Artist, writer, designer. I create collages, sculptures, books of art, fiction and essays, wearable art, journals and amusements for adults. My work tells stories about how we humans relate to our world.
I am spending this week making holiday decorations. There will be more paper bows like the first ones I made last year, plus paper mushrooms to make a “forest floor” around our tree and paper stars to twinkle above it and amongst its boughs. I’m having lots of fun playing with paper forms and surface treatments.
Also this week, I am working behind the scenes on an overhaul of this website. The new look will be brighter and livelier, with better organization. It will go well with some big projects coming up in 2019, including new books, dollhouses, toys, more of my Cities series of collages, and lots of art and writing experiments.
It’s been a crazy and distracted year, but I feel excited about the holidays and the new year. I’m ready to buckle down and get to work.
By the way, the new background image for winter is my own photo of white pines in Charlestown, at the Lower Mystic estuary.
Hello, all. It’s been a while. Things have been kind of crazy, y’know, the way they get. Anyway, I have been extremely busy with work and planning and organizing and birding and politics and preparing for gardening, and through it all, I have been shingling the dollhouse roof.
I’m going for the look of slate, and I hope you’ll think I got close. It’s been some fun on the Google, first looking up what slate generally looks like, then how to fake it with paint, then what slate roofs in particular look like, then how to build a slate roof, and from there deeper and deeper down the rabbit hole of roofing, skylights and all that sort of jazz.
The following images show some of what I came up with. I painted more manila folders with a small-scale slate effect and others with a copper effect, because slate or other stone tile roofs will often have metal flashing and gutters at their seams, and those will sometimes be made of copper, according to my admittedly superficial research. I went more for look than structural accuracy. In my defense, my neighbor, who is a roofer, says this is pretty much correct. I find it relaxing and fun to cover sheets of paper with faux paint effects. I’m not sure what that says about me as a person, but it would suck if I didn’t enjoy it, as I need to do a lot of it.
These photos are couple of weeks old, and more progress has been made since they were taken. The work is going quickly at this point, which makes it hard to take a break for blog updates. It is about time I began work on the characters who will play out their drama in this house, as well as the furnishings and props, too.
By the way, the blog’s new background photo is a shot I took of a tree on my street, against a wet, gray sky, the bare branches just getting knobby with their first buds. Springtime in New England!
These past weeks I’ve been working very hard on the dollhouse for my mystery graphic novel project. There were a couple of setbacks since January. I decided the acetate windows would not work for photography, so I had to cut them out and replace the mullion bars with toothpicks. Next, I realized the second floor is too dark to see into if the back roof/gable panel is in place, so I dithered for some time about how to fix that problem. But finally, all that was done, and today I put color on the exterior walls.
As you see, I went with a sunny yellow, which will be complemented by colors on the gingerbread ornaments still to come. Next, I will tile the roof, for which I painted card stock to look like slate. You can see a hint of that, dry-fitted with tape, in one of the photos.
As with most labor-intensive projects, it’s amazing how suddenly real progress can appear, and after months of slogging, the thing looks like it will soon be finished. It’s quite energizing.
It’s been a crazy several weeks, with a strained knee, two bouts of the flu, a blizzard followed by record warmth in February, and a nor’easter to usher in March like a lion, so I haven’t had time to put together a blog post until now. But progress has been made, and a new hobby has emerged.
On the dollhouse, the clapboard siding is finished at last, and I am working now on replacing the acetate in the windows with small wood frames. I found it difficult to focus a camera through the acetate, and in any event, I just didn’t like it all that much.
And the new hobby – wildlife-spotting around scenic urban Somerville. My at-home feeders serve a resident flock of about 15 resident European house sparrows, two pairs of house finches, one lingering junco, a mated pair of northern cardinals, several mourning doves, two blue jays, and the ubiquitous feral pigeons and gray squirrels. Meanwhile, near where I work my day job, I’ve also noticed a welcome return of water fowl to the Mystic estuary, where year-round herring gulls and summer-resident Canada geese have been joined by a pair each of red-breasted mergansers and mallard ducks, and some red-throated loons appear from time to time. This past month, I decided to break out the camera.
I continue to work on the dollhouse for my mystery project. Yesterday, I took a break to play with the light in my studio as it illuminated the rooms under construction.
I’m excited about this project and determined to finish this house over the next several weeks. I will also soon start work on the characters who will act out the drama to be set in the house.
Construction continues on my New England beach house project, using the Orchid dollhouse as the starting point. Ironically, while putting up clapboard siding, one manila strip at a time, I find myself cursing the noise of the workmen putting up clapboard siding, one wooden strip at a time, on the house across the street. Life / Art. I’m pleased with the effect of the paper clapboarding. You can also see a little of the interior and the kitchen cabinetry. This cozy-modern cottage will be the setting of a story about trying to get away from it all, as a graphic novel illustrated with collaged photos. Stay tuned for further updates.
I found these little chrysanthemum flowers floating loose in my journal from last October. They looked like suns to me, so I made this collage sketch, with another of my collection of fortune cookie messages, musing on the dangers of ideas, as in the Greek myth.
Daedalus’s Promising Idea, collage with pressed mums
I heard somewhere once, many years ago, that at a certain latitude, if the sky is clear and you look due north at an unobstructed horizon, at the stroke of midnight on New Year’s night, you will see Sirius, Orion’s dog, at its apogee, with winter’s Orion setting to the west of it, and his mortal enemy, spring’s Scorpio rising to the east of it, and the two constellations will be equidistant above the Earth. So the story of Orion the Hunter, lover of Artemis, killed by the poisoned sting of Hera’s scorpion, marks the passage of winter and the new year.
I don’t know if this is true, but I think it should be, and already, the sun is setting a little later, haven’t you noticed?
This little journal collage is my first artwork of 2018. I’m calling it The Future of Orion, inspired by this video from the European Space Agency: Youtube Link.
The little snippet of text is my New Year’s dinner fortune cookie message. “Your fate is in no one else but you, in no hands but yours.”
Plus, I made some little crumpled-paper mushrooms – my first attempts – out of napkins. Super ephemeral, but I rather like them. I’ll play with these a bit more.
Christmas is past. The new year is coming. It was just me and My Sainted Mother at home, keeping it simple, and the New England weather putting on show. Here are some photos of the view from my studio this morning and this afternoon, the moon and the trees, and our little, living, potted yule tree by the kitchen window.
What a hectic fall/winter its been since Brickbottom Open Studios and Thanksgiving. I will have to get caught up with what I’ve been up to — new ideas, photo safaris around my town, experiments with my new camera. In the meantime, here are a few shots of my worktable leading up to Yule. I was inspired by the amazing, rococo work of French artist, Laetitia Mieral. Check her out at her website, Merveilles en Papier.
I can’t really carry off full-on rococo. I love it. It’s gorgeous. I adore everything 18th century, but I’m possibly more Georgian than Baroque, more built-in cabinets than putti-painted ceilings. Still, enchanted by Laetitia’s work, I experimented with some paper bows, and some more modern-style baubles, to deck the halls for Christmas. Still learning.
Materials piling up on the wet media table.
Fun with painted stripes on standard sketch paper.