2026: A Wild Rabbit Year

This evening, as I was walking home with our New Yearโ€™s feast from Lotus Express Chinese restaurant, one of our wild city rabbits hopped out from a driveway and down the sidewalk in front of me.

North American cottontails donโ€™t dig burrows. They get through the winter outdoors, sheltering in bushes and under porches. This one was certainly on its way home to some preferred back yard where it knows it has a secure place to keep warm tonight and something for breakfast in the morning. As long as I didnโ€™t try to mess with it in the malicious way of those humans who think othersโ€™ discomfort is funny, it seemed content to share the sidewalk with me. So we lolloped along together for half a block. I lost sight of it when it rounded the corner ahead of me. It must have cut up another driveway to get behind the houses. 

I hope it was heading for our yard. We have the most trees and shrubs, thanks to my ambitious but overworked landlords. An accidental rewilding project.

I took this as a good omen. A rabbit-rabbit-rabbit charm, even if the moon is not yet full.

Rabbits symbolize fertility (obviously) and by extension prosperity. Theyโ€™re survivors who thrive against ridiculous odds. Tiny and fragile, they will throw hands (paws) without hesitation when threatened or just pissed off. Omg, those little hooligans will come at you with intent. I just love them.

So I presume to take this rare winter encounter as a good sign for 2026. Confirmation of a feeling Iโ€™ve been having.

A headline from one of the 2025 wrap-up articles I have set aside to read later says, โ€œThis year ended better than it started.โ€

I agree. Granted, the landscape is still rolling dumpster fires as far as the eye can see, and if I were betting on it, Iโ€™d say 2026 will get worse before it gets better.

But for the first time in a long time, I have the feeling it will get better, maybe even quicker than expected.

Thereโ€™s no particular event that makes me think this. Itโ€™s more a shift of energy. A societal mood swing. A ripple in the zeitgeist. A sense that people have had enough of this shit.

Which shit? All of it. All the 10,000 shits. 

A sketch of rabbits fighting in the spring.
When first you see the full moon’s light,
Say “Rabbit, rabbit, rabbit” thrice
For a month of fortune, joyous and bright.

I know Iโ€™ve had enough. My list of Things Iโ€™m Done With is long. Iโ€™m done with billionaires and maga, with marketing and media, with all the corporate shenanigans and snake oil. Just frikkin done.

And Iโ€™m done with a lot of myself, too. With old bad habits. (I need new ones!) With my waffling and procrastination, with half-assing my way through problems. With being so deep in the weeds, I have no idea where Iโ€™ve come to in my life. With my utter and complete disorganization.

When it comes to changing for the better, nothing just happens. You have to do it, and nobody does anything until theyโ€™re ready. Until they feel like it. Thatโ€™s when they make their move. Thatโ€™s when they quit smoking, change parties, leave that job, take that class, get out and vote, blow the whistle, clean their house.

2025 was horrible. No argument. I donโ€™t need to go over it all here. If you follow me, then you probably also follow the news. Itโ€™s been a historically horrible year.

But as of this writing, on December 31st, 2025, We the People are not the ones freaking out and trying desperately to cover our asses. I wonโ€™t say weโ€™ve taken control of the narrative just yet, but we have a grip on it, which is more than we had a year or even six months ago. It took us a whole year, but we finally have the ground under our feet again.

So despite skyrocketing costs, economic chaos, political violence, and a latter-day Nero fiddling with the White House as the dumpsters burn, I will take that little rabbit as a lucky charm. 

An omen of success against the odds, of building happiness by thinking quick, adapting to the circs, making do, creating a lot, and not being afraid to get into the fight when needed.

Thriving in 2026 might not look the way we expect, but lifeโ€™s too short to be long about the forms of it. Whatever comes, I know we can make the most of it.

