Finding Magic: a winter small works series

How to stay hopeful when it all gets to be just too much seems to be the question of the day, at least among the Youtubers and pundits I follow. How to weather the slings and arrows, pick yourself up and dust yourself off, and all that.

Well, honestly, I’ve always been too bloody-minded to lose hope for very long. Don’t get me wrong, I’ve had plenty of dark nights, but I get too angry at the effrontery of upstarts to meekly accept whatever they want my fate to be. To me, hope has never been the thing with feathers fluttering in the deep recesses of the heart. Rather, it’s the thing that spits out a bloody tooth and wades back into the fight for another round.

Life has been a real fight lately, hasn’t it? We’ve all been well and truly in it, and there’s no end in sight. Here at the house attached to the studio, we’ve been dealing with medical crises and all the attendant crises that come along with needing urgent help. Don’t worry, it’s working out. Life was saved. Sickness was cured. Needed work is being done. But this past month has been scary and exhausting and expensive, recovery and caring are not yet finished, and neglected work, home, garden, etc., knocked into the proverbial cocked hat by personal disaster, are demanding to get back on the agenda. Time is ready to march on even if I’m not.

So, when all has fallen into confusion, when I’m hopelessly behind on every task, exhausted to the point that I can’t even sleep, and the 10,000 things rush to fill every hour of the day, I open my eyes and look for the patterns in the chaos. This is what I call magic. To find the hidden structures that reveal the sense of it all. Thus I orient myself, ground and center myself, and gradually regain control of my reality.

Art and storytelling are my arcane methods for that.

I cast spells to shine clear lights on dark things, draw boundaries, invoke powers, steer and shape energies, and explore mysteries – until I feel pulled together enough to stand stably on my feet again.

And this year, because we’re all really going through it, I’m sharing my magical explorations with all of you. From now through at least New Year – maybe to spring, I’ll see how it goes – I present “Finding Magic,” a small works series celebrating the winter months of 2025-2026.

Talismans and amulets, tiny things to accent a threshold or guard a book. Symbols of power, resilience, prosperity, emotions. Worlds in the palm of your hand. Portals to other realms. Small wishes to bring good things into challenging times.

In the northern hemisphere, where I live, winter is the season for new beginnings, containing as it does not one but four new years – the solar new year of the winter solstice, the astronomical new year at the close of the calendar, the planetary new year at Earth’s perihelion, and the lunar new year in February. It’s a season for resting and resetting, for looking back and ahead, for personal transformations, for the quiet inner work of healing and growth.

With “Finding Magic,” I invite you to come along with me as I do that work for myself and offer what I find to you.

There seems to be a trend – or I’d like there to be a trend – of artists celebrating the end of the year with affordable small works series to tell the story of the year that was. “Finding Magic” is about pulling ourselves together to wade back into the fight next year, stronger, refreshed, clear-eyed, and empowered.

It will be all small items in various media, priced for any budget at under $50 and under $100 depending on the piece. Follow this site for updates as new pieces are finished.

Jen Fries, Eye Amulets, pastel, watercolor, and ink on paper, roughly life-sized, $25 each, part of “Finding Magic.” Display, carry, use for ornament, journaling, or to ward off unwelcome pests and gossips. Email me if interested.


And if you happen to be in the Boston, Massachusetts, area this weekend, stop by the Brickbottom building in Somerville for our Open Studios event, November 22-23, 12-6pm. Info here. I’ll be in Unit C322, showing the first of the “Finding Magic” pieces along with larger works on similar themes.

Happy Holidays! A gift from me to you

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In Season: Winter

Winter is a season of challenge and rest. It’s a time of stark beauty, quiet light, and endless space. In winter, we see right down to the fundamentals of things, and we make the most of what we’ve learned the rest of the year. Winter is the end of one chapter and the beginning of the next. Here are some paintings and collages, celebrating this season of contrasts. Happy Holidays!


Climate Series: The General Sherman Tree, finding inner strength

Jen Fries, Standing: Portrait of the General Sherman, watercolor, ink, and collage on canvas, 14 x 18 inches

Standing: Portrait of the General Sherman.

Some of you may recognize this tree, if you’ve ever visited Sequoia National Park in California. It is one of the ancient redwoods of North America, over 2500 years old, the largest currently living tree, by volume, in the world. It is named for the American Civil War General, William Tecumseh Sherman. And it is one of the US’s natural treasures living under threat from climate change.

In 2021, staff and scientists of the National Park Service rushed to protect the General Sherman tree and many other giant redwoods when the KNP Complex wildfire burned through Sequoia National Park. Now, redwoods are adapted to fire and even depend on seasonal burnings to release their seeds. But climate change is making wildfires more frequent and more intense every year, and the 2021 fires were beyond anything recorded in the park before. No one knew if the trees could withstand the heat that was destroying everything else.

