I have a Shop! And other doings

JFries bee on wildflower border

Happy Autumn!

Well! September got away from me a bit. I’m sure it did for many of us, what with one thing and another. Oh, well, we carry on. Pins and needles, needles and pins, as they say. The weather’s nice here in scenic, lovely Somerville, and fall is my favorite season. So I hope you are all safe, healthy, and ready for foliage, apples, and sweaters, because those are the things that keep us going in These Challenging, Unprecedented, and Extraordinary Times.

Let me catch you up on the studio news.

There’s Art for Sale!

Yes, you can actually buy it now. You will notice the shiny new Shop tab, above. It’s so pretty – and hard won, too, because this was the thing that held me up most of this month. You’d think, in the 21st century, it would be easier to create some linked pages and have them look decent, but it’s okay. I’m better educated on the backstage infrastructure of WordPress now, and I’m happy with this set-up.

The inaugural offerings are two of my artist books, The Doll’s House and The Sins of Icarus, a pair of affordable make-great-gifts items to celebrate hitting this milestone on my website. More works will be added as I get the pages looking the way I want, so watch this site, sign up for the newsletter, and/or follow me on Facebook for updates as they happen.

And if you are interested in any works I haven’t listed yet, please email me via the Contacts page.


Upcoming Exhibition

I will have a piece in “All Small” online at the Brickbottom Gallery, October 29 – November 22, 2020. Watch this site for details.


New Project in Development

A new assemblage is in the works, first of a series on the ghosts of old objects. This is one of those long-simmering, back-of-the-brain ideas. Finding an old paste brush on the street recently provided the missing hook for me to make it real. I figure October is a good time for lingering spirits.

Books, Bees, & Sunflowers

This month, I finally finished one of my projects, the re-binding of my Pictorial Key to the Tarot. You saw it in progress in my last posting. Below are some photos of the finished book.

The new cover uses the boards of the original cover wrapped in a one-of-a-kind decorative paste paper I made recently. I salvaged the torn, beat-up, original spine label, fading it a bit more with a lick of paint. The lines of fine black ribbon on either side of the spine are the exposed stitching attaching the cover to the book. I went with my preferred adhesive-free, sewn binding. The inside covers, front and back, have double pockets for notes, and I included five permanent ribbon bookmarks. As you can see, the book lies open very easily. Closed, it looks quite fetching on my bookshelf as well.

What else is going on? Flowers! Bees! The garden is a satisfying riot of gorgeousness and buzzing. We’ve suffered through some heavy heat and rain, but all is well on the flora and fauna front.

I learned today that the sunflower is associated with the women’s suffrage movement. It was used on a button of the National American Woman Suffrage Association for their 1867 Kansas campaign, and was Elizabeth Cady Stanton’s pen-name in the women’s newspaper, The Lily. (Elizabeth Cady Stanton Hometown Association) As 2020 marks the 100th anniversary of the ratification of the 19th Amendment, guaranteeing women the vote in the US, I’m feeling a little extra pride in my lovely, tall, nodding, giant flowers.

Also, exciting announcement, a shop-like arrangement is in the works. Watch this space for updates on when works will become available to buy. I’m a little terrified by the prospect, but it’s really happening. The paperwork is mostly in hand.

And if you haven’t yet subscribed to my monthly newsletter, do give it a try. It offers exclusive glimpses into my art practice and study, as well as things to do outside the studio. You can sign up here and receive three printable bookmarks as my thank-you gift.


The Pictorial Key to the Tarot, re-bound


In the Garden

Coming up for air

Surprisingly busy this summer, despite the distancing and closing. I hope you have been having a good summer, too, and enjoying the weather or at least beating the heat.

To catch you up:

Estuary Moon is viewable at the Brickbottom Gallery online, along with works by many other wonderful artists. You can find that exhibition here, through August 15.

I’ve been experimenting with new-to-me techniques, resulting in a new collection of small monochrome landscapes, acrylic on paper. You can find those under Artworks, here.