Iโ€™ll put that up over my desk as a motto for the year. โ€œWhatever it is, make the most of it.โ€

Naturally, I have big plans, but I make no promises now. Between the world and the dramas weโ€™ve survived, we are embracing a lot of change here at the studio and attached apartment, so I have no idea what Iโ€™ll do or when. Iโ€™ll just say my focus in 2026 will be on experimenting with new-to-me forms and media. There are skills I want to learn, and skills I learned the past couple of years that will get new uses and presentations. Some of you might not be into it, but some might like it better. I hope everyone will find something good here. But however it goes, 2025 is ending with happy outcomes we couldnโ€™t have foreseen. I intend to make good on it.

And I hope you can find your own inner wild city rabbit this year, as well. Find the resources you need, whatever form they come in. Throw down and thrive. And when the odds are against you, ignore them. Winners donโ€™t bet against themselves.

Happy New Year, everyone!
Letโ€™s get into it.

Note: This essay contains 928 words, which according to western numerology, reduces to 10 and then to 1. So do the numerals of 2026. In tarot, 10 is the number of the Wheel of Fortune, and 1 is the number of The Magician. Interpretation: 2026 is a chance for us to direct our fate. I might write more about this at a later date.


Some of the work I did in 2025.

After Open Studios, Time to Relax and Say Thanks

Well, I’ve just about settled down from the rush of Open Studios at the Brickbottom Artists Building in Somerville. It was a great weekend, despite a rainy start. The energy was terrific. I want to thank the wonderful folks who bought art from me, as well as everyone who stopped to talk with us about our work.

Also all the OS organizers who worked like mad and did a great job, our lovely hosts who opened their loft for us, and my fellow artists with whom I shared the space. It was a blast, thanks to them.

Now midnight approaches, soft jazz plays, and my cat is asleep on my lap as I write this quick note. As soon as I click the Publish button, I’ll shift her so I can go to my own bed, absolutely exhausted – and start afresh tomorrow.

I’ll end with this: Many of the Open Studios visitors told me they were feeling inspired by all the art and meeting the people who made it. They felt excited and interested and wanted to take up creative hobbies again that they had dropped for one reason or another. I can’t tell you how happy that made me. I deeply hope they do it, all of them.

Today’s world is so inhibiting, even discouraging against us expressing ourselves. Before we take the first step, we convince ourselves we’re not good enough. Even to try is just too pretentious of us. But that’s just bullshit.

Art is one of the most basic human things in all of life. It’s like walking and talking – a natural impulse. But it’s not brain surgery. No one will suffer if we screw up an art project. So don’t hold back. Don’t worry about results, or winning approval, or any of that. Just do it. Slap some color onto a piece of paper. Squish some clay. Write down some words. Decorate that cake. Pick up that ukulele. Do it just to please yourself, not for likes or subs. It’ll make things better, I promise.

Good night, everyone, from the EST time zone, and thank you. Never stop creating.

Thanks to my colleague, Amy Norrod, for these photos of my art and set-up.

The New Day, such as it is

Brickbottom and Joy Street Open Studios, Nov. 23 & 24

End of November Web Forecast: Expect an unseasonably heavy flurry of update posts from yours truly for the rest of this week.


Okay, it’s been a period of time. My last post was made the night before Election Day in the US, and by now, we all know how it turned out. Sigh.

I just want to say that, for me, nothing has changed from what I wrote then. I chose hope. I’m not googling how to change my mind after the fact, like many maga voters reportedly did. You can read the full pre-election post here, if you missed it earlier.

However, when I say I choose hope, don’t expect any pollyanna-ist reassurances here at Jen Fries Arts. No fluttering of the thing with feathers. That’s not my scene. My style of hope is the kind that spits out a bloody tooth and wades back into the fray, because where there’s a will, there’s a way, and I will be damned if I ever give up on what I know to be right.

Of course, it’s all been terribly inconvenient. There were emergency jettisons of certain social and personal connections, some of whom wouldn’t leave quietly. I still feel physically like I’ve been in a car accident. There’s My Sainted Mom who feels just as bad and just as pissed off. And on top of everything else, the cat’s been poorly, poor baby.

