Open Studios, November 23-24

You are cordially invited to visit with me at the Brickbottom Artists Open Studios event, this weekend, November 23 and 24, 12-5 PM each day.

Yes, I’m actually coming out of my house! I’ve been doing so much work that I decided to make one of my rare public appearances to show it off and tell people all about it. I’ll be displaying medium and small works on canvas, small works on paper, journaling/note cards, and tiny micro-zines, and I’ll be happy to answer questions and engage in sociable chit-chat.

Get event info here: Brickbottom.org.

Behold! A selection of the art I’m bringing to the event.

Meet and Greet the Artist

Technically, I’m not literally opening my studio. I’ve been a member of the Brickbottom Artists Association of Somerville since 2020, but I only live near, not in, the physical Brickbottom Artists Buildings. I’m what we call an Affiliate Member. (Though, to be honest, I’m really freaking close, just a few streets away.) So I am bringing my studio to you, thanks to a kind and generous resident who is hosting several Affiliates for this year’s event.

I’ll have pieces for exhibition and pieces for sale, and I’ll be there to say hi, chat you up, answer all your questions great and small, and generally make myself pleasant.

Start Your Holiday Shopping Early

This is a great chance to exploit my fever of experimentation, as I will be showing a wide selection of small artworks and handmade cards for mailing or journaling, all very easy to buy, carry home, and gift to loved ones or yourself.

Works on canvas are ready to hang. Art Books and micro-zines can take you on amazing journeys, as books do. Mini paintings can adorn any desk, wall, cork board, or table, easily. And journaling and note cards are the ideal chance to embrace Art as Lifestyle, with original, unique abstract paintings designed for work as journaling cards, bookmarks, or note cards.

Hand-painted abstracts for journaling, writing, or display.

Business Stuff

If you’d like to buy some of my art, please be advised I’m accepting cash only at the event.

Yes, I know, it’s terribly backward of me, but I do so few of these events that it would actually be less efficient to set up a system to process credit cards.

But I realize it’s inconvenient for many of you, so you can also buy art online, right now or any time between now and the end of the event on Sunday evening.

If there’s any art on this site you particularly like, email me, and I’ll let you know if it’s available and for what price. You can buy it online before the weekend and pick it up from me in person at the Brickbottom.

The journaling cards are $15 each, or buy three and get a fourth card free.

Be sure to ask me about any other special offers as well as ongoing or future projects on the event days.

Hope to see you there!

-Jen

The New Day, such as it is

Brickbottom and Joy Street Open Studios, Nov. 23 & 24

End of November Web Forecast: Expect an unseasonably heavy flurry of update posts from yours truly for the rest of this week.


Okay, it’s been a period of time. My last post was made the night before Election Day in the US, and by now, we all know how it turned out. Sigh.

I just want to say that, for me, nothing has changed from what I wrote then. I chose hope. I’m not googling how to change my mind after the fact, like many maga voters reportedly did. You can read the full pre-election post here, if you missed it earlier.

However, when I say I choose hope, don’t expect any pollyanna-ist reassurances here at Jen Fries Arts. No fluttering of the thing with feathers. That’s not my scene. My style of hope is the kind that spits out a bloody tooth and wades back into the fray, because where there’s a will, there’s a way, and I will be damned if I ever give up on what I know to be right.

Of course, it’s all been terribly inconvenient. There were emergency jettisons of certain social and personal connections, some of whom wouldn’t leave quietly. I still feel physically like I’ve been in a car accident. There’s My Sainted Mom who feels just as bad and just as pissed off. And on top of everything else, the cat’s been poorly, poor baby.

All of it utterly derailed what was supposed to have been a whole month of prep and info for my Open Studios event, which is scheduled to start – checks notes – frikkin this weekend. November 23 and 24.

So this is just to get you all caught up. Expect an unusual-for-me rush of posts about the Brickbottom and Joy Street Open Studios weekend here in quaint and romantic Somerville, MA. Also some website and shop updates. I’ll be doing all this work tonight and tomorrow, basically. Apologies in advance, but the new info will be good for you to have.

For starters:

Open Studios, November 23 and 24, at the Brickbottom Artists Building, 1 Fitchburg Street, Somerville, MA.

I’ll be sharing space with some colleagues in Unit B450, in the Bakery Building of the Brickbottom complex.

