstruction/Deconstruction,โ€ in mid-April. Iโ€™ll be showing a new experimental project.

Right now, Iโ€™m listening to Pharrell Williamsโ€™ โ€œHappyโ€ and settling into preventative semi-self-quarantine – doing my part to flatten the curve on COVID-19. For the foreseeable short-term future, Iโ€™m going to be listening to a lot of music. Doing a lot of art and writing. Reading books. Binging tv with my sainted mother. Planning my garden and starting seeds. Desperately trying to train myself not to touch my face. (Aagh! I canโ€™t do it!!) Writing blog posts. No really this time. I promise.

I spent these first few days painting colored tissue paper onto dried flowers for that experimental project because, you know, when youโ€™ve just gotten loose from an endless hell of miniature roof shingles, you want to dive right into the most delicate, fragile, slow, difficult, tetchy-fussy project you can think of. It looks amazing, though. Iโ€™m really excited about it. Just wait till you see.

This coronavirus thing – Iโ€™m not going to sugarcoat or skip lightly over it. Itโ€™s pretty heavy. Iโ€™d be lying if I said Iโ€™m not a little nervous, mostly for my momโ€™s sake. But weโ€™re prepared, and we have each other and our friends. Weโ€™re about as on top of this game as anyone can be, I think.

Plus, itโ€™s Spring. The birds are courting. The flowers are coming up, the trees are budding. Itโ€™s hard not to have faith in the future.

Life carries on, and so shall we all. Weโ€™re going to wash our hands, maintain polite distance, be considerate of our neighbors, and get through this latest challenge. I decree it.

So jump on the comments or Facebook page and let me know how you plan to ride out the pandemic. Whatโ€™s on your play- and binge-lists? What projects will you finish? Where will you go for solitary walks, or will you write your play, or learn to bake bread, or work on the problem of human-powered flight?

For now, please enjoy some photos of the Orchid Beach dollhouse under construction, the first of several sets of teaser images to come.

Stay well and happy, all.

JFries Orchid House 3.14.2020
JFries Orchid House 2nd floor 3.14.2020
JFries Orchid House stairs 3.14.2020
JFries Orchid House downstairs 3.14.2020