All of it utterly derailed what was supposed to have been a whole month of prep and info for my Open Studios event, which is scheduled to start – checks notes – frikkin this weekend. November 23 and 24.

So this is just to get you all caught up. Expect an unusual-for-me rush of posts about the Brickbottom and Joy Street Open Studios weekend here in quaint and romantic Somerville, MA. Also some website and shop updates. I’ll be doing all this work tonight and tomorrow, basically. Apologies in advance, but the new info will be good for you to have.

For starters:

Open Studios, November 23 and 24, at the Brickbottom Artists Building, 1 Fitchburg Street, Somerville, MA.

I’ll be sharing space with some colleagues in Unit B450, in the Bakery Building of the Brickbottom complex.

I seldom do these kinds of events, so this will be a rare opportunity to see me outside my little stoat burrow. I’ll be showing small to medium works on canvas or paper, hand-painted journaling cards, some micro-zines, and maybe some hand-made art books if I can finish them on time. I’m also up for chit-chat about methods, styles, affordability, sustainability, and life in the zombie apocalypse.

So if you’re around then and there, come on by. Info at Brickbottom.org.


Social Media.

I am now on Bluesky. If you use that platform, please look me up there @jenfriesarts.bsky.social.

I joined Bluesky as an alternative to Facebook, but I am still also on Facebook and Patreon. Of course, it’s all just social media with the usual nonsense, so …


Become a Subscriber.

I encourage everyone to subscribe for free to this website, comment on posts, and follow my projects and articles free of algorithmic interference.

Click the little blue WordPress Follow button at the bottom of this and every page to subscribe. And don’t forget to set your notifications preferences, because another upcoming update is that this blog will also serve as my newsletter, with a monthly round-up and other exclusive subscriber content in the new year.


Keep calm and carry on. See you soon.

-Jen

April in the garden and the sketchbook, plus other news


Spring is in full bloom, and filling my head with ideas. Behold!


Out and about

The garden is up and running – largely without me, I admit. The daffodils are especially robust this year. (I wish I could say the same for the studio lighting or my poor old camera.)


A little sketchbook tour

Inspired by the energy of the season, I’ve been letting all my ideas make their pitches. Those glorious daffodils again, this time in two vases. This year’s solar eclipse – from photos. We didn’t get totality over Massachusetts, so while I took a moment to observe the partial over my studio (safely!), I also watched the totality over and over, live on NASA tv. The little Medusa concept doodles happened because I am convinced Medusa and the Gorgons were solar mythic beings. Next, ephemeral springtime forest plants – North American bloodroot flower and fern fiddleheads. (Did you know, that part of the violin is both named and designed after the plant?) All of these sketches are plans for future artworks.

The color sketch was just testing out some watercolor pencils. I’m not particularly in love with this set, but the SATOR design is an idea in development for some typographic abstracts. The SATOR square is one of the oldest good-luck charms in western culture, found decorating doorways of ancient Roman buildings.

And finally, testing out different pens – a dip pen, a bamboo reed pen, and a fountain pen – the one in black. I sketched with a glass pen, too, but forgot to photograph it. I like them all, but I think the reed pen gives that Real Artist vibe, at least in these little drawings.


In Other News

New small paintings are ready. I’m just editing the photos. I’ll post them separately, and they’ll be added to the shop soon.

An Alchemy of Dragons is on a brief hiatus. As I prepare to introduce the second protagonist, Iarius, and expand my characters’ world, I found I need to corral an explosion of plot bunnies. I also realized I made some mistakes in the earlier chapters. So I decided to pause, rework some details, and get more of the story written in advance of posting. Maps are being drawn. Character portraits are being designed. A world-building wiki is coming together as I go along. I’m pretty excited about the upcoming improvements. Watch this space.

An Alchemy teaser.

-Jen

Get to know the artist: Springtime Edition

Happy Vernal Equinox Day! I thought I’d celebrate the season with a selection of some new and older works on the seasonal theme. No explanations. Not in any particular order. Comments and questions are welcome.