I’ve also been rebinding an old book from my library – a 1970’s hard cover edition of Arthur E. Waite’s Pictorial Key to the Tarot, a gift from my friends back in high school. It’s a low-budget, no-frills book, but it has sentimental value, so when the binding finally started to give up the ghost, I decided to rehabilitate it with my favorite non-adhesive book style, the Japanese tetsuyoso binding. It’s quite the job, as the 40-year-old glue did not want to come off, despite dropping pages. I had to do more cutting and reconstructing than I’d hoped, and I added some muslin to reinforce the spine, but it’s going well. The refurbished cover, dressed in one of my paste papers, is drying under weight as I write this.

Pictorial Key to the Tarot in progress


More reconstructed botanicals are coming up. White pine and goldenrod are in progress.

JFries new botanicals 8.2020

And I did a bit of housekeeping on the website – cleaned up the images, consolidated the books under one heading. The Artworks pages look cleaner and prettier now.

Outside the studio, it’s been pretty much gardening and birding round the clock. Well…I’m not going to any shopping malls, that’s for sure. The community garden is at war with our local city rabbits, but while others engage in brute force with brooms and hoses, I have entered into a psychological battle with one particular adorable fluff-nugget who has a fondness for bean tendrils. Yeah, okay, Peter Cottontail, but I notice he doesn’t touch the aromatic herbs, tomatoes, or turnip greens, so guess what this garden will look like next year? Buckle-up, Buttercup. It is brought.

We’ve also had a fun summer visitor to the mulberry tree outside our kitchen window. Camera-shy little thing – this is the best shot I’ve gotten of him – but from the color, the wing markings, and a brief glimpse of his beak shape, I believe this is a Baltimore oriole. The first I’ve seen in scenic Somerville. Judge for yourself, comparing my blurry photo to the entry in AllAboutBirds.org.

JFries oriole 8.2020
Sneaky glimpse through the bushes. It’s totally an oriole.

It’s not easy to write upbeat blog posts these days, what with all that’s going on. I’m not even going to say “in the world.” Let’s just call it – things are not swell in the USA, and yes, there are people to blame for that. I spend about as much time as most people worrying and growling over it. There is a lot of uncooperative BS being bandied about that I am completely over and done with, together with the people spouting it, and the horses they rode in on. Done. I’m just done. It makes staying home easier, at any rate.

But after all, my sainted mother and I and our immediate neighbors are all healthy, and there’s a Baltimore oriole outside my kitchen window. What have I got to complain about? (Okay, plenty, but you know what I mean.)

So take care. Be well. Wear your masks. And look out your windows. There’s probably something pretty and amazing out there that will lift you up and keep you going.


A walk in my garden

Deadline Slightly Blown: Zines, Loose Ends, and Something to Wear

As mentioned in my last entry, I was sick through much of October and had just over one week to try to complete four weeks of projects. I did better than I thought I would, and I’ve decided to cheat slightly by extending the spooky season to the end of this weekend, to finish a few things and tie off those loose ends.

Completed in October proper, two zine-type books: 

– “Masquerade,” featured last week, a book about masks, disguises, and false fronts. The hand-typed text is taken from dictionary clippings and famous quotes, and the illustrations are paper collage.

– “On the Emergence of Ghosts,” a mini collection of monotype prints. These are some of my favorites from a recent printmaking session. I first made the Rorschach-like blot prints with ultramarine blue acrylic paint on sketch paper. Then, before the paint was fully dry, I took a ghost print from the blot by laying over another piece of paper and folding and pressing it again.

Still progress from October:

– “Cemetery Dance,” a zine on a memento mori theme with quotes from Shakespeare.

– Mini mask cards, just some small toys.