I seldom do these kinds of events, so this will be a rare opportunity to see me outside my little stoat burrow. I’ll be showing small to medium works on canvas or paper, hand-painted journaling cards, some micro-zines, and maybe some hand-made art books if I can finish them on time. I’m also up for chit-chat about methods, styles, affordability, sustainability, and life in the zombie apocalypse.

So if you’re around then and there, come on by. Info at Brickbottom.org.


Social Media.

I am now on Bluesky. If you use that platform, please look me up there @jenfriesarts.bsky.social.

I joined Bluesky as an alternative to Facebook, but I am still also on Facebook and Patreon. Of course, it’s all just social media with the usual nonsense, so …


Become a Subscriber.

I encourage everyone to subscribe for free to this website, comment on posts, and follow my projects and articles free of algorithmic interference.

Click the little blue WordPress Follow button at the bottom of this and every page to subscribe. And don’t forget to set your notifications preferences, because another upcoming update is that this blog will also serve as my newsletter, with a monthly round-up and other exclusive subscriber content in the new year.


Keep calm and carry on. See you soon.

-Jen

A new day comes: choosing hope at the crossroads

Hi, all.

Itโ€™s been almost half a year since I posted last, and the reason this time is that Iโ€™ve been pretty deep in the weeds, personally. There have been some developments in my work, some chronic health issues popping up, and some practical things that had to be addressed. But mostly itโ€™s been the same worry and stress that everyone has been feeling lately – politics.

Tomorrow is Election Day in the US, the last day for casting ballots and the first day of counting. Itโ€™s tomorrow as of the time of writing this blog post. By the time you read it, weโ€™ll be well into the process. I donโ€™t expect it to be quick, clean, or easy. It will likely be some time before we know for sure what path my country is going to take.

I wonโ€™t lie, Iโ€™m sick to my stomach about it, but in keeping with my personality, Iโ€™m more angry than scared. There are people I will never forgive for what theyโ€™ve taken from me and my world these recent years. Iโ€™ve lost friends and family connections to an ideological cult. My cynicism is a hot, inflamed mess. My capacity for trust is totaled, uncertain if it can ever be fixed. Iโ€™ve felt stuck, paralyzed, unable to commit to plans because I have no idea what conditions to plan for. The most fantastical and outlandish worst-case scenarios seem all too plausible now.ย 

Everything Iโ€™ve been doing, all the ways Iโ€™ve been presenting myself, the public image I project, itโ€™s all being second-guessed. Can I, like this, really operate in a new reality? Is this version of me even functional, let alone relevant, to any of the roads opening before me? And if not, how should I adapt? Which Jen should take over and where should she appear?

By 1:00AM, Tuesday, November 5, 2024 (though I guess itโ€™ll really be Wednesday morning), the last polls in the USA, in Alaska, will be closed and concepts will start transforming into things. Only then will we start to get a clear idea of what weโ€™re dealing with.

It matters tremendously, of course, but however it works out, Election Day is only the beginning. Itโ€™s just the day of making a choice. Doing things to realize that choice comes after.

Whether we end up regrouping to relaunch our opposition to ascendant fascism, or we celebrate democracyโ€™s win with sweeping actions to clean our house at last, we will need to dedicate the rest of our lives to curing the critical rot in our society. Iโ€™m coming around to the belief that this struggle will never end. It will return again and again, as outlined in an inspiring historical analysis by Heather Cox Richardson. And I kind of don’t mind that. I think this is what it means to โ€œfight the good fightโ€ and to โ€œkeep the faithโ€ โ€” to be willing to embrace that never-ending work as oneโ€™s self expression and the definition of oneโ€™s community. Thatโ€™s how โ€œAmericanโ€ should be defined, as a people who fight for freedom and stand against the forces of autocracy.

Iโ€™ve decided to get a bit of a jump on all the work, so to speak, with a series of blog articles on the topic of principles. Iโ€™ll get down to the granular texture on specific topics in later articles, but in this inaugural statement I want to make one thing clear.