Enjoy!

Happy Year of the Wood Dragon 2024

A dragon in a thicket, An Alchemy of Dragons, Ch. 2


Happy lunar new year, everyone! I hope your winter has been cozy and all is well with you and yours as the Year-Beginning Season comes to its close.

I love that the universe gives us three chances to start every new year over the whole winter. We get the solar new year at the Winter Solstice, the astronomical new year at Earth’s perihelion in the first week of January, and now the lunar new year, which was celebrated yesterday.

Considering how dragged out many of us were in December and January, getting to count February as an additional start is especially welcome.

However, proceed with caution. 2024 is the year of the dragon, which is a double-edged sword. If you were born in a dragon year, it’s all good, but if you were born under a different sign, you’d better check your auspices. Rabbit-year folks like me, for instance, are advised to look both ways crossing the street, stay out of fights, take our vitamins, and generally behave like smart little bunnies.

I’ve checked Chinese astrology, western astrology, and western numerology, and overall, they all promise a year of great change and a mixed bag of challenges and opportunities. So … yeah, looking at what’s on our plates already, buckle up, kids. It’s going to be a ride.

That’s why I chose the illustration above as my greeting to you. That dragon was in quite the tangle in An Alchemy of Dragons, Ch. 2, but our protagonist, Erran, was able to use the brambles to make his escape. In real life, thickets are nurseries where new forests are born. They offer traps for some and havens for others. Little critters who learn the ins and outs are safe in there. They can find everything they need – food, water, shelter – and come and go as they please. Blundering clods like hunters, on the other hand, can barely get in, and if they force their way, they’ll have a job getting out again.

I think that’s appropriate for this year.


I’m sure you noticed that it’s been another while since you heard from me. I’m doing the stuff, but I can’t quite decide how I want to present it to you.

New small paintings are coming to the shop soon.

I’ve been reworking the structure of the Alchemy of Dragons serial, which may require adding material and reorganizing the chapters again, but I am very pleased with what I’ve got. I had been using the wrong plotting system, and the deeper into the story I got, the harder it was to plan what should come next in the telling of it. Putting together a system that works for me became my main winter project, and I feel like I’m on a much better track now. I’m as optimistic as I ever get.

Video and audio experiments are also in progress. Watch this space for further news on those.

Finally, just about all my online tools need refreshing. Figuring out the best options is an ongoing puzzle. There will be tweaks to the website arrangement, the newsletter, Patreon, and subscriptions. Nothing shocking, but hopefully some functional improvements, like my writing system.


I have a feeling a lot of us have been gnawing things over in our burrows all this winter, but the celestial clocks have turned, and the new season is just about here. Yes, in damp, icy Massachusetts, we just got another winter storm advisory for next week, but the days are undeniably longer and brighter. Buds are developing on trees, the backyard birds are already starting to sing and pair up, and I started spring cleaning today.

So Happy New Year!

Jen, a rabbit in a dragon year.

-Jen

The Month that was November

I have been writing, arting, businessing, and planning, and youโ€™re going to have to take my word for it because I forgot to do the updating (and several other -ings as well).

But no, for real, did the things. I drew. I painted and collaged. I experimented with some still raw, in-the-seed ideas. I wrote and illustrated. I prepped several projects. I did a secret thing I’m not going to talk about yet.

I just didnโ€™t mention any of it to you guys. The Communications division of me is feeling a bit exasperated with the Studio division of me.ย 

Oh, well, I’m telling you now. Letโ€™s get into the update.


An Alchemy of Dragons

As you know, Chapter 6 was posted earlier this month. Read it here.

Chapter 7 is about half written so far. Hereโ€™s a glimpse into the current draft:

The first tone of the concert seemed to rise from the Bard of Pernaโ€™s fingers of its own accord, tight, hard, building tension until it broke into an arabesque of notes sparkling through the air like the sunlight itself.