But survive they did, with bells on. In fact, after the fire, dormant buds of new branches, some dormant more than 1000 years, awakened and sprouted, among other amazing demonstrations of resilience and adaptation.

Faced with the relentless onslaught of bad news these past several years, I thought of the redwoods, and how nature provides inspiring and encouraging examples for every occasion. Adapt and thrive is the message here.

I believe that humanity has the inner strength to get through our challenges, much as the trees survived the fires of 2021. The struggle is far from over, but they are still standing, and so are we, still able to choose a better way forward.

I made this work to celebrate that strength. It belongs to my ongoing series on climate change. And of all the great trees, I chose to portray the General Sherman because, after all, he triumphed through fire, too, didn’t he?

-Jen

Mystery Mail Art launched today

Happy Artists Sunday, all.

Whatโ€™s that, you ask? 

Artists Sunday, always the first Sunday after Thanksgiving, is one of the worldโ€™s largest art events, dedicated to supporting and celebrating artists in our communities, and encouraging people to buy art as gifts during the holidays.

This year, for Artists Sunday, Iโ€™m opening a new project – a Mystery Mail Art subscription.

Now, you may look at the time stamp on this post and think, um, Jen, considering your time zone and all, arenโ€™t you a little late for Artists Sunday?

To which I would say, donโ€™t criticize my personal failings. This is just the opening day of a permanent rolling project that you can get in on at any time.

Check it out.

Mystery Mail Art

The concept is basically an art-of-the-month club – a chance for you to collect small original artworks.

I have a passion for these little things – handheld art, portable art, working art, daily life art. For every larger canvas or sculpture I finish, Iโ€™ve also made piles of journaling cards, mini paintings, micro-zines, pocket objects, and so forth. These fun, useful objects often donโ€™t get a lot of exposure.

Well, not anymore! As of today, the Jen Fries Mystery Mail Art subscription belongs to the most experimental, whimsical, category-busting art I make.

How It Works

Subscribers receive one or more small, original artwork(s) each month, for twelve months, via US mail. 

I choose what each subscriber gets, because I donโ€™t know in advance what Iโ€™ll be making. Hence, โ€œmystery.โ€ It could be cards, paintings, drawings, collages, micro-fiction or poetry, or anything else that comes out of my experiments.

$20/month covers the artwork plus shipping and handling. Your first artwork will be shipped as soon as possible after you sign up, with subsequent works mailed on a fixed date thereafter. Your subscription expires 12 months after beginning. Subscribers can cancel anytime, of course.

Quantities are limited. Iโ€™ll sign up only thirty (30) subscribers at a time. I know my limitations.

Iโ€™m using Patreon to manage this and future subscription projects for now. Their system is easy and reliable. Follow this link for the full details: Jen Fries Arts on Patreon.

If youโ€™re unsure, Iโ€™ll gladly send you one Mystery Mail Art piece for a one-time payment of $20. Email me, drop a comment on this post, or send the $20 via Paypal using the button below. Make sure to tell me it’s for one (1) mystery mail and provide your mailing address. You can opt to subscribe later whenever you like.

The kind of art you might receive:

Open Studios, November 23-24

You are cordially invited to visit with me at the Brickbottom Artists Open Studios event, this weekend, November 23 and 24, 12-5 PM each day.

Yes, I’m actually coming out of my house! I’ve been doing so much work that I decided to make one of my rare public appearances to show it off and tell people all about it. I’ll be displaying medium and small works on canvas, small works on paper, journaling/note cards, and tiny micro-zines, and I’ll be happy to answer questions and engage in sociable chit-chat.

Get event info here: Brickbottom.org.

Behold! A selection of the art I’m bringing to the event.

Meet and Greet the Artist

Technically, I’m not literally opening my studio. I’ve been a member of the Brickbottom Artists Association of Somerville since 2020, but I only live near, not in, the physical Brickbottom Artists Buildings. I’m what we call an Affiliate Member. (Though, to be honest, I’m really freaking close, just a few streets away.) So I am bringing my studio to you, thanks to a kind and generous resident who is hosting several Affiliates for this year’s event.

I’ll have pieces for exhibition and pieces for sale, and I’ll be there to say hi, chat you up, answer all your questions great and small, and generally make myself pleasant.

Start Your Holiday Shopping Early

This is a great chance to exploit my fever of experimentation, as I will be showing a wide selection of small artworks and handmade cards for mailing or journaling, all very easy to buy, carry home, and gift to loved ones or yourself.

Works on canvas are ready to hang. Art Books and micro-zines can take you on amazing journeys, as books do. Mini paintings can adorn any desk, wall, cork board, or table, easily. And journaling and note cards are the ideal chance to embrace Art as Lifestyle, with original, unique abstract paintings designed for work as journaling cards, bookmarks, or note cards.

Hand-painted abstracts for journaling, writing, or display.

Business Stuff

If you’d like to buy some of my art, please be advised I’m accepting cash only at the event.

Yes, I know, it’s terribly backward of me, but I do so few of these events that it would actually be less efficient to set up a system to process credit cards.

But I realize it’s inconvenient for many of you, so you can also buy art online, right now or any time between now and the end of the event on Sunday evening.

If there’s any art on this site you particularly like, email me, and I’ll let you know if it’s available and for what price. You can buy it online before the weekend and pick it up from me in person at the Brickbottom.

The journaling cards are $15 each, or buy three and get a fourth card free.

Be sure to ask me about any other special offers as well as ongoing or future projects on the event days.

Hope to see you there!

-Jen

Meet & Greet Event: Yart Sale


It has a kooky name, but it’s a fun event. In Somerville’s city-wide Yart Sale, Saturday, August 10th, the local arts community open up their yards and front porches for impromptu art exhibitions and sales. It’s a relaxed way to get to know your more boho neighbors, soak up the culture of Our Fair City, and maybe pick up something beautiful for your home or a gift. I’ll be participating again this year, showing new and favorite works.

Rain is predicted, but the forecasts so far think it will clear out well before noon on Saturday, so we should be good to go. Just in case, the rain date is Sunday, 8/11.

Visit the Somerville Arts Council Yart Sale page for event details and an interactive online map of all the participants, HERE.

I will be on my porch, 12:00 to 6:00PM, with a short break at around 3:00.

I’ll be showing paintings and collages, artist books, and tiny art that’s great for bookmarks, journaling, and notecards. If you will be in the Somerville area this weekend, do stop by for a meet-and-greet.

Preview:

Limited palette: abstract watercolors in April

Three new small paintings. These abstract landscapes express the light and weather of spring, using Prussian blue, yellow ochre, and burnt siena. I enjoy tonalism and limited palettes. I like to select some variation on the primary colors, or even just one color – Prussian blue is a favorite. The limitation does an end-run around my over-thinking and perfectionism and lets me get kind of Zen with light, shadow, and mood. It’s a liberating restriction.



April in the garden and the sketchbook, plus other news


Spring is in full bloom, and filling my head with ideas. Behold!


Out and about

The garden is up and running – largely without me, I admit. The daffodils are especially robust this year. (I wish I could say the same for the studio lighting or my poor old camera.)


A little sketchbook tour

Inspired by the energy of the season, I’ve been letting all my ideas make their pitches. Those glorious daffodils again, this time in two vases. This year’s solar eclipse – from photos. We didn’t get totality over Massachusetts, so while I took a moment to observe the partial over my studio (safely!), I also watched the totality over and over, live on NASA tv. The little Medusa concept doodles happened because I am convinced Medusa and the Gorgons were solar mythic beings. Next, ephemeral springtime forest plants – North American bloodroot flower and fern fiddleheads. (Did you know, that part of the violin is both named and designed after the plant?) All of these sketches are plans for future artworks.

The color sketch was just testing out some watercolor pencils. I’m not particularly in love with this set, but the SATOR design is an idea in development for some typographic abstracts. The SATOR square is one of the oldest good-luck charms in western culture, found decorating doorways of ancient Roman buildings.

And finally, testing out different pens – a dip pen, a bamboo reed pen, and a fountain pen – the one in black. I sketched with a glass pen, too, but forgot to photograph it. I like them all, but I think the reed pen gives that Real Artist vibe, at least in these little drawings.


In Other News

New small paintings are ready. I’m just editing the photos. I’ll post them separately, and they’ll be added to the shop soon.

An Alchemy of Dragons is on a brief hiatus. As I prepare to introduce the second protagonist, Iarius, and expand my characters’ world, I found I need to corral an explosion of plot bunnies. I also realized I made some mistakes in the earlier chapters. So I decided to pause, rework some details, and get more of the story written in advance of posting. Maps are being drawn. Character portraits are being designed. A world-building wiki is coming together as I go along. I’m pretty excited about the upcoming improvements. Watch this space.

An Alchemy teaser.

-Jen

Get to know the artist: Springtime Edition

Happy Vernal Equinox Day! I thought I’d celebrate the season with a selection of some new and older works on the seasonal theme. No explanations. Not in any particular order. Comments and questions are welcome.

Enjoy!