I am a left-leaning, liberal progressive, and proud of it. I support progressive policies in the US, I give my vote to Kamala Harris for US President, and I want to state in as strong terms as possible that I provide no safe space – zero safe space – to haters and manipulators.ย 

If you are a racist, a sexist, misogynist, transphobe, homophobe. any kind of genderist, a corporatist of any kind, a fascist, an elitist, a denier of science, history, or simple facts, a warmonger or profiteer, or an extremist of any kind, you are not and will never be welcome here, because Iโ€™m done with all that crap. Thatโ€™s Point 1 in the post-election 2024 reality, whatever else it might be. It has always been what Iโ€™m about as a person, and it always will be. Simple as, end of.

I have only a tiny community right now, but it might grow – it could happen – and this statement will always be on this website, applicable to all people and situations. So if someday, someone has a problem coping with getting their bullshit called out, they were warned.

Iโ€™m going to wrap this up with words from the most famous American President ever to win a civil war, because I feel he captured that moment, this moment, and every similar moment more perfectly than I ever could.

And Iโ€™ll close my own words with one of my recent watercolors. Itโ€™s a very small painting of something very large. It is the sunrise.

It’s our turn now, all of us. Choose hope, people.

– Jen


The Gettysburg Address

Four score and seven years ago our fathers brought forth on this continent, a new nation, conceived in Liberty, and dedicated to the proposition that all men are created equal.

Now we are engaged in a great civil war, testing whether that nation, or any nation so conceived and so dedicated, can long endure. We are met on a great battle-field of that war. We have come to dedicate a portion of that field, as a final resting place for those who here gave their lives that that nation might live. It is altogether fitting and proper that we should do this.

But, in a larger sense, we cannot dedicate โ€” we cannot consecrate โ€” we cannot hallow โ€” this ground. The brave men, living and dead, who struggled here, have consecrated it, far above our poor power to add or detract. The world will little note, nor long remember what we say here, but it can never forget what they did here. It is for us the living, rather, to be dedicated here to the unfinished work which they who fought here have thus far so nobly advanced. It is rather for us to be here dedicated to the great task remaining before us โ€” that from these honored dead we take increased devotion to that cause for which they gave the last full measure of devotion โ€” that we here highly resolve that these dead shall not have died in vain โ€” that this nation, under God, shall have a new birth of freedom โ€” and that government of the people, by the people, for the people, shall not perish from the earth.

Abraham Lincoln
November 19, 1863

Meet & Greet Event: Yart Sale


It has a kooky name, but it’s a fun event. In Somerville’s city-wide Yart Sale, Saturday, August 10th, the local arts community open up their yards and front porches for impromptu art exhibitions and sales. It’s a relaxed way to get to know your more boho neighbors, soak up the culture of Our Fair City, and maybe pick up something beautiful for your home or a gift. I’ll be participating again this year, showing new and favorite works.

Rain is predicted, but the forecasts so far think it will clear out well before noon on Saturday, so we should be good to go. Just in case, the rain date is Sunday, 8/11.

Visit the Somerville Arts Council Yart Sale page for event details and an interactive online map of all the participants, HERE.

I will be on my porch, 12:00 to 6:00PM, with a short break at around 3:00.

I’ll be showing paintings and collages, artist books, and tiny art that’s great for bookmarks, journaling, and notecards. If you will be in the Somerville area this weekend, do stop by for a meet-and-greet.

Preview:

April in the garden and the sketchbook, plus other news


Spring is in full bloom, and filling my head with ideas. Behold!


Out and about

The garden is up and running – largely without me, I admit. The daffodils are especially robust this year. (I wish I could say the same for the studio lighting or my poor old camera.)


A little sketchbook tour

Inspired by the energy of the season, I’ve been letting all my ideas make their pitches. Those glorious daffodils again, this time in two vases. This year’s solar eclipse – from photos. We didn’t get totality over Massachusetts, so while I took a moment to observe the partial over my studio (safely!), I also watched the totality over and over, live on NASA tv. The little Medusa concept doodles happened because I am convinced Medusa and the Gorgons were solar mythic beings. Next, ephemeral springtime forest plants – North American bloodroot flower and fern fiddleheads. (Did you know, that part of the violin is both named and designed after the plant?) All of these sketches are plans for future artworks.

The color sketch was just testing out some watercolor pencils. I’m not particularly in love with this set, but the SATOR design is an idea in development for some typographic abstracts. The SATOR square is one of the oldest good-luck charms in western culture, found decorating doorways of ancient Roman buildings.