– Die Fledermaus Crown, a piece of wearable art. This was my big project for the month, and I’m amazed I was able to get it about 80% done in a week. I wanted something wearable for Halloween, but I’ve been a little off masks; I need to think about them some more. Then the words “bat” and “crown” popped into my head. The first-draft idea was Dracula-esque, then it evolved into a kind of naturalist ode to bats, but you know what? It’s a bat crown. It’s neither possible nor appropriate for such a thing to be dark or quiet or serious. So it ended up inspired by the frilly, fizzy, champagne-popping operetta Die Fledermaus by Johann Strauss, the Viennese Waltz King. I figure it will be just as appropriate for New Year, which is when most opera companies perform Die Fledermaus. Maybe I’ll do a series of opera crowns. The Magic Flute is starting to suggest itself.

In any event, the crown still needs a little construction. The stars, moon, and moths need to be added. And it needs color because, yes, it’s going to be in color. But I decided it looks mad enough to share.

If I can finish these by end of Sunday, I will call October a technical success and take a few days off.

Die Fledermaus Crown in progress


On the Emergence of Ghosts


And also…

Milkweed pods from the garden

JFries milkweed pods 11.2.19
JFries milkweed pod 11.2.19
JFries milkweed seed 11.2.19

A stormy day over the Tobin Bridge, with cormorant in foreground

JFries Tobin Bridge with cormorant 10.28.19

Sunlight through a maple leaf

JFries maple leaf 11.2.19

The same sunlight on a little black cat, Junior Studio Assistant, Scipio

JFries Scipio in studio 11.2.19

October is masks, bats, and butterflies

We at the home attached to the studio have been sick as dogs since the middle of September, which is why I fell off the planet for a few weeks. But we are on the mend at last, and I’m racing to complete as many of my October projects as I can in these last few days of the month while still having fun.

First thing done: A zine titled “Masquerade.” It’s a little book of collages on the theme of disguise and falseness, social status and self-deception. It was inspired by Halloween, but of course, I took it in a weird, cynical, critical direction because that’s what I do. 😉 Soon, I’ll post information about hand-bound facsimile prints of this book, so please keep an eye out for that. Send a message via the Contact form or this site’s new Facebook page if you’d like to be notified when it is available.

I also attempted my first-ever video of a flip-through of the zine. Yes, it’s true, I have never tried to video anything before. I don’t know why. The video came out well, but the audio has an annoying buzz. Quick research suggests it’s probably something called a “ground loop,” having to do with the power adapter. I’ll have to solve that somehow without buying new equipment, such as a microphone like everyone else in the world uses.

Next, I’m cranking through to try to finish a wearable art object. It has bats on it! I don’t usually do wearable stuff, but sometimes you just have put on a bat. We love bats. This is Bat Week, though my wearable thing will be finished late because I didn’t know until this morning that this is Bat Week, and it’s already Friday.

I might not have time to finish the magic and reality essay book, but I’ll give it the old college try. Same with a zine about ghosts and an October-themed journal I’d very much like to make just for love. And I’ve been marbling and aging paper like a mad thing. All of this was supposed to be done over four weeks, but due to the aforementioned sick-as-a-dog-ness, I’ve had about one week of actual work so far.

In other areas of life, I have resurrected my vintage Olympia manual typewriter. Poor old girl needs a spa day, but I am so happy to be able to clack away noisily with her again. Most of the text in the “Masquerade” zine was made with her, and I can now print my fifty-word stories the way I want them to look.

The gardening season is winding down, but the raspberries aren’t quite done, and the sunflowers, zinnias and marigolds are nowhere near done. Bees and butterflies are still visiting so I won’t be clearing out anything for a bit yet.

Oh, and as mentioned above, I created a Facebook page for this site. Yes, it is the Evil Empire, and I have a dysfunctional relationship with social media, ranging from none to hostile. But needs must, and this is the 21st century, and if you can’t beat them, join them, and you can’t sabotage – um, I mean win – the game if you don’t play, so I have a page. If you Facebook, please join, follow, like, whatever it is people do, and drop me a message or a comment, ask a question, whatever you wish. I check the page just about every day, and will gladly respond in a reasonable time frame – health, work, and fate permitting. Click the button below to visit.


A sneak peak at Masquerade


Marbled papers and collected leaves


Bats have little hands with long fingers.


Monarch on marigold


Painted Lady on dandelion


Olympia!