He let the passage fade into silence, then repeated, and with it, the Lady of Arrak rose and began to dance. His music and her movements were relaxed and breezy. Her veils floated and subtly slipped away, exposing slender bare arms, then a hint of a colorful bodice, all grace and tender gestures


November Art Highlights

Studies for seasonal paintings.


Illustrations for Alchemy Chapter 6 were posted.


Studio Assistant Princess LunaLynx posed for a photo shoot.


“I have traveled far to share this with you,” collage postcard with asemic writing. This was a mark-making exercise, related to a workshop idea in development. It resulted in a two-sided art object and an examination of my creative process.


And I have a question for you!

Little by little, I’m organizing my online realm and figuring out how all the knobs and buttons work. The next phase is to integrate all the parts of the Jen Fries Arts Community, i.e. all you wonderful folks who subscribe or follow in the various ways. I’m going to be tweaking some features of the website and adding some more ways for us to interact, but I need to plan which skills to learn and gear to acquire next.

I would love to get some guidance from you via the form below. Let me know what you’d like me to develop for our little circle, and I’ll see what I can do about it.

Go back

Your message has been sent

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Choose the features you’d enjoy as a member of the JFA Community. Select all that apply.
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Thanks!

– Jen

For the Record, Jen Fries Arts is an AI-free studio

Well, I guess itโ€™s time for an official Jen Fries statement on generative AI. Here it is:

AI doesnโ€™t live here.

There is no AI in my work, and there never will be. I do not use AI, and I do not authorize any AI app to โ€œtrainโ€ on my work. I canโ€™t stop it until some proper legislation happens, but I do not give permission for it.  I will support my fellow creativesโ€™ copyrights by never posting any AI-generated content on my website or social media, as well.

I have strong and detailed opinions about AI that I wonโ€™t get into right now. Maybe later. If youโ€™ve read this far, you can tell Iโ€™m in the anti camp. I agree with the many well-articulated arguments about copyright, privacy, energy consumption, misinformation, and unethical business practices. Some of my loved ones feel differently. Weโ€™re working on peaceful co-existence.

The thing is, my work is analog. I make art with physical materials. I write words on physical paper. I drafted this statement in pencil while drinking tea on my porch and watching storm clouds break up. I have no use for AI, and there is no way it can be relevant to what I do.

I donโ€™t hate the technology, per se. AI shows great promise in the sciences, medicine, space exploration, robotics, and other typically unprofitable R&D fields. 

Unfortunately, the short-term profit is in what Iโ€™m calling Liberal Arts AI in entertainment, journalism, art, and other fields for which it is singularly ill-suited. Thatโ€™s what all the hype is about, and the effect of AI on these fields has been, um โ€” not good. Bad. Actively worse than useless.

Hopefully, the novelty of Liberal Arts AI will soon wear off, and it will go the way of NFTโ€™s. Anyone remember those?

Full disclosure: I do use randomization. I like to brainstorm with simple word and prompt generators. I toss coins, throw dice, and pull Tarot cards. As a collagist, I combine random materials and appropriated vintage images – all public domain, of course, I might add.

But I donโ€™t outsource my creativity. I donโ€™t ask someone else to draft my stories, do my research, lay out my compositions, or even make the actual piece for me to sign and take credit for. I express my ideas myself.

What does that mean for you? It means I can promise the following:

  • All works with my name on them are 100% my original creation.
  • All my communications are 100% me talking and writing.

If you find me inconsistent, unpunctual, and other annoying things, itโ€™s because Iโ€™m a human. You can take my moody, messy imperfections as proof of reality.