And finally, testing out different pens – a dip pen, a bamboo reed pen, and a fountain pen – the one in black. I sketched with a glass pen, too, but forgot to photograph it. I like them all, but I think the reed pen gives that Real Artist vibe, at least in these little drawings.


In Other News

New small paintings are ready. I’m just editing the photos. I’ll post them separately, and they’ll be added to the shop soon.

An Alchemy of Dragons is on a brief hiatus. As I prepare to introduce the second protagonist, Iarius, and expand my characters’ world, I found I need to corral an explosion of plot bunnies. I also realized I made some mistakes in the earlier chapters. So I decided to pause, rework some details, and get more of the story written in advance of posting. Maps are being drawn. Character portraits are being designed. A world-building wiki is coming together as I go along. I’m pretty excited about the upcoming improvements. Watch this space.

An Alchemy teaser.

-Jen

Get to know the artist: Springtime Edition

Happy Vernal Equinox Day! I thought I’d celebrate the season with a selection of some new and older works on the seasonal theme. No explanations. Not in any particular order. Comments and questions are welcome.

Enjoy!

Spring time signs of life – new art and new directions

Hi, all. Hope you’re doing well. Spring is literally just around the corner, with the Vernal Equinox next Tuesday, March 19. I’m very excited about it because it’s been a windy late winter here in lovely Massachusetts, and I live and work in a creaky, old, 1870s triple-decker. Locals will know what that means. I am tired of being cold. Granted, we could have a freeze as late as May because New England, but I cling to the straws I find.

I have two new paintings to share. Behold!

Wind and clouds with gull, watercolor and collage

Dogwood buds with junco, watercolor and ink

These are both views from my studio window, originally sketched on the same day, at about 11:00 AM. They will be added to the Artrepreneur shop shortly.

They’re also both experiments in mounting watercolors on canvas. Painting watercolor on canvas is tricky. You have to treat the canvas with a specially mixed primer, called watercolor ground, but honestly, I don’t love it. I like my work to look and even feel a certain way, and watercolor ground is just not the surface texture I want. Plus, watercolor on ground is fragile. For me personally, it’s a lot of prep work for a substrate that’s not very stable, for a medium meant for a different surface. Many artists do amazing things with it, but it’s not my resonance.

But then I had one of my “Hey, wait a minute, Jen” thoughts. Don’t I build collages on canvas all the time?, I said to myself. Why yes, I do, now that you mention it, I said back to myself. So why don’t I mount some paper on some canvas and then paint on it? Duh!

So I’ve been experimenting.

Wind and Clouds with Gull is watercolor, gansai, pastel, pencils, and collage on rice paper on canvas.

Dogwood Buds with Junco is watercolor, gansai, pastel and ink on drawing paper on canvas.

More experiments are upcoming with other papers and media. I think this is going to be a regular thing. I really like it. The wheat paste I make for collage shrinks in drying, tightening up the canvas like a drum. Maybe I’ll make a video of it, so you can hear it. It results in a gorgeously flat surface with no buckling or cockling, and a finished work that’s ready to frame and hang. I can’t think why I never thought to use this for painting and drawing before. Silly me.

Anyway, that was the first big breakthrough of 2024.

I suppose the fact that they are paintings is kind of also a breakthrough. Collage is and always will be the most direct glimpse into how my brain works, but there’s actually a practical problem-solving reason why I am doing more mark-making work. I’ll write about that in future.

Other practical problems that need solving are being addressed this year as well. Watch this space for adjustments to the Newsletter and the Patreon, both of which will continue to be free, so you should totally sign up for them. There will also be new ways to acquire original, bespoke, Jen Fries artworks of your very own, so brace for joy on that front.

An Alchemy of Dragons will be undergoing some renovations, too. It turns out that writing a serialized novel is kind of like producing a reality series about a fictional series in which the characters build a suspension bridge, for which you actually build a suspension bridge. I’m bringing in co-protagonist Iarius Venzo as well as at least one subplot, and I’ve been quite literally at the engineering drawing board, because, you know, you can’t just do the thing. You can’t just sploop it out onto the internet. You have to build, design, construct – like a collage. Or a Werner Herzog movie.

I’ll write about that process in the near future, too.

Anyway… Spring!

-Jen

Happy Year of the Wood Dragon 2024

A dragon in a thicket, An Alchemy of Dragons, Ch. 2


Happy lunar new year, everyone! I hope your winter has been cozy and all is well with you and yours as the Year-Beginning Season comes to its close.

I love that the universe gives us three chances to start every new year over the whole winter. We get the solar new year at the Winter Solstice, the astronomical new year at Earth’s perihelion in the first week of January, and now the lunar new year, which was celebrated yesterday.

Considering how dragged out many of us were in December and January, getting to count February as an additional start is especially welcome.

However, proceed with caution. 2024 is the year of the dragon, which is a double-edged sword. If you were born in a dragon year, it’s all good, but if you were born under a different sign, you’d better check your auspices. Rabbit-year folks like me, for instance, are advised to look both ways crossing the street, stay out of fights, take our vitamins, and generally behave like smart little bunnies.

I’ve checked Chinese astrology, western astrology, and western numerology, and overall, they all promise a year of great change and a mixed bag of challenges and opportunities. So … yeah, looking at what’s on our plates already, buckle up, kids. It’s going to be a ride.

That’s why I chose the illustration above as my greeting to you. That dragon was in quite the tangle in An Alchemy of Dragons, Ch. 2, but our protagonist, Erran, was able to use the brambles to make his escape. In real life, thickets are nurseries where new forests are born. They offer traps for some and havens for others. Little critters who learn the ins and outs are safe in there. They can find everything they need – food, water, shelter – and come and go as they please. Blundering clods like hunters, on the other hand, can barely get in, and if they force their way, they’ll have a job getting out again.

I think that’s appropriate for this year.


I’m sure you noticed that it’s been another while since you heard from me. I’m doing the stuff, but I can’t quite decide how I want to present it to you.

New small paintings are coming to the shop soon.

I’ve been reworking the structure of the Alchemy of Dragons serial, which may require adding material and reorganizing the chapters again, but I am very pleased with what I’ve got. I had been using the wrong plotting system, and the deeper into the story I got, the harder it was to plan what should come next in the telling of it. Putting together a system that works for me became my main winter project, and I feel like I’m on a much better track now. I’m as optimistic as I ever get.

Video and audio experiments are also in progress. Watch this space for further news on those.

Finally, just about all my online tools need refreshing. Figuring out the best options is an ongoing puzzle. There will be tweaks to the website arrangement, the newsletter, Patreon, and subscriptions. Nothing shocking, but hopefully some functional improvements, like my writing system.


I have a feeling a lot of us have been gnawing things over in our burrows all this winter, but the celestial clocks have turned, and the new season is just about here. Yes, in damp, icy Massachusetts, we just got another winter storm advisory for next week, but the days are undeniably longer and brighter. Buds are developing on trees, the backyard birds are already starting to sing and pair up, and I started spring cleaning today.

So Happy New Year!

Jen, a rabbit in a dragon year.

-Jen

The Month that was November

I have been writing, arting, businessing, and planning, and youโ€™re going to have to take my word for it because I forgot to do the updating (and several other -ings as well).

But no, for real, did the things. I drew. I painted and collaged. I experimented with some still raw, in-the-seed ideas. I wrote and illustrated. I prepped several projects. I did a secret thing I’m not going to talk about yet.

I just didnโ€™t mention any of it to you guys. The Communications division of me is feeling a bit exasperated with the Studio division of me.ย 

Oh, well, I’m telling you now. Letโ€™s get into the update.


An Alchemy of Dragons

As you know, Chapter 6 was posted earlier this month. Read it here.

Chapter 7 is about half written so far. Hereโ€™s a glimpse into the current draft:

The first tone of the concert seemed to rise from the Bard of Pernaโ€™s fingers of its own accord, tight, hard, building tension until it broke into an arabesque of notes sparkling through the air like the sunlight itself.

He let the passage fade into silence, then repeated, and with it, the Lady of Arrak rose and began to dance. His music and her movements were relaxed and breezy. Her veils floated and subtly slipped away, exposing slender bare arms, then a hint of a colorful bodice, all grace and tender gestures


November Art Highlights

Studies for seasonal paintings.


Illustrations for Alchemy Chapter 6 were posted.


Studio Assistant Princess LunaLynx posed for a photo shoot.


“I have traveled far to share this with you,” collage postcard with asemic writing. This was a mark-making exercise, related to a workshop idea in development. It resulted in a two-sided art object and an examination of my creative process.


And I have a question for you!

Little by little, I’m organizing my online realm and figuring out how all the knobs and buttons work. The next phase is to integrate all the parts of the Jen Fries Arts Community, i.e. all you wonderful folks who subscribe or follow in the various ways. I’m going to be tweaking some features of the website and adding some more ways for us to interact, but I need to plan which skills to learn and gear to acquire next.

I would love to get some guidance from you via the form below. Let me know what you’d like me to develop for our little circle, and I’ll see what I can do about it.

Go back

Your message has been sent

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Choose the features you’d enjoy as a member of the JFA Community. Select all that apply.
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Thanks!

– Jen

Magical Art for Halloween – Hunter’s Moon collages and a magic fantasy flight

October is the Hunter’s Moon, and this week, it was big and bright, and lit up the broken clouds in silver and gold. I decided to celebrate with some collages.

I’ve been deep in painting for the Alchemy of Dragons illustrations, so it’s been a while since I did a collage, which has been a mainstay of my work for many years. It was interesting to compare the two processes.

Painting is straightforward. I sketch and plan. Finalize the image. Recreate or transfer the line art to the painting surface. Select the palette. Do the doing. It takes as long as it takes.

Collage takes its time, too, but it’s a wilder ride. It’s a deep dive into my mind. It’s like memory recovery hypnosis. It’s like dream analysis. Nothing is planned or designed. A vision is in my head – a thing is seen or thought – and wants to become art. In this case, it’s a real-life thing, the Moon on the 28th of October, 2023.

The actual Moon, photographed from my studio on the night in question.

But I didn’t draw a picture of it. I didn’t try to recreate the object of the Moon. I wanted to express the feelings it gave me. Complicated feelings and several of them.

I wanted to pull that Moon down to me, big and close, the way it felt when I looked up and the distance between me and it melted away. The clouds parting, and my little neighbors in their roosts, touched by its light. Taking a night walk, soaking up that cool glow amid autumn wind and flying leaves, in the season of witchery and ghosts.

I can’t sketch that out. I have to wander my way to such an image. I have to find the hooks to draw it out, piece by piece, to turn the ephemeral into the material. So I hit the collage files.

I pulled out papers, vintage clips, found materials, searching for pieces of what was brewing in the old noggin, anything that resonated in the moment. Dark blues and a rich black. Oh, look, some gold tissue paper, just like the clouds that night. A scrap of a copy of some Japanese textiles, this will give me the leaves I want. Wait – what stars are up this month? Consult the Old Farmer’s Almanac! Collect paint, ink, pencils. Cook some paste.

I pulled out so much stuff, and then began the process of combining and recombining, adjusting and problem-solving until two stories emerged. One on paper. One on canvas.

Hunter’s Moon and Cassiopeia, collage on canvas, Jen Fries
Admiring the Moon, collage on paper, Jen Fries

It took up my whole freaking workspace, much to the annoyance of Studio Assistant Princess Lunalynx, who likes to nap in the sun on the main table. Holy smokes, there was a lot of clean-up. I’m still holding out the unused materials, in case more Moon or Halloween ideas come to me – the ripples and echoes still bouncing around.

Collage will always be a vital part of my creative practice because it teaches me about myself. The process of selection and composition mirrors the way my mind works and how I construct my ideas. Chaotic. Messy. Quirky. Full of references. And of the school that says that even the most unrealistic image will be realistic if it captures the real essence of a thing – if it speaks to a person’s emotions – if it makes you feel like you were there, like you had that dream, too.

Anyway, that’s the goal.

These works will be added to the Artworks gallery and my shop very soon.


I did the Alchemy Chapter 6 illustration, too. I’ll talk more about this and its accompanying chapter initial in another blog post, but for now, thrill to the world’s first glimpse of our main protagonist, Erran Fox.

Here he is, with Squirrel Nutkin and the aura-horse Maedrephon, flying towards the sunset, in search of a bard who can charm dragons.

… flew the distance as fast as the wind itself …
pen and wash in pastels, on paper

Chapter 6 is expected to hit the website by the end of this week. Watch this site.


Our Halloween is a little pauce this year. We’ve had too many headaches and joint issues, both me and My Sainted Mother, too many distractions, and too much disappointment with our fellow humans.

But I still found some moons and some magic. Plus, I see it’s 1:30 AM as of this writing. The day is young.

Happy Halloween!

-Jen