And since AI is already causing trouble with misrepresentation and fraud, I want to highlight some important, practical guidelines to protect you and me both:

  • There is only one source for Jen Fries art and writing, and Iโ€™m it. All my work is represented on my website, Jen Fries Arts. That is the hub for everything that comes out of my studio.
  • I decide where my work is sold. All authorized vendors and platforms are linked on my website. 
  • If you find my work for sale or giveaway on any site not linked on my website, it is not authorized and might be counterfeit. Please contact me.
  • If you see any work in a style similar to mine but not represented on my website, that is someone elseโ€™s work. Whether legit or not, it is not mine. Please contact me.
  • If you see any kind of work claiming to be made by me but not represented on my website, that’s a fake. Please alert me immediately.
  • If in doubt about the authenticity of any work, check this site and/or contact me at jenfries.artist@gmail.com.

Iโ€™m pretty sure my work has not been added to any AI data set, but the way the apps scrape the whole internet, itโ€™s only a matter of time. Donโ€™t be misled. Always check with me.

The bottom line is Jen Fries makes and sells Jen Fries work. If youโ€™re not getting it from Jen Fries, then youโ€™re not getting Jen Fries. Simple as. Caveat Emptor.

No AI here, thanks.

-Jen

Magic, Moons, and Masks

Happy October! Tonight, the full Hunter’s Moon is shining side by side with Jupiter at its closest and brightest, and Halloween is coming up fast.

I’ve always been inspired by things associated with this time of year. Magic and the occult. Myths and monsters. Dreams and the night. The masks we wear and what lies beneath them. And above it all, the beautiful, changing, eternal Moon.

To start the celebration of my favorite month and my favorite season, here is a selection of artworks I’ve made through the years, exploring these themes.

Getting a Little Perspective

So hi. How’s it going? It’s been a challenging few weeks, hasn’t it? Yes, it has. It freaking damn well has been challenging. And I’m sure those whose idea of fun is to make life harder than it needs to be have plenty more challenges in store for all of us.

But you know what? The hell with them.

Because you know what else happened since my last post? NASA started receiving the first images from the James Webb Space Telescope, and it’s spectacular! Here is NPR’s report about it.

Our universe is bigger, fuller, and more sparkly than I, for one, dared to hope.

To quote Jane Rigby, operations project scientists for the JWST, “Everywhere we look, there’s galaxies everywhere.”

It’s so wonderful, and honestly, by comparison, I’m just done with all the petty, trivial, back-biting toxicity that some people on our little planet want to waste everyone’s time with.

Look around you. There are galaxies everywhere! And flowers, and bees, and rainbows, and rabbits. The other day, I baked a cake with raspberries from my own garden. Here’s the recipe, courtesy of King Arthur Flour (an employee-owned company; no affiliation): Late Summer Berry Torte. It’s super easy, and you can make it with just about any fruit.

This is what matters in life.

So here’s what we’re not going to do: We’re not going to waste any more time with crap that doesn’t matter. We’re not going to let the bastards take away our rights, ruin our environment, get us sick again, or otherwise make our lives revolve around them, because they are tiny, stupid, pointless, and they don’t matter.

Here’s what we are going to do instead: We’re going to make art and look at art. Read stories and write stories. Eat yummy things. We’re going to keep everybody’s rights – period. We’re going to keep transitioning to clean energy and saving Planet Earth – period. We’re going to pay attention to the countless galaxies and stars sparking like jewels out there in the forever and ever.

And we’re going to know that this is the reality we all live in together, not some bleak, zero-sum, dead-end bullshit a certain bunch of raging randos dreamed up for themselves.

In the Reality Universe, we live in light, color, sparkles, and bunnies, and we have cake, so we win.

Sound like a plan? Good. Let’s get on it.

Updates from the Studio:

Summer Exhibition: “From Dark to Light,” July 14 – August 20, at the Brickbottom Gallery, Somerville. Visit their website for details and directions. I will be showing one of my Blue Lake paintings.

Poetry: Four new poems are up for reading. Click the Books & Writing tab to check them out. They were all written one sunny day when I was trying to work on my porch but got distracted by the perfection of the afternoon.

Web Novel: An Alchemy of Dragons, Chapter 1, is coming next week, around July 20, hopefully. Here’s a rough hint about the in-progress illustrations, from my sketchbook: